

1982
Week 45
WEEK ENDING 6TH NOVEMBER 1982
TOP 40 SINGLES
| TW | ..... | LW | ...... | ...... | ||
| 1 | 1 | Culture Club | Do You Really Want To Hurt Me | |||
| 2 | 11 | Eddy Grant | I Don't Wanna Dance | |||
| 3 | 6 | Tears For Fears | Mad World | |||
| 4 | 3 | Kids From 'Fame' | Starmaker | |||
| 5 | 29 | Dionne Warwick | Heartbreaker | |||
| 6 | 2 | Kid Creole & The Coconuts | Annie I'm Not Your Daddy | |||
| 7 | 4 | Beatles | Love Me Do | |||
| 8 | 10 | Barry Manilow | I Wanna Do It With You | |||
| 9 | 7 | Spandau Ballet | Lifeline | |||
| 10 | 7 | Shakin' Stevens | I'll Be Satisfied | |||
| 11 | 16 | Kool And The Gang | Ooh La La La (Let's Go Dancin') | |||
| 12 | 9 | Chicago | Hard To Say I'm Sorry | |||
| 13 | 38 | Status Quo | Caroline (Live At The N.E.C.) | |||
| 14 | 5 | Musical Youth | Pass The Dutchie | |||
| 15 | 21 | Melba Moore | Love's Comin' At Ya | |||
| 16 | 8 | Fat Larry's Band | Zoom | |||
| 17 | 24 | Pretenders | Back On The Chain Gang | |||
| 18 | NEW | Marvin Gaye | Sexual Healing | |||
| 19 | 15 | Bauhaus | Ziggy Stardust | |||
| 20 | 40 | Daryl Hall & John Oates | Maneater | |||
| 21 | 13 | Ultravox | Reap The Wild Wind | |||
| 22 | 27 | Piranhas featuring Boring Bob Grover | Zambezi | |||
| 23 | 14 | Animals | House Of The Rising Sun | |||
| 24 | 25 | Sharon Redd | Never Give You Up | |||
| 25 | 18 | Clash | Should I Stay Or Should I Go/ Straight To Hell | |||
| 26 | 17 | Dexy's Midnight Runners | Jackie Wilson Said | |||
| 27 | 33 | Raw Silk | Do It To The Music | |||
| 28 | 36 | Diana Ross | Muscles | |||
| 29 | 12 | Pinkees | Danger Games | |||
| 30 | 39 | John Cougar | Jack And Diane | |||
| 31 | 22 | Imagination | In The Heat Of The Night | |||
| 32 | 34 | Julio Iglesias | Amor | |||
| 33 | NEW | Michael Jackson & Paul McCartney | The Girl Is Mine | |||
| 34 | 35 | Blue Zoo | Cry Boy Cry | |||
| 35 | 32 | Abba | The Day Before You Came | |||
| 36 | 30 | Toyah | Be Loud Be Proud Be Heard | |||
| 37 | NEW | Blancmange | Living On The Ceiling | |||
| 38 | NEW | Supertramp | It's Raining Again | |||
| 39 | 20 | Evelyn King | Love Come Down | |||
| 40 | 23 | Mari Wilson | Just What I Always Wanted |
| 1 | Culture Club | Do You Really Want To Hurt Me |
| This
just seemed to come from nowhere to spend three weeks at
number one. I didn't even hear it before it entered the
40 at a lowly number 38, but two weeks later it was at
number three. Two weeks after that, it was spending the
first of three weeks at number one. It even went to
number two in the US a few months later. There is a story that Keith Richards of the Rolling Stones was in a hotel room watching TV when this came on. He called Mick Jagger into the room to look at this 'fantastic bird' :-) |
| 2 | Eddy Grant | I Don't Wanna Dance |
| Eddy's
career had seemed to be on the wane again. That is until
Rockers Revenge had covered one of his songs and recently
taken it to number four in the chart. The song in
question was "Walking On Sunshine", a song that
Eddy finally had his own top forty hit with in late 2001
(fingers crossed that I don't need to re-write this in a
few weeks). Now Eddy was back with this history making
single. When it reached the top, it was the third
successive reggae orientated number one, this is the only
time that this has ever happened in the UK chart. Just
like the previous two ("Pass The Dutchie" &
"Do You Really WAnt To Hurt Me") it spent three
weeks on top. This was the last time that Eddy had a number one single, but it wasn't the first. He had also spent three weeks at number one while a member of the Equals in 1968 with "Baby Come Back" (later taken to number one again by 'Pato Banton'). |
| 3 | Tears For Fears | Mad World |
| A number three peaking single that brings back the same kind of memories as the 'Blancmange' one. But the difference with this one is that the album it later appeared on (The Hurting) is one that I could identify with in so many ways while going through my 'bad times' shortly afterwards. That album is one of my all time favourite albums, and even though their later albums were also good, they didn't get anywhere near 'The Hurting' for me. I finally got to see them live in 1993 and they closed the show with their rendition of Radiohead's "Creep" that sounded much better than the original (it always did sound as though it should have been a Tears For Fears song anyway). This band could have been more influential than many people realise. |
| 4 | Kids From 'Fame' | Starmaker |
| The
Kids From 'Fame's record company R.C.A. had it made. They
didn't need to make a promo video because they already
had the performance clip from the TV show. They didn't
need to employ any promotion at all, as the 'Fame' TV
show immediately followed the BBC's number one programme
'Top Of The Pops' every Thursday evening. The clip for
this featured an old man sitting on a chair while just
about all of the cast (including a young Janet Jackson)
stood before him singing this song. It was quite a good song on the whole, and I was told that it was another one that 'Tommy' loved (see "Zoom"). There were girls bursting into tears when this came on the jukebox in the Legion. It was a sad time. It spent two weeks at number three. |
| 5 | Dionne Warwick | Heartbreaker |
| Dionne hadn't had a top ten hit for 14 years, in fact she hadn't had any kind of solo hit in that time. Then she teamed up with the songwriting of Barry Gibb for the 'Heartbreaker' album. This gave her two weeks at number Two with the title track and the biggest hit of her long career. I expected this to be an American number one, but it only reached number ten over there. |
| 6 | Kid Creole & The Coconuts | Annie I'm Not Your Daddy |
| The biggest hit for Kid Creole (number two), was also his last major hit. Strange how this climbed from nine to number two and then dropped to number six. A couple of minor hits followed over the following twelve months, and then a further minor hit in 1990. These days, Kid is living in the UK, married to one of his fans from Sheffield. Most of his working life has been spent in the stage musical "Oh What A Night" since it opened in Blackpool during the summer of 1997. |
| 7 | Beatles | Love Me Do |
| Twenty years after it's original release, this debut release from the world's biggest band ever had been issued as a picture disc. First time around it had only reached number 17, but had spent 14 weeks in the top 40. This time around, many expected it to give the Beatles their 18th number one, a feat that would have given them a clear lead over Elvis Presley in the most number ones table. But it failed to do so when it stalled at number four, and spent just six weeks in the top forty. To be honest, I've never thought that this was a very good song anyway, it only seems to consist of eight lines that are repeated over and over again. EMI/Parlaphone/Apple continued to release Beatles singles on picture disc on the 20th anniversary of their original releases, right through to 1970, and there were even a couple of 'new' singles in the mid '90s. But they still haven't captured that 18th number one. They do however hold one record that doesn't look likely to be broken, the feat of having eleven successive number ones between 1963 and 1966. Some are in favour of re-writing the history books to make it look better for modern acts, by no longer crediting the Fab Four with that achievement. Why anyone would want to make Westlife look better is beyond me, but if anyone tries to tell you that the Beatles didn't have eleven successive number ones, just you tell them that they don't know what they're talking about and that "My Bonnie" and "Ain't She Sweet" WERE NOT Beatles records, WERE NOT official releases and WERE NOT promoted by the Beatles. |
| 8 | Barry Manilow | I Wanna Do It With You |
| All those years, all those albums, all those singles, and this was Barry's only top ten hit in the UK. It reached number eight but probably wasn't the best single he ever released, it was ok though. |
| 9 | Spandau Ballet | Lifeline |
| After seeming as though they may have been on the way out after two of their previous three singles had failed to go higher than number 30, while the other despite making number ten, was very ordinary, they came back with one of their best ever. This turned out to be the first single pulled from their most successful album 'True', and really should have gone higher than number seven. |
| 10 | Shakin' Stevens | I'll Be Satisfied |
| Not bad for Shaky at all. I was in danger of actually liking him. It reached number ten. |
| 11 | Kool And The Gang | Ooh La La La (Let's Go Dancin') |
| Same old fodder, reached number six. |
| 12 | Chicago | Hard To Say I'm Sorry |
| Six
years after the magnificent "If You Leave Me
Now", they were back in the UK charts with something
almost as good. They reached number four with this one
and I like it a lot, despite it reminding me of dark
nights and dark times in general. Az Yet hada top ten hit with their cover in 1997 and Peter Cetera decided that it was a good idea for him to help them out. |
| 13 | Status Quo | Caroline (Live At The N.E.C.) |
| It reached number five in 1973 and was now back as a live version from that triple album set in a blue box. It sounded more or less the same as the original version, reached number 13. |
| 14 | Musical Youth | Pass The Dutchie |
| In the week ending 2nd October 1982, Musical Youth took the third biggest leap to number one in chart history when "Pass The Dutchie" climbed from 26 to the top (the record for biggest leap to the top had been set just three months previous by 'Captain Sensible'). They spent three weeks at the top with it, and I can't really say that I ever liked it. |
| 15 | Melba Moore | Love's Comin' At Ya |
| Here was a sight for sore eyes. Over six years after her debut hit "This Is It", Melba returned to the top Forty. This was quite a good one and peaked at number 15. |
| 16 | Fat Larry's Band | Zoom |
| This
was the only major hit for 'Fat Larry's Band' and it
rerached number two. But "Zoom" will forever be
known as "Tommy's Song" to me. Tommy (real name Mark) had been one of the bike gang and had been with us on all of those trips during the summer. He often used to get words mixed up and say things that didn't make much sense, and we often laughed at him. But he never took offence, he would laugh with us. He didn't live in Ruabon, and was from a village named Rhostyllen three miles away, but even though most of us hadn't known him for more than a couple of years, we felt that we'd always known him. As mentioned elsewhere, My Grandad had died suddenly on August Bank Holiday holiday, and I had to identify his body. That ended my summer and I didn't go anywhere but work for the following six weeks. Then one Saturday afternoon, I decided that enough was enough, I was going to go out and see my mates that night, got to get myself back into circulation. That afternoon I went for a ride into town and even popped into the Kawasaki centre to see if the gang were there, as they often were on Saturday afternoons, but they weren't. On the way home I had to pass Tommy's house, and as I approached I could see him about to get onto his bike. He saw me approaching and tried to wave me down. I was freezing cold and so slowed down and shouted "See you in the Legion, I'm coming out tonight". He replied with something along the lines of "Ok see you tonight". I don't remember his exact words, and I feel guilty about that, but not as guilty as I later felt about not stopping for a chat. I got home had a bath, got myself something to eat (my Dad was away and I was fending for myself as I did most weekends at that time), Watched a little TV, probably "Noel Edmond's Late Breakfast Show", and then went out of the door. For no reason that I can remember, I decided to go into the Vaults before going to the Legion. As I first entered a couple of people told me that they had been sorry to hear about my Grandad, and I made my way to the bar. Just after being served a friend of quite a few years that I hadn't seen much of since I'd bought my bike, came over. His first words were "Have you heard about Tommy ?". I replied "What, I saw him this afternoon ?". "He's Dead !" As I later learnt, he had gone into town to a shop called "Two Wheelers" just after I'd seen him, but on his way home a car had pulled out in front of him, just yards from his home. This had happened just 20 minutes after I'd spoken to him. I left my drink and rushed to the Legion. I will never forget the look on people's faces, all sat there in the usual seats except for the one person who would never be there again. The girls were crying, the boys were fighting it. The girls were putting soppy songs on the jukebox, and this one was in heavy rotation. I learnt that during the previous few weeks, Tommy had often sang along to this while others laughed at him. But I had missed all of that. The funeral was the biggest I had ever been to. We all clubbed together to buy a wreath in the shape of a motorbike (my idea), and his helmet was placed on top of the coffin for the church service. Over 70 bikes followed the procession from the church to the crematorium, and we all removed our helmets as we rode into the grounds. The events of that week were what Roger Waters would have described as "Another Brick In The Wall". That is, they were part of the process that led to the events of the following year, ultimately leading me to becoming the person that I now am. Part of growing up ? No, it's much more than that. And what has this got to do with music ? A lot. I connect most events in my life with music, it may even be the music that keeps so many of these events clear in my mind. |
| 17 | Pretenders | Back On The Chain Gang |
| Oddly, this was the only single that the Pretenders released in 1982. It was a good one, but only reached number 17. |
| 18 | Marvin Gaye | Sexual Healing |
| Marvin's first hit for five years was also the last to make the top twenty during his lifetime. It moved quickly up the chart to number four to become his highest charting single since "I Heard It Through The Grapevine" spent three weeks at number one in 1969. When Tommy Vance announced this track on the top 40 show, he was instructed to refer to it as "Healing" due to the BBC's 'then' attitude to such matters. Marvin was shot dead by his father on April 1st 1984 after an argument about his lifestyle (his drug taking activities were well documented), just one day short of his 45th birthday. His only further hit was when a re-issue of "Grapevine" reached number eight in 1986. |
| 19 | Bauhaus | Ziggy Stardust |
| Sounded just like Bowie's original and so it's hard to knock it really. It reached number 15 and only spent five weeks in the top forty. |
| 20 | Daryl Hall & John Oates | Maneater |
| The biggest hit for this duo and what a riff. It peaked at number six before quickly disappearing from the chart. The riff in question was later blatantly copied by Stevie Wonder for his 1985 hit "Part Time Lover" and I'm certain that another single during the eighties also sounded very similar but I can't recall it at this moment. |
| 21 | Ultravox | Reap The Wild Wind |
| Great comeback for Ultravox after almost a year away. This was the first of the quartet of singles to be lifted from the album erm "Quartet". The video featured Aeroplanes and the construction of a giant version of the symbol that appeared on the album sleeve. |
| 22 | Piranhas featuring Boring Bob Grover | Zambezi |
| Piranhas had reached the top ten with "Tom Hark" in 1980, but I doubt that anyone really expected to see them in the chart ever again. But they did it with this cover of a tune that had been a top ten hit for both 'Lou Busch' and 'Eddie Calvert' in 1956. The Piranhas reached number 17 with their version, after which they did disappear for good. |
| 23 | Animals | House Of The Rising Sun |
| Originally a number one single in 1964, and a number 25 hit in 1972, here it was again thanks to a re-entry of the 1972 re-issue on RAK. It reached number eleven this time around. |
| 24 | Sharon Redd | Never Give You Up |
| What a great disco hit. I can't remember for sure, but I'm almost certain that this was number one in the club charts for quite a few weeks. They can keep their Ibiza stuff while I still have gems like this in my collection. Only number twenty, but so what, the standard was so high in those days anyway. |
| 25 | Clash | Should I Stay Or Should I Go/ Straight To Hell |
| At
the time "Straight To Hell" seemed to be the
one favoured by the BBC and was usually the track played
on the top 40 show. I liked that one, but preferred
"SISOSIG". It reached number 17, which was a
little lower than I felt it deserved, but the Clash never
had top ten hits anyway, so it wasn't that surprising.
Out of 16 top 75 hits, only four had made the top twenty. Nine years later "Should I Stay Or Should I Go" was re-issued after appearing in a jeans commercial. It took just two weeks to hit number one where it stood for two weeks. These days, I prefer "Straight To Hell", maybe it's the over exposure. |
| 26 | Dexy's Midnight Runners | Jackie Wilson Said |
| This was the follow up to the biggest selling single of the year "Come On Eileen", but it wasn't that good really. It was a cover of a Van Morrison song about the singer Jackie Wilson (at that time almost coming to the end of his eight years spent in a coma). It quickly reached number five before falling to complete just six weeks in the 40. The thing that most would remember about this, is when TOTP staff put a photo of darts player 'Jockey Wilson' on a large screen behind Dexys as they performed the song. |
| 27 | Raw Silk | Do It To The Music |
| Peaked at number 18 and had an eight week chart run. As the title suggests it was a disco track, and if my memory isn't failing me, it was a disco chart number one. |
| 28 | Diana Ross | Muscles |
| This single marked the end of Diana's run of early '80s success. It peaked at number 15 and was written by Michael Jackson. It was apparently about his pet snake. But as it seemed to be some kind of love song, maybe further questions should be asked about Michael's behaviour :-0 |
| 29 | Pinkees | Danger Games |
| Very dodgy goings on here. This single entered at number 30, remained there the following week, crawled up to 27. Looked like it had probably peaked, but no, it then shot up to number eight. It only spent another two weeks in the top forty after that. They sounded not unlike SEcret Affair. |
| 30 | John Cougar | Jack And Diane |
| Excellent single that made it to the top in the US. Over here it only made number 25, but was still his biggest hit. Simply Red somehow managed to combine it with "The Air That I Breathe" to have a top ten hit in 1998.John next hit the UK top 40 in 1994 with "Wild Night". This was despite his release of a tremendous single (Paper In Fire) and album (Lonesome Jubilee) in 1987. |
| 31 | Imagination | In The Heat Of The Night |
| Good track, but maybe a little too much like "Body Talk". This reached number 22 and their top twenty days were over. |
| 32 | Julio Iglesias | Amor |
| I quite liked this one, very catchy. But it did remind me of something I would expect to hear on the Benny Hill show as he did one of those sketches where every one would walk a little faster than normal. It reached number 32. |
| 33 | Michael Jackson & Paul McCartney | The Girl Is Mine |
| Paul had already had a good year that had included a number one duet with Stevie Wonder and a further solo hit. There had been no new singles by Michael since "Girlfriend" (a McCartney composition) had failed to chart in July of 1980, but an old Motown recording had taken him to number one in 1981. This was the first single to be taken from Michael's 'Thriller' album, and reached number eight. It was a better result than the solo single "Tug Of War" that Paul had released at the same time and failed to chart with. |
| 34 | Blue Zoo | Cry Boy Cry |
| This sole hit for Blue Zoo peaked at number 13 and was a typical 1982 single. There's nothing more that can be said about this song. |
| 35 | Abba | The Day Before You Came |
| One
of the worst songs I've ever heard in my life. "I
must have done this, I must have done that", "
I must have had my dinner watching something on tv,
there's not I think a single episode of Dallas that I
didn't see" !!!!!!!!! And the lyrics were that bad all of the way through. It's a pity that Abba's career should have petered out in this way. When it peaked at number 32, It was their first single not to make the top thirty since "I DO I Do I Do I Do I Do" in the summer of 1975. |
| 36 | Toyah | Be Loud Be Proud Be Heard |
| Bloody awful. Reached number 30. |
| 37 | Blancmange | Living On The Ceiling |
| On
hearing this, I thought "What an amazing single
!". After a couple of near misses, Blancmange
finally had their first hit and they spent three weeks at
number seven. I still think it's a great single now, but
my reasons for thinking it was so amazing back then were
not good ones. I'd started smoking anything offered to me
back in 1980 because 'someone else was doing it, so it
seemed a clever thing to do'. After my Grandad dying and
then 'Tommy', I turned to harder things and was
experimenting with hallucinogenic drugs (Magic Mushrooms
in particular). I thought it was fantastic because I
didn't have any bad trips on whatever substance I took,
and this single just seemed to tie in with the whole
experience. I began reading books about drugs such as
Timothy Leary's "Politics Of Ecstacy", I wanted
to try everything, I would have even taken Heroin had
someone offered it to me. I even had a bag of magic
mushrooms confiscated by the police officer who'd broken
the news to me about my Grandad's death. I ought to have
been ashamed of myself. And that's what smoking a little
'weed' now and then led to. For those that don't know, Magic Mushrooms go out of season when the frost arrives. They were said to be non-addictive, but I craved them. I wanted to go back into happy mushroom land, but I couldn't. That's when depression started to kick in. |
| 38 | Supertramp | It's Raining Again |
| Supertramp's first hit in over three years and was also their last. It boasted a very entertaining video but could only reach a peak of number 26 during it's nine week top forty run. |
| 39 | Evelyn King | Love Come Down |
| A ten week run and three weeks at number seven for this one. It seemed good to start with, but I got tired of it after a while. |
| 40 | Mari Wilson | Just What I Always Wanted |
| I have never been able to pass 'Neasden' on the London Underground without thinking of Mari, the self proclaimed 'Queen Of Neasden'. I'd seen Mari on TV quite a few times before she had this hit, and had always thought there was something very sexy about her, she had a real woman's figure. I mentioned this to one of my mates once, but he didn't agree so I didn't mention it again. This was her only major hit and it reached number eight. One of her many backing singers was 'Michelle Collins' who later played 'Cindy Beale' in 'Eastenders'. |
Disclaimer All comments concerning the
quality of the songs in this and any other chart, are purely my
opinion and not a statement of fact. I believe that we are all
equal when it comes to deciding what makes a good song. I do not
believe that good songs have to be serious or dull. I am of the
opinion that if a single sells many copies, then many people like
it, so it must be good whether I like it or not. Good music is
everything YOU like, and it's also everything I like.
ON TO THE FOLLOWING WEEK
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Email: nige@innotts.co.uk
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