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1982
Week 17
WEEK ENDING 24TH APRIL 1982
TOP 40 SINGLES
| TW | ....... | LW | ....... | ....... | ||
| 1 | 3 | Paul McCartney & Stevie Wonder | Ebony And Ivory | |||
| 2 | 1 | Bucks Fizz | My Camera Never Lies | |||
| 3 | 9 | Pigbag | Papa's Got A Brand New Pigbag | |||
| 4 | 5 | Dollar | Give Me Back My Heart | |||
| 5 | 2 | Chas And Dave | Ain't No Pleasing You | |||
| 6 | 16 | Bardo | One Step Further | |||
| 7 | 6 | Roxy Music | More Than This | |||
| 8 | 17 | Elton John | Blue Eyes | |||
| 9 | 15 | Shakatak | Night Birds | |||
| 10 | 20 | Shalamar | I Can Make You Feel Good | |||
| 11 | 25 | England World Cup Squad | This Time (We'll Get It Right) | |||
| 12 | 19 | Haircut 100 | Fantastic Day | |||
| 13 | 4 | Goombay Dance Band | Seven Tears | |||
| 14 | 7 | Japan | Ghosts | |||
| 15 | 8 | Imagination | Just An Illusion | |||
| 16 | 10 | Status Quo | Dear John | |||
| 17 | 24 | Bananarama with Funboy Three | Really Saying Something | |||
| 18 | 28 | Monsoon | Ever So Lonely | |||
| 19 | 11 | Altered Images | See Those Eyes | |||
| 20 | 14 | Nolans | Don't Love Me Too Hard | |||
| 21 | 12 | Classix Nouveaux | Is It A Dream | |||
| 22 | NEW | Shakin' Stevens | Shirley | |||
| 23 | 13 | Leo Sayer | Have You Ever Been In Love | |||
| 24 | 18 | Derek And The Dominoes | Layla | |||
| 25 | 22 | Visage | Damned Don't Cry | |||
| 26 | 32 | David Bowie | Cat People (Putting Out Fire) | |||
| 27 | 34 | J Geils Band | Freeze Frame | |||
| 28 | 40 | Simple Minds | Promised You A Miracle | |||
| 29 | 26 | Boomtown Rats | House On Fire | |||
| 30 | NEW | Kim Wilde | View From A Bridge | |||
| 31 | NEW | Spandau Ballet | Instinction | |||
| 32 | 21 | Foster & Allen | A Bunch Of Thyme | |||
| 33 | 23 | Julio Iglesias | Quiereme Mucho (Yours) | |||
| 34 | NEW | PHD | I Won't Let You Down | |||
| 35 | NEW | Hot Chocolate | Girl Crazy | |||
| 36 | NEW | Daryl Hall & John Oates | Private Eyes | |||
| 37 | 29 | Elvis Presley | Are You Lonesome Tonight | |||
| 38 | 30 | Motorhead | Iron Fist | |||
| 39 | NEW | Joan Jett & The Blackhearts | I Love Rock 'N' Roll | |||
| 40 | 27 | ABC | Poison Arrow |
| 1 | Paul McCartney & Stevie Wonder | Ebony And Ivory |
| Using
the black and white keys of a piano to symbolise
different races of people was a pretty neat idea at the
time. Nothing complicated about this song at all and
there didn't need to be. A well written and performed
song which deserved it's three weeks on top. Funny thing is, much of it was lost on people in my area of the world. This is because there were very few Black people in North Wales (hell, they don't even like the English, so how can you expect to find a black community there). But we did have one black friend who used to hang around with us, a great lad named Phidel. This song will always remind me of him. |
| 2 | Bucks Fizz |
My Camera Never Lies |
| The third number one from five releases by Bucks Fizz. I'd really began to warm to these after not being very enthusiastic about their first two singles. There were comparisons with Abba, but, during this time, BF were actually releasing better singles than Abba were. I know that there won't be many out there in internet land sharing my feelings on this, but, Yes, I think that Bucks Fizz were ok really. And, there's a hell of a lot of people in the real world who'd agree with me on that. |
| 3 | Pigbag |
Papa's Got A Brand New Pigbag |
| I don't know why it was called that, but it was a brassy instrumental that seemed to capture the imagination of the public and reached number three. A cover by Perfecto Allstarz was renamed "Reach Out" and hit number six in 1995. |
| 4 | Dollar | Give Me Back My Heart |
| Change of tempo from Dollar and a job well done, another great single. It was the third of their singles to peak at their highest ever position of number four, and their last top ten hit for almost six years. |
| 5 | Chas And Dave |
Ain't No Pleasing You |
| There was actually, this was quite pleasant on the ears, especially after the way most of their previous efforts had assaulted my ears. You can imagine someone singing it in a pub (very badly), but it wasn't like their previous East End singalong ditties. A deserved number two hit. |
| 6 | Bardo |
One Step Further |
| Serial 'Eurovision Song Contest' haters would naturally not have a good word to say about this one. But it wasn't bad as these things go, and the echo effect near the end was a nice touch. They were a male and female duo, and she had previously been a member of Prima Donna, who had represented the UK in the 1980 Euro Song Contest only finishing seventh. But it quickly reached number two in the chart before dropping like a hot brick. It spent just six weeks in the chart, an extraordinary short spell for a number two peaking single. |
| 7 | Roxy Music |
More Than This |
| Personally, I found this to be a very disappointing single compared to the singles that came from the "Flesh And Blood" and album. It just tended to plod along, not getting anywhere, and then end. It reached number six and was the last time they featured in the top ten. It isn't a song that I would have expected anyone to cover. But a woman calling herself Emmie recorded it towards the end of 1998, performed it on some New Year's Eve show, and then hit the chart peaking at number five in early 1999. |
| 8 | Elton John | Blue Eyes |
| Another one that I didn't find particularly exciting, another plodder. But it did give Elton his first major hit in over three years by reaching number eight. |
| 9 | Shakatak |
Night Birds |
| Another extremely pleasant tune that eventually became enhanced by the vocals of Jill Sawyard and the other UK Slut. They all sounded the same of course, but that didn't seem to be a problem when it came to Shakatak. If it charted again now, it would be a breath of fresh air. Number Nine peak. |
| 10 | Shalamar |
I Can Make You Feel Good |
| They could do just that with their snappy disco records. But I didn't find this as good as most of the other singles they'd released during the previous five years. Yet,this was the first of four to make the top ten in just over 12 months and reached number seven. A lot of the credit for this has to be given to their Top Of The Pops appearances in which Jeffrey Daniel showed off his dancing to a massive TV audience at what must have been the summit of TOTP's popularity. Only long running soap Coronation Street was watched by more people. |
| 11 | England World Cup Squad |
This Time (We'll Get It Right) |
| Early World Cup single, but the first from England since 1970 when "Back Home" had gone all the way to number one. On the other hand, some of the individuals in this squad had featured in the chart before. This includes some of the Tottenham, Nottingham Forest and Liverpool contingent, as well as Kevin Keegan who'd had a solo hit in 1979. I think that this was actually billed as a double 'A' side with the re-write of an airline jingle "We'll Fly The Flag" on the flip. "This Time" was ok as far as football songs go, and it stopped just one place short of giving them another number one. As for the World Cup campaign, well, they didn't lose. They were knocked out of the competition at the second phase without being beaten (not even on penalties). There was a strange system in place for that tournament in which the second phase consisted of four groups of three teams. England drew both of those matches and so returned home undefeated. |
| 12 | Haircut 100 |
Fantastic Day |
| Not as strong as "Love Plus One", but still good catchy pop music all the same. It reached number nine. |
| 13 | Goombay Dance Band |
Seven Tears |
| I
knew that this was a number one the first time I heard
it. It's one of those that you just knew was going to
appeal to kids, parents, grandparents, even anyone from
our generation who hadn't fallen into the trap of only
liking (or admitting to liking) what they're supposed to.
I fell into the latter category (with brackets). A very
catchy song that didn't really need the gimmick with the
fire-eating, it displaced "The Lion Sleeps
Tonight" to spend three weeks on top. My Grandad thought that the title of the B Side "Mama Coco" was very amusing ! |
| 14 | Japan | Ghosts |
| The
first of only two top ten hits achieved by Japan, and the
biggest. I was very disappointed when this went into the
charts at such a high position as number 16. There were
five other new entries that week, four of which I still
believe are infinitely better, the other just better in
the same way that I'd compare The Beatles with Westlife.
But there it was at number 16 and it peaked at five two
weeks later. I don't tend to 'go off' songs as they travel into the distant past. Quite the opposite actually, I often like them more than I did at the time, even begin to like some of those that I previously disliked with a passion. But this one, not a chance. Smash it to pieces. |
| 15 | Imagination |
Just An Illusion |
Their previous three singles were pretty much ok, if not outstanding. This was their masterpiece, the peak of their career. It gave them a richly deserved number two hit. It also meant that Lee John seemed to be appear on every TV show broadcast for the next couple of years. |
| 16 | Status Quo |
Dear John |
| The most disappointing Quo single since, well, ever really, I'd liked all their previous ones more than this number ten peaking effort. But the parent album '1982' was also extremely disappointing. |
| 17 | Bananarama with Fun Boy Three |
Really Saying Something |
| I bought the twelve inch of this, but soon got fed up of it. It was a cover of a Motown recording by either Martha Reeves or the Marvelettes (can't recall which). If I remember correctly, the B side was called something like "Give Us Back Our Cheap Fares". It reached number five for them. |
| 18 | Monsoon |
Ever So Lonely |
| Nice
Eastern influenced thing set to an eighties dance beat
that may have been described as fairly original by some.
But I couldn't help thinking about the Beatles 'Eastern'
music when I listened to it. By sheer coincidence,
Monsoon later covered the Beatles song "Tomorrow
Never Knows", but "Ever So Lonely" was
their only hit reaching number 12. In early 2002, the singer Sheila (something) appeared on what we used to commonly refer to as a cover version, but it's difficult to distinguish the difference between a cover version, a song containing a sample of another song, A re-recording and a song that just happens to sound like another. Anyway, I think that whatever it was made the top ten and Sheila appeared on the once great TOTP. |
| 19 | Altered Images |
See Those Eyes |
| The forgotten Altered Images hit. Indeed it was a much bigger hit than most people realise, it reached number 11. I'm not sure if I would rate it as high as their previous two hits, I suppose it all depends on my mood really. And despite it not beiing a another "Happy Happy" song, I think that Claire sounded even more childlike on this one. |
| 20 | Nolans |
Don't Love Me Too Hard |
| My
favourite from them to date and didn't Colleen look and
sound sweet in the video ? I do think they shouldn't have been hitting that bellboy around the head though, they didn't know where he'd been. Actually, I was quite excited about this single because the vocals were the best so far. It looked as though they'd have a long hit career ahead of them. So what happened ? They spent eight weeks in the top 40 reaching number 14, and then the follow up single "Dragonfly" flopped and they had no more top 40 hits. The closest they came was with a re-recording of "I'm In The Mood For Dancing" that reached number 51 in 1995. |
| 21 | Classix Nouveaux |
Is It A Dream |
| At last, Classix Nouveaux made the top 40. Another one that may have been better as an instrumental, but it was ok as these things go. It reached number 11 and the band then faded into obscurity. Sal Solo of course returned with a solo hit in 1985, but that's another story. |
| 22 | Shakin' Stevens |
Shirley |
| I thouht "Oh Julie" was bad, but this was even worse. I had an initial fear that it would give Shaky a fourth number one, especially when it jumped from it's number 22 debut position to number six. But it then surprisingly dropped to number eleven and only spent a total of five weeks in the forty. |
| 23 | Leo Sayer |
Have You Ever Been In Love |
| And a big welcome back to Leo Sayer with his first hit in almost two years. Another pleasant song that richly deserved to be a hit. Number ten peak. |
| 24 | Derek & The Dominoes |
Layla |
| This Eric Clapton track was originally a number seven hit in 1972, this 1982 re-issue went to number four. Excellent song of course, can't find fault with it all. But it's subject matter is said to be Patti Boyd, the ex wife of George Harrison who was apparently enticed away from George by his good friend Eric. I wonder if George smacked him one, and I also wonder whether Eric has been feeling any pangs of guilt lately. |
| 25 | Visage |
Damned Don't Cry |
| The weakest of their singles to date, but still quite good. It almost became their second top ten hit, but stopped short at number 11. |
| 26 | David Bowie | Cat People (Putting Out Fire) |
| Just five weeks after the debut of his previous hit "Baal's Hymn", David entered the chart with this theme from the remake of "Cat People". It was of course on a different record label (MCA), but there was no danger of Bowie overkill anyway. While the previous hit had only reached 29 and spent only three weeks in the 40, this one spent five weeks on the chart reaching number 26. He did a different version of this song for the 'Let's Dance' album the following year, but it wasn't as good as this one. |
| 27 | J Geils Band |
Freeze Frame |
| I much preferred this to their biggest hit, the number three peaking "Centrefold". But not many others seemed to feel the same as it crashed after reaching number 27. The video was hardly one to draw attention this time though, it was just a bit of jumping around and splashing paint. |
| 28 | Simple Minds |
Promised You A Miracle |
| After years of trying, Simple Minds were finally having their first hit with the exciting "Promised You A Miracle" and peaked at number 13. The other two 1982 singles from them were also good, but afterwards they tried to sound like U2 (and became quite boring save for the occasional single). |
| 29 | Boomtown Rats | House On Fire |
| Another disappointing single from the Rats that reached a lowly number 24. They did record much better stuff a couple of years later on their "In The Long Grass" album, but there were no more top 40 appearances apart from a fleeting trip to number 38 with a re-issue of "I Don't Like Mondays" in 1994. |
| 30 | Kim Wilde |
View From A Bridge |
| Great hook to this one, and Kim was finally letting us have a good look at her legs in the video. So a number one looked quite possible. But despite it's early promise, it became her lowest charting single to dat by stalling at number 16. But it was four and a half years later before she charted higher. |
| 31 | Spandau Ballet |
Instinction |
| After a great start to their career with four top 20 hits including two top five with their first four releases, Spandau Ballet must have thought it was the beginning of the end when "Paint Me Down" had struggled to number 30, then "She Loved Like Diamond" failed to hit the top 40 at all. In what could have been a last ditch attempt by Chrysalis records, "Instinction" was the fourth single to be pulled from the 'Diamond' album. The gamble paid off as it soared to number ten and became the first of eleven consecutive top 20 hits for the band. Personally, I thought that it was very ordinary compared to what had been and what was to come. |
| 32 | Foster And Allen |
A Bunch Of Thyme |
| A lot of variety in this chart, and there was room for all, well, most of it anyway. This was a beautiful song in an Irish folk style, and while I may not have liked it the first time I heard it, it was a grower (just like Thyme really). Twenty years later it would have easily been the best single in the top 40. But in 1982 (as I look through my rose tinted spectacles, there, beat you to it :-P) there was stiff competition and it peaked at number 18. |
| 33 | Julio Iglesias | Quiereme Mucho (Yours) |
| Not as good as "Begin The Beguine", but a whole lot better than the rubbish his son gave us two decades later. It reached number three. |
| 34 | PhD |
I Won't Let You Down |
| This was their only hit, but a brilliant song, with an amusing video that peaked at number three. The vocalist on this hit was Jim Diamond who was to later have solo success with "I Should Have Known Better" & "Hi Ho Silver". |
| 35 | Hot Chocolate |
Girl Crazy |
| Hot Chocolate reached number seven with their first top twenty hit for almost two years. Again, their Top Of The Pops performance sticks in the mind. It was of course a typically cheeky performance from Errol and the boys in which they enlisted many girl dancers in varied stages of undress. |
| 36 | Daryl Hall & John Oates | Private Eyes |
| A big American number one, but Hall 'N' Oates were still finding their feet over here, having only recently enjoyed their first top ten hit. This one reached a disappointing number 32. |
| 37 | Elvis Presley |
Are You Lonesome Tonight |
| Elvis mixed his words up and then couldn't stop laughing on this live version of his 1961 number one. I found it amusing but the title of the album "Having Fun On Stage With Elvis" makes me cringe. The single made number 25. |
| 38 | Motorhead |
Iron Fist |
| And
so ended Motorhead's chart success. After almost a year
away from the top forty, they returned with this. It's
number 29 peak was about right and the last time they
featured in the top 40 save for a 1993 re-issue of
"Ace Of Spades". Something possessed me to see this band live on the Iron Fist tour at Deeside Leisure Centre. I wouldn't say that I enjoyed it apart from the performances of "Ace Of Spades", "Bomber" and "Motorhead". A few weeks later they played Wrexham Football Ground, and some kind of record was set for noise. Apparently, the bands Budgie, Tank and Twisted Sister (making their debut UK appearance were much better than the headliners). |
| 39 | Joan Jett & The Blackhearts |
I Love Rock 'N' Roll |
| Joan Jett And The Blackhearts were having their first and only UK hit with "I Love Rock And Roll", and peaked at number four. This song was one that I'd heard many years before. The Arrows had two UK hits in 74/75, and someone thought that was good enough to give them their own TV show. They performed this song on that show (they could have performed it every week, I can't remember) which was broadcast weekly around 1976. On the strength of this hit, Joan and the boys were second on the bill when Queen played Elland Road Leeds at this time (can you believe Heart were bottom of the bill, behind Teardrop Explodes ?). They played the hit, Crimson And Clover, and a couple of Gary Glitter songs. I can't remember whether she sang any Suzi Quatro songs. I think she did, but that could be because she sounded so like Suzi, that they would have fitted in perfectly. |
| 40 | ABC |
Poison Arrow |
| When
ABC had their debut hit with "Tears Are Not
Enough", I thought that they were going to be one of
those bands to release a few singles that don't appeal to
me, and then disappear. But no, this follow did appeal to
me, very much so. ABC became the perfect pop group of
1982. If you didn't like any of their three top ten
singles, then good morning Mr Hangman. This one came complete with a glossy video and reached number six. |
In the top 50 this
week, but failing to reach the top 40.
| Beat | Save It For Later |
| As Two Tone faded into obscurity, so did former Two Tone band 'The Beat'. This sounded a hit all over, but only reached number 47. |
| Olivia Newton John | Make A Move On Me |
| Another one that looked likely to at least make the top twenty. But Olivia's star was also fading and she peaked at number 43. |
| Lisa Lopez R.I.P. |
Disclaimer All comments concerning the
quality of the songs in this and any other chart, are purely my
opinion and not a statement of fact. I believe that we are all
equal when it comes to deciding what makes a good song. I do not
believe that good songs have to be serious or dull. I am of the
opinion that if a single sells many copies, then many people like
it, so it must be good whether I like it or not. Good music is
everything YOU like, and it's also everything I like.
ON TO THE
FOLLOWING WEEK
BACK TO THE PREVIOUS WEEK
BACK TO THE 1982 INDEX
THE REMEMBER WHEN ARCHIVES
GOLDEN DAYS INDEX
Email: nige@innotts.co.uk
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