1983
Week 6
WEEK ENDING 5TH FEBRUARY 1983

TOP 40 SINGLES

TW ..... LW ......   ......  
1   1   Men At Work   Down Under
2   3   Eddy Grant   Electric Avenue
3   2   Phil Collins   You Can't Hurry Love
4   5   Belle Stars   Sign Of The Times
5   10   Kajagoogoo   Too Shy
6   8   Laura Branigan   Gloria
7   4   Wah   The Story Of The Blues
8   11   Echo And The Bunnymen   The Cutter
9   6   Joe Jackson   Steppin' Out
10   12   U2   New Year's Day
11   34   Wham   Wham Rap (Enjoy What You Do)
12   25   Joe Cocker & Jennifer Warnes   Up Where We Belong
13   7   Maisonettes   Heartache Avenue
14   17   Dire Straits   Twisting By The Pool
15   24   Indeep   Last Night A DJ Saved My Life
16   18   Fleetwood Mac   Oh Diane
17   19   Billy Griffin   Hold Me Tighter In The Rain
18   9   Keith Harris   Orville's Song
19   NEW   Tears For Fears   Change
20   NEW   Michael Jackson   Billie Jean
21   37   Jam   Going Underground / Dreams Of Children
22   NEW   China Crisis   Christian
23   16   Malcolm McLaren And The World Famous Supreme Team   Buffalo Gals
24   22   Melba Moore   Mind Up Tonight
25   35   Level 42   The Chinese Way
26   14   Incantation   Cacharpaya (Andes Pumpsa Daesi)
27   40   Central Line   Nature Boy
28   13   Stranglers   European Female
29   15   David Essex   A Winter's Tale
30   36   Jam   Down In The Tube Station At Midnight
31   29   Beatles   Please Please Me
32   NEW   Rockers Revenge   The Harder They Come
33   NEW   Prince   1999
34   23   Dionne Warwick   All The Love In The World
35   21   Madness   Our House
36   NEW   Haysi Fantayzee   Shiny Shiny
37   31   Sharon Redd   In The Name Of Love
38   NEW   Thompson Twins   Love On Your Side
39   NEW   Toto   Africa
40   20   Renee And Renato   Save Your Love


1   Men At Work   Down Under
I knew of these through their previous single, the number 45 peaking "Who Can It Be Now?" (much better single in my opinion). This one sounded as I imagine the Police would have sounded had they a sense of humour more often. We thought that they were taking the mick out of Australia, but they claimed that they were taking the mick out of our view of Australia, or was it the other way around ?
It gave them their sole top twenty hit anyway. Oh yeah, it spent three weeks at the very top of the pile. Hardly deserved, so I suppose that it was a trendsetter for what began to occur on a regular basis ten years and a couple of weeks later.


2   Eddy Grant   Electric Avenue
It was a real street you know, a street where Eddy grew up in Brixton or something. We have an Electric Avenue here in Nottingham, it leads to Toys'R'us !
All of Edward's previous singles sounded pretty much the same (or maybe that's just a problem that I have with reggae), so this was a nice change and gets my vote for his best ever effort. It also included his original version of the recent Rocker's Revenge hit "Walking On Sunshine" on the flip (but RR's version was better). It reached number two and his next hit came along five years later. And, the one after that was a remix of this one in 2001.


3   Phil Collins   You Can't Hurry Love
This cover of the Supremes hit surprisingly gave Phil the first number one single of his career. But rarely have four words rang more true than the four that make up the title of this song.
I was going out with (dating) Sue when she bought this. I'd first met Sue at the Legion Disco in November. She was the sister of Richard, who was the boyfriend of a girl from the village named Marcia. Sue was short, shy, very pretty, but never wore a skirt. I like women to look feminine, so she wasn't really my type. But I thought that she was really sweet, and liked her a lot. I'd sat and chatted to her and even indirectly asked her out when I had more than a little Dutch courage, but she'd declined, something to do with my hair being too long. So I thought that was that. Somehow on Christmas Eve, I'd found myself leaving the Legion Disco at the same time as Richard, Marcia and Sue. Marcia suggested going to church for midnight mass. It isn't something I would normally do, but I thought "Why Not ?"
I remember the church being packed with people, but not much more about it, except that we didn't stay long. After that the four of us walked down the road towards home. I decided to walk their way down Albert Grove and on to Stanley Grove where Marcia lived (Richard and Sue were staying there for the night). Somehow, Sue and myself ended up linking arms, just messing about really. But we were walking much slower than the other two and soon fell behind. We were laughing and joking as we got to Marcia's gate and I felt a little sad that the night was over. I said to Sue "I'll see you again sometime then, Merry Christmas". I didn't expect what happened next (remember I said that she was shy). She leaned forward and kissed me. A little shocked, I responded and we snogged for a few minutes. I then asked her if that meant we could start seeing each other, she replied "Yes, if you want to". So that was how it started. It was another significant moment, maybe THE most significant moment in my life. It diverted me from which ever road I was taking in life. Things were never the same after this. She lifted me out of the doldrums, made me happier than I'd ever been in my life, but I was left at my lowest ebb when it was over.


4   Belle Stars   Sign Of The Times
The biggest of the four hits enjoyed by this girl group. They were only around for a year as far as the top forty was concerned, but what they did in that time was fairly good, I really liked the album. They had been around since their debut single "Hiawatha" had flopped in 1981, but before that, they had been members of the Bodysnatchers. They hadn't actually left the Bodysnatchers, it was Rhoda & Nicky that had left after the others refused to sing politics. So, they just recruited a few more members, changed their name to the Belle Stars and made the best music of their career.


5   Kajagoogoo   Too Shy
Discovered/Produced/whatever by Duran Duran's Nick Rhodes, this debut single by the band shot quickly up the chart to spend two weeks at number one. Though they have been much derided in later years, this was a great pop single and fully deserved it's success. After two further hits, lead vocalist Limahl left for a solo career and Nick Beggs took over the vocals. But they only managed two hits without Limahl and exactly a year after their debut hit fell out of the chart, their final hit was spending it's last week in the chart.
Now, about what I said above: I may have only liked it because Sue liked it, so it may not have been that great a pop single.


6   Laura Branigan   Gloria
This was a continental foreign language hit for someone. Then Jonathan King got hold of it, wrote his own English lyrics, and failed to have a hit with it. Laura then recorded a completely different English version, and she DID have a hit. Great voice, great song and a lot of fuss was made over Laura's tight outfit, especially when she appeared on Noel Edmond's 'Late Late Breakfast Show'. It was the first of only two top forty hits for her, but we live in a far from perfect world anyway. It peaked at number six.
Personally, I think that Mr King's lyrics were just as good.


7   Wah   Story Of The Blues
I wasn't sure about this to begin with, but it eventually grew on me and sounds even better today. Still don't think much of the B side though. It was part 2, and was a daft talking over the music thing, not really a rap, just, a talky thingl, OK ?
After entering at number 34, it climbed to number 6, then 3, and then fell for the remainder of it's eight chart weeks.


8   Echo And The Bunnymen   The Cutter
Didn't like this one bit, I would have put it in the pile with Orville, total annoyance. But I quite like it now, not a bad track at all. It reached number eight.


9   Joe Jackson   Steppin' Out
This WAS a surprise. Three years previous, Joe released two excellent singles that both became major hits. But he seemed to ahve faded away since that time. He hadn't stopped recording, in fact a new Joe single could be heard on the radio every now and then. They just hadn't been commercial enough, nothing there to catch the public's imagination. But this one did it and reached number six.
Now I don't know whether it's down to the happiness in my life at that time, but I thought this was a really good single.
This was the last hit for Joe apart from the odd uncredited appearance on other act's singles.


10   U2   New Year's Day
U2's big breakthrough, after this single there was no looking back. They'd spent a couple of years on the fringes of success with 1981's "Fire" being their biggest success with a lowly number 35 peak. But this one went all the way to number ten and helped it's parent album 'War' to enter the album chart at the top.
If you're anywhere near a radio at a couple of minutes after midnight on New Year's Eve/Day, flick through the stations and you'll find this playing somewhere. As mentioned in the commentary for "E.T.", I was nowhere near a radio that night, I was in the lounge of the Great Western Inn with Sue. But this song reminds me of that New Year's Day all the same.
Early that afternoon I got on my Kawasaki KC 100 and rode the short distance to Marcia's house. A few minutes later, Sue, Marcia & Richard got into Marcia's Dad's (Dennis) car and I followed them to Sue's home. It seemed a hell of a long way on that freezing cold day, but it was only about six miles to that cottage up in the mountains. I met just about all the (very nice) family (loads of siblings), and there was that nice aroma that you get from those wood stove things. I stayed until about 9pm and we then said our very long goodbyes outside.
We saw each other every day after that (while it lasted). By a week or so later we'd got into a routine. On Monday and Wednesday, I would go to her house and spend the evening there with her and her family until about 10:00pm. That wasn't as bad as you may think, her Dad John, was a really nice man with a good sense of humour. For some reason he liked to call me "Harry Fenton", never quite sure why. Tuesdays and Thursdays, I would pick her up approx 5:30pm, take her to my house and then take her home about 10:00pm. On Fridays I would pick her up and we'd spend the weekend together until I took her back home on Sunday evening. So we spent a hell of a lot of time together in this particular New Year.


11   Wham   Wham Rap (Enjoy What You Do)
Much better than "Young Guns", it seemed lyrically quite good at the time. I'm not so sure these days though. Still catchy all the same and still gets my vote as a better than average single. Reached number eight.


12   Joe Cocker And Jennifer Warnes   Up Where We Belong
As most of us know this number seven peaking single was from the movie 'An Officer And A Gentleman'. It was Joe's first hit since 1970, and only his third top ten hit overall. What I remember most about this song though is the performance where Joe's arms were more animated than I've ever seen them, and I'm sure that watching his limb movements sent Jennifer cross eyed.


13   Maisonettes   Heartache Avenue
This band sort of evolved from City Boy (remember "5705" & "What A Night" ?). The singer 'Lol Mason' had a brother (twin I think), acting in the soap Crossroads at the time. The song was a very pleasant one with a sixties feel to it and it spent a couple of weeks at number seven. Nice follow up "Where I Stand" too, but that failed to chart.


14   Dire Straits   Twisting By The Pool
It actually sounded as though the band were standing up when they recorded this track, quite different from the usual laid back stuff. It was also surprising that they had released this instead of taking a second single from their 'Love Over Gold' album. There again, the said album only contained five tracks (all better than this one). This was the last new Dire Straits track we'd hear before April 1985, so it's a pity that it was a little disappointing, reached number 14.


15   Indeep   Last Night A DJ Saved My Life
I liked this one. Yes, I know that it was wrong and I ought to be thoroughly ashamed of myself, but I did. It was just a simple disco song with a bit of a rap in there, but I found it highly infectious. Not only that, but the 12 inch had an a cappela version and also the isolated sound effects of a car screeching, a phone ringing, and a toilet flushing !
This nice little compendium of sounds reached number 13.
There were fairly unsuccessful covers of this by Cold Jam (1990 #64) & SYLK 130 (1998 #33). Boyband 5ive more or less covered it with their 1999 number two hit "If Ya Gettin' Down" (even covered the rap). Finally, Mariah Carey covered it on her 2001 album 'Glitter' and it will no doubt see single release sometime in 2002.


16   Fleetwood Mac   Oh Diane
After "Hold Me" and the magnificent "Gypsy" had failed to make the top forty, there was no way that this weak effort was going to do it. But after appearing on various TV shows, including a live satellite link-up on 'The Late Late Breakfast Show', it went all the way to number nine. It was only their second top twenty hit with the classic Rumours line up.


17   Billy Griffin   Hold Me Tighter In The Rain
Former singer with the Miracles with his sole UK top 40 solo hit. Well at least it was a good one, worthy of a top ten place in my opinion, though it only reached number 17. Billy also had a good single out in early '84 titled "Serious", that should have been a hit too.
Billy also said that he likes my website, so he's an all round good bloke !


18   Keith Harris & Orville   Orville's Song
Too late to be a big Christmas hit, we had surely been saved. But alas no, this Bobby Crush written ditty shot up the chart in the new year and peaked at number four. For those of you lucky enough not to know anything about Orville, let me explain. Orville is a green duck wearing a nappy (diaper). I hate him. Keith Harris' other famous puppet Cuddles the monkey also hates him.
Many years later in the late Summer of 1995, I met Keith Harris. I was in the Blackpool nightclub at a special function where many celebrities were in attendance. Those twins from Neighbours were there (very nice they were too), Joe Pasquale, Les Dennis, Su Pollard, quite a few actually. Alex Higgins literally bumped into me and we chatted with him for a long time, great character, even let us take photos. Keith had done a bit of his act on the stage with Orville, but it was different than usual as he made the duck say things that he wouldn't normally say (and wouldn't be allowed to on kids TV). I eventually got to speak with Keith and we chatted for quite a while. He was quite an interesting person and once more I had my photo taken that night. But when he asked me what I thought about Orville's performance that night, I replied, "I like your monkey, but I can't stand that duck". I wasn't being serious (well, not much), but I don't think that he was very pleased. He went off to find someone else to talk to.


19   Tears For Fears   Change
The follow up to "Mad World" was nowhere near as good, and for me didn't really sounded too cheerful compared to the rest of 'The Hurting' album (despite the lyrics not being that cheerful at all). It reached number four.


20   Michael Jackson   Billie Jean
Michael Jackson had his second UK number one single with this. His previous chart topper had been "One Day In Your Life" in 1981 (he had also hit the top in 1977 as one of the Jacksons with "Show You The Way"). It was the second single to be lifted from the 'Thriller' album, which after a slow start was now beginning to sell in vast quantities.


21   Jam   Going Underground / Dreams Of Children
IN 1980, this was the first single to enter the chart at number one since Slade had done it in 1973 with "Merry Xmas Everybody". With the exception of the very first number one in 1952, this was the very first time that a new entry at the top had been by a band that had achieved no previous number ones at all. Having said that, this was only the tenth single to enter the chart at the top since the UK charts began, and the Jam were only the seventh act to do it. The first eight Jam singles had all failed to reach the top ten, while the ninth had made number three, this was the tenth.
So why did it go straight into number one, after all there always used to be a very good reason when a single did that ?
The popular theory would be that the Jam were loved by the 'new mods', and so were hugely popular enough to get all those mods running to the shops at the weekend to send it soaring straight to the top (the extra disc with the live recordings may have helped too). This would be partly true, but there is a bigger reason. It was common practice for singles to be released towards the end of the week, Thursdays & Fridays. So, they only had 2-3 days sales in their first chart week. That's why so many big hit singles entered at a low chart position and then took a massive climb the following week, look at how many of Abba's top five singles entered below number 20.
Polydor normally released all of their singles on Fridays, but switched to Mondays at the time of this release. This ensured optimum first week sales and a higher chart debut debut. I doubt that they expected a debut so high though. At the time, Music Week, BMRB, Polydor, and the daily newspapers and TV all reported that this single was the first to enter at number one since Gary Glitter's "I Love You Love Me Love" in November 1973. Very embarrassing for Polydor considering that the Slade single in December 1973 had been released by them !
These events seemed to be quickly forgotten about, but I assure you that they are true, even down to Record Mirror (who got their facts right) predicting that Monday releases would become standard procedure.
Anyway, it spent three weeks at number one, which was still at that time the minimum number of weeks that any number one debuting single had stayed on top.
So, three years later it was back with a more modest debut at 37. It reached number 21 this time.


22   China Crisis   Christian
Good debut hit, though I wasn't too keen on it begin with. It reached number 12 and was the first of only five top forty hits the band achieved in four years. Very under-rated band in my opinion.


23   Malcolm McLaren & The World Famous Supreme Team   Buffalo Gals
The first solo (ish) hit from Malcolm introduced us to scratching. Well, at least it did as far as chart hits are concerned (Grandmaster Flash had been having his adventures on the wheels of steel a full year previous). After slowly climbing for a few weeks, it finally peaked at number nine in it's seventh week. The B.side featured a bizarre square dance version of the song.


24   Melba Moore   Mind Up Tonight
Nothing special, but neither was her previous one. There was still a little in the way of good stuff to come from the disco stable, but it was getting harder to find. Melba had given us her lot in the Seventies with "This Is It", "The Greatest Feeling" and "Pick Me Up I'll Dance". This final top forty hit for her reached number 22.


25   Level 42   The Chinese Way
I thought that this was very boring. There was nothing here to suggest that they were going to be very successful for the remainder of the decade. Biggest hit to date, reached number 24.


26   Incantation   Cacharpaya (Andes Pumpsa Daesi)
I don't care what they were catching, I hated it and it seemed to be around for much longer than the eight weeks it actually did spend in the chart. It peaked at number 12, and I believe that "Andes Pumpsa Daesi" means "Music Of The Andes". What I find odd is that the band were British, I thought they were from Peru or somewhere like that.


27   Central Line   Nature Boy
This was quite a good cover and it gave them their only top 40 entry. Reached number 21.


28   Stranglers   European Female
After going into easy listening territory with "Golden Brown" and "Strange Little Girl" the previous year, I did expect the Stranglers to revert back to their noisy selves in 1983. But no, they kept with the smooth kind of sound that wouldn't have seemed out of place on 'then unfashionable' Radio Two. It was the first of three acceptable singles from the 'Feline' album. The album was better than the previous 'La Folie' album, but it can't really be compared with the previous albums, as they had a totally different sound and could easily have been recorded by a totally different band.
The single hit number nine to become their sixth top ten hit. They had to wait five years for the seventh.


29   David Essex   A Winter's Tale
This often appears on Christmas compilations, but I've never regarded it as a Christmas song. For a start, it didn't peak at number two until the middle of January. And another thing is that it reminds me of my relationship with Sue, that really was "A "Winter's Tale".


30   Jam   Down In The Tube Station At Midnight
The Jam had split a couple of months ago, so just like when they finally had a number one three years previous, Polydor decided that it would be a good idea to re-issue all of their singles. So, I'm going to also re-issue my commentaries from when these songs were hits the first time around.
For many (myself included), this was the Jam's finest moment. Prior to this, it seemed that most could take or leave them, but this one made people sit up and take notice of Paul Weller's songwriting ability. This was the first of 12 consecutive top twenty hits (up until they disbanded), but only reached number 15. When re-issued in 1983 it charted again and peaked at number 30.


31   Beatles   Please Please Me
In January 1963 this was the second official release by the Beatles and the last one not to hit number one for four years when it peaked at number two. It did top some charts, but in the chart now recognised as the official one, it didn't.
It was now re-released on picture disc on it's Twentieth Anniversary, but fell short of expectations by only reaching number 29.


32   Rockers Revenge   The Harder They Come
Great cover of the Jimmy Cliff song that surpassed the original, yet only reached number 30. I'm glad that this bunch got hold of it before UB40 decided that it may be a good idea. Almost ten years later Madness had a go at it, but only reached number 44.


33   Prince   1999
Prince finally made the top 40 this time around. It was his first top 75 entry since his debut hit "I Wanna Be Your Lover" reached number 41 in 1980. This sounded a big hit all the way, but inexplicably stalled at number 25. But that wasn't the end of it.
Once Prince had finally really arrived, it was re-issued with his other '83 single "Little Red Corvette" on the B side and went to number two in early 1985. He only ever surpassed that chart position once, and that was in 1994 with "The Most Beautiful Girl In The World".
It was re-issued again in January 1999 (11 months early in my opinion) and reached number ten. This re-issue did re-enter the chart 11 months later but failed to even make the top 40. Had it not been for the Jan '99 release, I feel that it would have had a very good chance of being the last number one of the century.


34   Dionne Warwick   All The Love In The World
Another track from the Gibb produced "Heartbreaker" album, and I preferred this to the title track. It peaked at number ten in January.


35   Madness   Our House
This single spent four weeks at number five and I must admit that the first time I heard it, I thought that it was the 'Jam'. It may seem unbelievable to you, but I thought that Suggs' vocals on certain parts of this did sound remarkably similar to Paul Weller's. As mentioned earlier, Tommy Vance was the host of the Top 40 show at that time (I would say the last truly great host, but Bruno wasn't too bad). Every so often Tommy would play a 12 inch version that he considered worthwhile, that is if it added something different to the song. He did such a thing to this particular song. The beginning of it contained a montage of Madness songs, rather like small 'samples'. It was enough to make me go out and buy it.


36   Hayzi Fantayzee   Shiny Shiny
After stalling at number 51 with the cheerful "Holy Joe", it seemed as though these were destined to remain one hit wonders. But then they bounced back with this number 16 hit. It isn't the best track they ever recorded, but it wasn't too bad. I even found the album 'Battle Hymns For Children Singing' quite a pleasant surprise when I took a chance after finding it at half price a year or so after release.
I remember reading an interview with ex-model singer Kate Garner in the Record Mirror. She said that women used to spit in her face because of her being a model, bloody feminists !
The said album included a book of some of Kate's photographs, and after giving up the music biz, she went on to become a professional photographer. I wonder if she's still doing that.
Jeremy Healy meanwhile, went on to form Bon Ventura and released a strange sounding thing called "When Malindy Sings", and later became a DJ.
What I always wondered was, why the Barry Manilow lookalike in the videos ?


37   Sharon Redd   In The Name Of Love
It wasn't "Never Give You Up", but it was pretty good all the same. Another classic for the dance floors. Only number 31 though.


38   Thompson Twins   Love On Your Side
At last the three twins (???) had broken through onto the chart. This number nine peaking single was the first of five top ten hits for them in just over a year. It was also the first of nine successive top 40 hits. They haven't hit the top 40 at all since the ninth of those "King For A Day" was a number 22 hit in the Autumn of 1985.


39   Toto   Africa
Toto's only previous UK hit had been four years earlier when they had hit number 14 with their very first single "Hold The Line". They had released a further seven singles since then, but none of them charted. In April of 1982 they released their fourth album, rather lazily titled 'Toto IV', and the first two singles from it had flopped in the UK. But it was this third single that after hitting number one in the USA, finally restored them to the UK chart, and became their biggest hit here reaching number three, and also propelling it's parent album to number four. Toto never hit the top ten again.


40   Renee And Renato   Save Your Love
The favourites for the Christmas number one this year included 'The Jam', 'Culture Club', 'David Bowie and Bing Crosby', 'Madness', 'Human League', while the red hot favourite was 'Shakin' Stevens'. But like so many other years, a completely unknown act came along with what is usually described as a 'novelty record' and took the honours. In this particular year it was 'Renee And Renato' who managed a four week stay at the top, and although it seemed irritating for a while, it was a really good song that could have been a hit in any decade. Describing it as a 'novelty hit' probably isn't a fair description as it was just the type of song that would have topped the chart before 'Rock And Roll' kicked in. They followed it with "Just One More Kiss" the following February but just failed to secure a second hit. They were never heard of again.


In the top 50 this week, but failing to reach the top 40.

Lionel Richie   You Are
So are you, cowardly lion face.
If "Truly" deserved to reach number six, then this deserved to reach number five. A nice upbeat song that was a refreshing change from his usual nasal toned ballads. But it only reached number 43.


In the top 75 this week, but failing to reach the top 40.


Jam   Start
In 1980, The Jam had finally got the commercial success they deserved with the previous "Going Underground" single, but then they released this. It used the exact same riff as the Beatles' "Taxman", and while that kind of thing may be considered the height of creativity these days, it was considered a little naughty back then.
As far as the success of the single went, it didn't really matter. At that time they could record any old rubbish and it was sure to go to number one, and sure enough, it did manage a single week at the top. On the other hand, the B Side was a much better song titled "Liza Radley" (Eleanor Rigby anyone ?).
When re-issued in 1983, it only made number 62.
Manfred Mann's Earthband did a very good cover of this, but changed the title to "What You Give Is What You Get".


Jam   Eton Rifles
In 1979 this was the ninth hit single for the Jam, and in it's second chart week was their first top ten entry. It went on to reach number three and set the stage for the Jam to become the first act to enter the chart at number one for over six years the following March. It has been re-issued twice since then, it failed to even make the top 75 six months after it's original release, and then made number 54 in 1983..


Jam   Town Called Malice / Precious
This did shock me in February 1982. After the two very disappointing singles they released the previous year, the last thing I expected was for the Jam to enter the chart at number one with their first release of 1982. "A Town Called Malice" was nowhere near as good as 1980's "Going Underground" and what had come before it, But it was 'almost' worthy of it's number one position anyway. The other track must have helped to keep it there for three weeks. "Precious" introduced a dance element to the Jam's music, and was a much better track in my opinion. One historic week, they performed both tracks on Top Of The Pops.
The 1993 re-issue reached number 73.



Some MP3s


Disclaimer All comments concerning the quality of the songs in this and any other chart, are purely my opinion and not a statement of fact. I believe that we are all equal when it comes to deciding what makes a good song. I do not believe that good songs have to be serious or dull. I am of the opinion that if a single sells many copies, then many people like it, so it must be good whether I like it or not. Good music is everything YOU like, and it's also everything I like.


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