

1980
Week 48
WEEK ENDING 29th NOVEMBER 1980
TOP 40 SINGLES
| No. | LW | ||||
| 1 | 2 | Abba | Super Trouper | ||
| 2 | 1 | Blondie | The Tide Is High | ||
| 3 | 4 | Dennis Waterman | I Could Be So Good For You | ||
| 4 | 6 | Stephanie Mills | Never Knew Love Like This Before | ||
| 5 | 5 | David Bowie | Fashion | ||
| 6 | 3 | Barbra Streisand | Woman In Love | ||
| 7 | 12 | Kool And The Gang | Celebration | ||
| 8 | 13 | John Lennon | (Just Like) Starting Over | ||
| 9 | 23 | Boomtown Rats | Banana Republic | ||
| 10 | 11 | UB40 | The Earth Dies Screaming / Dream A Lie | ||
| 11 | 19 | Spandau Ballet | To Cut A Long Story Short | ||
| 12 | 31 | Madness | Embarrassment | ||
| 13 | 9 | O.M.D. | Enola Gay | ||
| 14 | 7 | Bad Manners | Special Brew | ||
| 15 | 30 | Eddy Grant | Do You Feel My Love | ||
| 16 | 14 | Roxy Music | The Same Old Scene | ||
| 17 | 22 | Rod Stewart | Passion | ||
| 18 | 18 | Diana Ross | I'm Coming Out | ||
| 19 | 8 | Adam And The Ants | Dog Eat Dog | ||
| 20 | 26 | Young & Co. | I Like (What You're Doing To Me) | ||
| 21 | 10 | Status Quo | What You're Proposing | ||
| 22 | 15 | Motorhead | Ace Of Spades | ||
| 23 | NEW | AC/DC | Rock 'N' Roll Ain't Noise Pollution | ||
| 24 | 16 | Odyssey | If You're Lookin' For A Way Out | ||
| 25 | 34 | Kenny Rogers | Lady | ||
| 26 | 40 | E.L.O. | Don't Walk Away | ||
| 27 | 20 | Olivia Newton John & Cliff Richard | Suddenly | ||
| 28 | 17 | Matchbox | Whan You Ask About Love | ||
| 29 | 36 | Barry Manilow | Lonely Together | ||
| 30 | 25 | Sheena Easton | One Man Woman | ||
| 31 | NEW | Neil Diamond | Love On The Rocks | ||
| 32 | 28 | Kelly Marie | Loving Just For Fun | ||
| 33 | NEW | Daryl Hall And John Oates | Kiss On My List | ||
| 34 | 27 | Ottawan | D.I.S.C.O. | ||
| 35 | NEW | St. Winifred's School Choir | There's No One Quite Like Grandma | ||
| 36 | 32 | Gladys Knight & The Pips | Bourgie Bourgie | ||
| 37 | 21 | Air Supply | All Out Of Love | ||
| 38 | 35 | Rah Band | Falcon | ||
| 39 | 33 | Liquid Gold | The Night The Wine And The Roses | ||
| 40 | NEW | Dr. Hook | Girls Can Get It |
| 1 | Abba |
Super Trouper |
| The ninth and final number one for Abba. It wasn't the best, but it certainly wasn't the worst either. It spent eight weeks in the top ten including three weeks on top. It's final week in the chart was the week in which it dropped from number 8 to 28. |
| 2 | Blondie |
The Tide Is High |
| Exactly two years after one of their more energetic singles (Hanging On The Telephone) entered the chart, their slowest paced single debuted at number five. Not for the first time Blondie had recorded a cover version. This was written by John Holt and had previously been recorded by the Paragons. It's Ska feel fitted in perfectly with the music scene of 1980, and it became Blondie's Fifth number one spending two weeks in pole position. This wasn't the last we would hear of Blondie, but they would have to wait over 18 years before they hit number one again. |
| 3 | Dennis Waterman |
I Could Be So Good For You |
| Someone told
Dennis that he didn't have a bad voice. Someone asked him
to to sing the theme to his TV series 'Minder'. Someone
decided to release it as a single. Someone should be
tried for crimes against mankind. No one reading this will admit to helping it to number three in the chart. |
| 4 | Stephanie Mills |
Never Knew Love Like This Before |
| No, it wasn't Diana Ross, it just sounded like her. This was Stephanie's first hit and climbed slowly to peak at number four on it's sixth week. It stayed on the top 40 for 11 weeks. Surprisingly it was almost four years before Stephanie made the top 40 for a second time. |
| 5 | David Bowie |
Fashion |
| Another track from
Bowie's 'Scary Monsters' album and totally different to
the previous single "Ashes To Ashes". Once more
a memorable video accompanied the track which was
something nearing a dance track. But was it good ? Yes, I suppose it was really, even if it hasn't dated very well. It peaked at number five and was his last solo top five hit until 1983. |
| 6 | Barbra Streisand |
Woman In Love |
| Barbra had been around making music and taking it into our chart since she first hit with "Second Hand Rose" back in 1966. It's number 14 peak wasn't bettered until she reached number 3 with "Evergreen" 11 years later. 1978 and 1979 had seen her have two more top five singles with duets (one with Neil Diamond, one with Donna Summer). In 1990 she turned to the successful songwriting and production skills of the Bee Gees, and this single was the first glimpse of the resulting album, 'Guilty'. After entering at number 22, it climbed to number nine and then to the very top, to become her biggest ever hit, spending three weeks on top. Strangely, the promo film seemed to consist entirely of clips from her 1977 film 'A Star Is Born'. |
| 7 | Kool And The Gang |
Celebration |
| I liked the two previous singles by Kool And The Gang, but I always found this one somewhat annoying. There's nothing wrong with being deliberately commercial, after all it's what the majority of people like, but for me this just didn't go anywhere. I short, I find it to be a very boring song. It wasn't as big a hit over here as what many may think either. It peaked at number seven. |
| 8 | John Lennon |
(Just Like) Starting Over |
| "A great loss
to music" is a very over used statement. I will not
mention any names, but how can this be said about someone
who's hardly been on the scene for five minutes ? Yes, they may have released one good album, but how do we know that any future releases will live up to expectations ? For example, let's take John Travolta who had four hit singles in 1978. If something tragic had happened to him in early 1979, we may have seen the phrase "A Great Loss To Music" (yes, I know you wouldn't have agreed). But look what happened. He's still alive, yet he didn't have any more hits (save for re-issues), so it wouldn't have been any loss to music would it ? But when it's said about someone with a long proven track record, yes, they get it spot on. John Lennon is one such person. During the summer of 1980, a new show called 'Studio B15' began on Radio One on Sunday afternoons. Someone wrote a letter to the show in which he asked what had happened to John Lennon. John had retired five years earlier to spend time with his new born son 'Sean'. Radio One set about finding him and discovered that he had almost completed recording a new album and secured a date for John to be interviewed for the show by Andy Peebles. On the sixth of December, that interview took place. Meanwhile, this first single from the album had been released and entered the chart at number 30. It had a feel good quality about it and I expected it to be a big hit. Over the weekend of 6th/7th November, I heard three other tracks from the 'Double Fantasy' album, tracks that I liked a lot. So during my lunch break on Monday 8th December, I walked into town and bought the album. At approx 6pm that day I listened to it for the first time, and probably heard it again later that evening. Incidentally, the single had fallen from it's apparent peak of number eight to number the the previous Tuesday. On December 9th, I got up for work as normal. Didn't put the TV on as there was nothing on in the mornings in those days. I took the five mile journey to work by bus and everything seemed normal. My workmate Laurie and myself were maintaining the shrub beds on the Hermitage estate, and as I remember, It was a dry mild day for the time of year. We didn't have the radio on as the batteries had ran out of power. Around Nine O'Clock he nipped off home for something asking me to say that he's gone to check on his wife as she isn't well if any bosses turn up. Some 30 minutes later he came back and got back to work. Around ten minutes later he said "Guess who's died ?". I said "Who ?". He said "John Lennon, he's been shot". I remember smiling a nervous smile (as I sometimes do at being told of a tragedy), and then feeling as though I didn't want to continue the conversation. I thought of one of my best friend's "Chris Squire", who was a really big fan of Lennon (bizzarrely, his first son was born a few hours before the tragedy happened). After a little while, I went to the shop and bought some batteries for the radio. Radio one played his music all day and played snippets from the Andy Peebles interview that had taken place just two days before his death. It was a really sad feeling, not the same kind of sorrow felt whe my grandmother had died four months previous, but the saddest I had felt about the death of someone I didn't know personally. "(Just Like) Starting Over" had now taken on a whole new meaning. No longer was it a 'feel good' song, right from the bell at the beginning to the echoic ending, it was a really sad song. John was starting over in the music business, but it had all ended ! Later that same day, the new chart was announced and the single had fallen to number 21. The following week, Paul Burnett started the new countdown with the words "John Lennon is at number one with "Starting Over" ", before counting down from number 40. It was expected to be the Christmas number one, but was knocked off the top after just one week by a school choir singing about their Grandma (more on this in three weeks time). It still stayed around for a while though. It spent a total of 13 weeks in the top 40, during which time it was joined in the chart by four other Lennon singles. At one point he occupied three places in the top five. And the long awaited interview ? It was later broadcast in it's entirety in six weekly parts. Yes, John was a great loss to music. |
| 9 | Boomtown Rats |
Banana Republic |
| The long awaited return of the Rats and it wasn't what we expected. Starting off by fooling us that they were going reggae, it then switched to a smooth sounding song about the problems of Northern Ireland. It looked set to hit the top at one point, but had to settle for number three. It was their last top 20 hit. |
| 10 | UB40 | The Earth Dies Screaming / Dream A Lie |
| It was only eight
weeks to Christmas, so those jolly chaps from UB40
decided to brighten up our lives with this ditty about,
well, the Earth dying screaming. It's exactly as you'd
imagine it sounds and reached number 10. Almost forgot, I do like it. |
| 11 | Spandau Ballet |
To Cut A Long Story Short |
| This was the first of the 'New Romantic' hits apparently. By this I was led to believe that the new romantics were blokes wearing dresses who weren't very good at singing in a band with a silly name. It seemed a high new entry at number 19, but it was charting outside the top 40 the previous week. It went to number five for a week, and Spandau Ballet went on to have a further 16 top 40 hits. |
| 12 | Madness | Embarrassment |
| Not as frantic as "Baggy Trousers", but still a huge hit. This dealt with the Embarrassment of a young unmarried woman getting pregnant, but this wasn't easy to suss out due their usual crazy antics while performing it. It spent 2 weeks at number four and 11 weeks in the chart. |
| 13 | OMD |
Enola Gay |
| A song about a
plane that caused so much suffering. Seems sick in
retrospect, but not as sick as the act itself. Sad as it
seems, most who bought the single probably didn't have a
clue what it was about anyway. Even though O.M.D. had already had a smaller hit with "Messages", this was the one that really broke them and reached number eight. |
| 14 | Bad Manners |
Special Brew |
| I think that after their first two hits, Bad Manners were seen as a cheap imitation of Madness by many. Maybe some thought the same after this, but I changed my mind. It was one of the catchiest songs of the year and spent two weeks at number three, spending nine weeks in the top 40, dropping out in the week that the follow up "Lorraine" debuted. Buster Bloodvessel has said that he got the inspiration for this song from a can of the foul tasting 'Special Brew' lager, and composed it in a matter of minutes. |
| 15 | Eddy Grant |
Do You Feel My Love |
| I was surprised to see Eddy's name back in the chart. He'd already had one solo hit back in the summer of '79, and it was quite usual for reggae acts to disappear after one hit (unless your name was Marley). But Eddy had come back with something better, and it gave him a number eight hit. |
| 16 | Roxy Music | The Same Old Scene |
| I can't listen to this song without thinking of the film 'Times Square', in which it was the opening song. This is one of my favourite Roxy Music songs ever and was taken from the excellent 'Flesh And Blood' album. Die hard fans of Roxy from the early days would have probably hated what they were doing in the late '70s/early '80s, but I could live with both phases of Roxy Music's career. Both eras have their merits, and while they released some great singles in the early years, many of the album tracks were iffy. In these later years, the albums sounded complete. "Same Old Scene" peaked at number 12 in it's second week. |
| 17 | Rod Stewart |
Passion |
| A very disappointing single from Rod as he seemed to be continuing the direction he'd taken with "Do You Think I'm Sexy" two years previous. It was taken from his 'Foolish Behavior' album which wasn't a bad album at all. This single struggled up to number 17 and stayed on the chart for 7 weeks. |
| 18 | Diana Ross |
I'm Coming Out |
| The third single
from the Chic produced 'Diana' album. More memorable than
"My Old Piano", but it didn't perform as well
reaching number 13. Some American rapper buggered it up in the late '90s, either Puff or Will, don't recall which one, but it doesn't matter does it ? |
| 19 | Adam And The Ants |
Dog Eat Dog |
| The first hit for Adam And The Ants had a strangely familiar sound to it. It was not unlike the sound of Bow Wow Wow. The reason for this was soon apparent when it was revealed that Adam's former manager had taken his original Ants, recruited Annabella Lewin and formed Bow Wow Wow. So here was Adam with the second release from his new line up giving him his first top 40 hit. It went all the way to number four and paved the way for a hugely successful 1981. |
| 20 | Young & Co. | I Like (What You're Doing To Me) |
| A great disco single. You may quite rightly say that this could have been anyone, yes it could have been, but that doesn't alter the fact that this was an extremely popular disco track for a long time. But while it may have lit the fires of the clubbers, it wasn't quite as successful with record buying public. Two weeks at number 20 was it's best. |
| 21 | Status Quo |
What You're Proposing |
| Another winner for
the Quo in chart terms, but not so in the lyric stakes
(they really shouldn't have rhymed "Proposing"
with "Runny Nosing") Anyway, it quickly sped up the chart to number two where it was kept off the top by Ms. Streisand for 2 weeks. |
| 22 | Motorhead |
Ace Of Spades |
| Motorhead were a
band that occasionally appeared on Top Of The Pops
performing a minor hit single of which you could only
make out a few words (eg: "It's A Bomber") In 1980, for some inexplicable reason they hit the top ten with "The Golden YearsE.P.". They were now following it with a single that wasn't half bad at all. I would even go so far as to say that "Ace Of Spades" is almost a Rock Classic. Surprising that it only reached number 15, but their biggest hits followed soon afterwards. A re-issue of this single reached number 23 in 1993. |
| 23 | AC/DC |
Rock And Roll Ain't Noise Pollution |
| I love their "Back In Black" album apart from one track, this one. I would even say that I was shocked when I discovered that it was being released as a single. But it was, and it became their highest charting single to date by reaching number 15. |
| 24 | Odyssey |
If You're Looking For a Way Out |
| And here's the one that remained on the chart for a week longer than Ottawan. This was a lovely song with beautiful vocals. After spending three weeks at number seven, it took a climb to number six, decided it didn't like it there so dropped back to seven before taking a steady slide down the chart. |
| 25 | Kenny Rogers |
Lady |
| It wasn't hard to recognise this as a Lionel Richie song, but it was quite obvious that Lionel's nasal tones were missing. They had been replaced by Kenny's rough diamond vocals. Kenny had already had a number one in 1980, but he was unable to go beyond number 12 with one of the best ballads that Lionel ever composed. This was Kenny's last ever solo hit in the UK. |
| 26 | E.L.O. |
Don't Walk Away |
| Never seeming to be away from the chart in those days, this was E.L.O. in 'Jeff sounding like he's crying the lyrics out' mode. It was the final release from the 'Xanadu' soundtrack, and while I do like it, it has to be said that it does sound better when watching the film. It was the first new song by E.L.O. to not reach the top 20 since 1976. It was just one place short at number 21, but it did stay in the chart for eight weeks. |
| 27 | Cliff Richard & Olivia Newton John | Suddenly |
| There was something that didn't seem quite right about Cliff being all Lovey Dovey in a duet with Olivia. Probably the worst track on the Xanadu soundtrack, I didn't like it at the time, but it doesn't seem so bad these days. It peaked at number 15. |
| 28 | Matchbox |
When You Ask About Love |
| I didn't like the first three hits by Matchbox at all. So, I was pleasantly surprised when they released this cover of a 'Crickets' song. I'm not saying that it was one of the best singles of the year or anything like that, but it was a really pleasant song that peaked at number four and spent nine weeks in the top 40. |
| 29 | Barry Manilow |
Lonely Together |
| Since his British
breakthrough with "Mandy" in 1975, Barry had
not found it easy to get a second top 20 hit. This didn't
do it for him, but it took nine weeks to reach number 21
and spent a total of 11 weeks in the 40. It was taken
from the number five album 'Barry', an album that came
into my possession by mistake thanks to Brittania Music
Club. It wasn't an album that I would have gone out and
bought, but I played it anyway (as you do). I was
pleasantly surprised to hear a really good album. It
contains a further two hit singles, but the highlight of
the album is a duet with Lily Tomlin called "The
Last Duet". It's a really comical song and the
titles of quite a few recent hits by duos are inserted
into the lyrics, but sometimes slightly altered such as
"You're not the one that I want Ooh ooh ooh"
& "With you I'm bored again". Yes I've just raved about a Barry Manilow album, I'll be going for a lie down soon ! |
| 30 | Sheena Easton |
One Man Woman |
| Sheena's third hit in a little over three months, and another great pop song. I thought that it was the best of her singles to date. It peaked at number 14 during a 6 week chart run. |
| 31 | Neil Diamond |
Love On The Rocks |
| Great vocal peformance by Neil on this. It was taken from the soundtrack to Neil's film "The Jazz Singer", a remake of the first 'talkie picture'. It wasn't as big a hit as we may have expected and only got to number 17. Neil haad to wait 12 years for his next top 40 entry. |
| 32 | Kelly Marie |
Loving Just For Fun |
| Kelly's follow up to the massive "Feels Like I'm In Love", but maybe just a little too similar to "FLIIL" to make a big impact. It only reached number 21, but once again sounded great in clubs, particulary the 12 inch version. |
| 33 | Daryl Hall And John Oates |
Kiss On My List |
| This was the white soul boys' first top 40 entry in the UK, but their 14th US hit (and second number one). We still weren't too impressed by them and it only reached number 33. |
| 34 | Ottawan |
D.I.S.C.O. |
| This song did not stay in the top 40 for as long as you may think it did. This 11 week charting single quickly climbed for a three week stay at number two, but wasn't around for too long afterwards. I think one of the reasons for people thinking that it was around for much longer, was that until it started falling, it was played in the background between songs on Top Of The Pops every week. On a Channel Four show called Disco Inferno that was broadcast in 1998, Ottowan were included in a small section of acts that were described as Disco Criminals. I feel that this was completely without justification. This (and their 1981 hit) were perfect disco singles that filled the dance floor every time that they were played. It appears that musical snobbery even found it's way into the place where you'd least expect to find it, the disco scene. |
| 35 | St. Winifred's School Choir |
There's No One Quite Like Grandma |
| This is the single that stopped three consecutive number ones being peformed by John Lennon by reaching number one itself the day before Christmas Eve. Even if you have never heard this, you can imagine exactly what it sounds like, and it would be so easy to condemn. I'm not saying that I liked it myself because I didn't. But, it was what it was, it was supposed to appeal to children and Grandparents, that's exactly what it did. It sold the copies, and much to my disgust deserved it's 2 weeks at number one. |
| 36 | Gladys Knight And The Pips |
Bourgie Bourgie |
| A nice single from
Gladys that only reached number 32. Earlier this year, my
Mother, Brother and Sister had left Wrexham to live in
Mansfield. It was this very week that I visited their new
home for the first time, and I bought this single while
there. Gladys didn't have another solo top 40 hit until 1989. |
| 37 | Air Supply |
All Out Of Love |
| A good single that peaked at number eleven was the only hit this Australian band had in the UK, despite massive success in the USA. For some reason, this song reminds me of maintaining the shrub beds at a small housing complex called 'Meifod Place' in the Pen-Y-Bryn area of Wrexham. It also reminds me of Paul Burnett playing it on his Radio One lunchtime show, and then following it with his 'Fun At One' feature where he played a Barron Knights track called "Barron's Fun 40". This was a spoof on Tony Blackburn counting down the top 40, with plenty of "Sensational"s in there, and make believe singles such as "You Need Hands" by the Stranglers, "Turning Japanese" by Paul McCartney, and "Breathing" by Air Supply. |
| 38 | Rah Band |
Falcon |
| It had taken the Rah Band almost three and a half years to follow up their number six hit "The Crunch". However, this uninspired track could only get to number 35, and it was over four years before they hit the top 40 again. |
| 39 | Liquid Gold |
The Night The Wine And The Roses |
| Oh dear. Their two previous singles had been very catchy and deservedly both reached the top ten. But now they just seemed to write different lyrics for "Dance Yourself Dizzy" and it didn't work. They went to number 32 in their second week before falling. |
| 40 | Dr. Hook |
Girls Can Get It |
| It had been a fantastic year for Dr. Hook. A big hit album, a new album released last week, a compilation released this week, and two big hit singles. They had also switched record companies from Capitol to Mercury, and this was their first hit for their new label. It was also their last ever top 40 hit and this week's debut at number 40 was as high as it got. |
These songs were in the top 50 this week, but failed to reach the
top 40.
| Motorhead | Beer Drinkers And Hell Raisers |
| It was an old track released on Big Beat records. I don't remember hearing it, but if they played it when I saw them live in 1982, then it sounded very much like everything else. It reached number 43. |
| Bruce Springsteen | Hungry Heart |
| This was Bruce's first ever entry in the UK top 75 singles chart. It's parent album "The River" had already been to number 2 in it's appropiate chart, and this was the ideal track to release as a single. Unfortunately, it didn't do the business and had to settle for number 44. Fifteen years later, a re-issue went to number 28. |
Disclaimer All comments concerning the
quality of the songs in this and any other chart, are purely my
opinion and not a statement of fact. I believe that we are all
equal when it comes to deciding what makes a good song. I do not
believe that good songs have to be serious or dull. I am of the
opinion that if a single sells many copies, then many people like
it, so it must be good whether I like it or not. Good music is
everything YOU like, and it's also everything I like.
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Email: nige@innotts.co.uk