REMEMBER WHEN - 15th November 1980

1980
Week 46
WEEK ENDING 15th NOVEMBER 1980

TOP 40 SINGLES

No.	LW
1	5	Blondie	The Tide Is High
2	1	Barbra Streisand	Woman In Love
3	3	Bad Manners	Special Brew
4	19	Dennis Waterman	I Could Be So Good For You
5	2	Status Quo	What You're Proposing
6	8	David Bowie	Fashion
7	4	Adam And The Ants	Dog Eat Dog
8	9	O.M.D.	Enola Gay
9	18	Stephanie Mills	Never Knew Love Like This Before
10	7	Odyssey	If You're Lookin' For A Way Out
11	6	Matchbox	Whan You Ask About Love
12	29	Roxy Music	The Same Old Scene
13	NEW	Abba	Super Trouper
14	25	UB40	The Earth Dies Screaming / Dream A Lie
15	21	Motorhead	Ace Of Spades
16	11	Nolans	Gotta Pull Myself Together
17	15	Olivia Newton John & Cliff Richard	Suddenly
18	14	Sheena Easton	One Man Woman
19	12	Air Supply	All Out Of Love
20	30	John Lennon	(Just Like) Starting Over
21	10	Ottawan	D.I.S.C.O.
22	33	Kool And The Gang	Celebration
23	13	Madness	Baggy Trousers
24	22	Kelly Marie	Loving Just For Fun
25	17	Kate Bush	Army Dreamers
26	37	Rod Stewart	Passion
27	20	George Benson	Love X Love
28	23	Showaddywaddy	Why Do Lovers Break Each Others Hearts
29	26	Gilbert O'Sullivan	What's In A Kiss
30	39	Young & Co.	I Like (What You're Doing To Me)
31	16	Police	Don't Stand So Close To Me
32	38	Liquid Gold	The Night The Wine And The Roses
33	NEW	Gladys Knight	Bourgie Bourgie
34	32	Diana Ross	I'm Coming Out
35	NEW	Iron Maiden	Women In Uniform
36	31	Jacksons	Lovely One
37	NEW	Rah Band	Falcon
38	24	Coffee	Casanova
39	NEW	Wilton Felder	Inherit The Wind
40	NEW	Barry Manilow	Lonely Together

Blondie

The Tide Is High

Exactly two years after one of their more energetic singles (Hanging On The Telephone) entered the chart, their slowest paced single debuted at number five. Not for the first time Blondie had recorded a cover version. This was written by John Holt and had previously been recorded by the Paragons. It's Ska feel fitted in perfectly with the music scene of 1980, and it became Blondie's Fifth number one spending two weeks in pole position. This wasn't the last we would hear of Blondie, but they would have to wait over 18 years before they hit number one again.

Barbra Streisand

Woman In Love

Barbra had been around making music and taking it into our chart since she first hit with "Second Hand Rose" back in 1966. It's number 14 peak wasn't bettered until she reached number 3 with "Evergreen" 11 years later. 1978 and 1979 had seen her have two more top five singles with duets (one with Neil Diamond, one with Donna Summer). In 1990 she turned to the successful songwriting and production skills of the Bee Gees, and this single was the first glimpse of the resulting album, 'Guilty'. After entering at number 22, it climbed to number nine and then to the very top, to become her biggest ever hit, spending three weeks on top. Strangely, the promo film seemed to consist entirely of clips from her 1977 film 'A Star Is Born'.

Bad Manners

Special Brew

I think that after their first two hits, Bad Manners were seen as a cheap imitation of Madness by many. Maybe some thought the same after this, but I changed my mind. It was one of the catchiest songs of the year and spent two weeks at number three, spending nine weeks in the top 40, dropping out in the week that the follow up "Lorraine" debuted. Buster Bloodvessel has said that he got the inspiration for this song from a can of the foul tasting 'Special Brew' lager, and composed it in a matter of minutes.

Dennis Waterman

I Could Be So Good For You

Someone told Dennis that he didn't have a bad voice. Someone asked him to to sing the theme to his TV series 'Minder'. Someone decided to release it as a single. Someone should be tried for crimes against mankind.
No one reading this will admit to helping it to number three in the chart.

Status Quo

What You're Proposing

Another winner for the Quo in chart terms, but not so in the lyric stakes (they really shouldn't have rhymed "Proposing" with "Runny Nosing")
Anyway, it quickly sped up the chart to number two where it was kept off the top by Ms. Streisand for 2 weeks.

David Bowie

Fashion

Another track from Bowie's 'Scary Monsters' album and totally different to the previous single "Ashes To Ashes". Once more a memorable video accompanied the track which was something nearing a dance track. But was it good ?
Yes, I suppose it was really, even if it hasn't dated very well. It peaked at number five and was his last solo top five hit until 1983.

Adam And The Ants

Dog Eat Dog

The first hit for Adam And The Ants had a strangely familiar sound to it. It was not unlike the sound of Bow Wow Wow. The reason for this was soon apparent when it was revealed that Adam's former manager had taken his original Ants, recruited Annabella Lewin and formed Bow Wow Wow. So here was Adam with the second release from his new line up giving him his first top 40 hit. It went all the way to number four and paved the way for a hugely successful 1981.

OMD

Enola Gay

A song about a plane that caused so much suffering. Seems sick in retrospect, but not as sick as the act itself. Sad as it seems, most who bought the single probably didn't have a clue what it was about anyway.
Even though O.M.D. had already had a smaller hit with "Messages", this was the one that really broke them and reached number eight.

Stephanie Mills

Never Knew Love Like This Before

No, it wasn't Diana Ross, it just sounded like her. This was Stephanie's first hit and climbed slowly to peak at number four on it's sixth week. It stayed on the top 40 for 11 weeks. Surprisingly it was almost four years before Stephanie made the top 40 for a second time.

Odyssey

If You're Looking For a Way Out

And here's the one that remained on the chart for a week longer than Ottawan. This was a lovely song with beautiful vocals. After spending three weeks at number seven, it took a climb to number six, decided it didn't like it there so dropped back to seven before taking a steady slide down the chart.

Matchbox

When You Ask About Love

I didn't like the first three hits by Matchbox at all. So, I was pleasantly surprised when they released this cover of a 'Crickets' song. I'm not saying that it was one of the best singles of the year or anything like that, but it was a really pleasant song that peaked at number four and spent nine weeks in the top 40.

Roxy Music

The Same Old Scene

I can't listen to this song without thinking of the film 'Times Square', in which it was the opening song. This is one of my favourite Roxy Music songs ever and was taken from the excellent 'Flesh And Blood' album. Die hard fans of Roxy from the early days would have probably hated what they were doing in the late '70s/early '80s, but I could live with both phases of Roxy Music's career. Both eras have their merits, and while they released some great singles in the early years, many of the album tracks were iffy. In these later years, the albums sounded complete. "Same Old Scene" peaked at number 12 in it's second week.

Abba

Super Trouper

The ninth and final number one for Abba. It wasn't the best, but it certainly wasn't the worst either. It spent eight weeks in the top ten including three weeks on top. It's final week in the chart was the week in which it dropped from number 8 to 28.

UB40

The Earth Dies Screaming / Dream A Lie

It was only eight weeks to Christmas, so those jolly chaps from UB40 decided to brighten up our lives with this ditty about, well, the Earth dying screaming. It's exactly as you'd imagine it sounds and reached number 10.
Almost forgot, I do like it.

Motorhead

Ace Of Spades

Motorhead were a band that occasionally appeared on Top Of The Pops performing a minor hit single of which you could only make out a few words (eg: "It's A Bomber")
In 1980, for some inexplicable reason they hit the top ten with "The Golden YearsE.P.". They were now following it with a single that wasn't half bad at all. I would even go so far as to say that "Ace Of Spades" is almost a Rock Classic. Surprising that it only reached number 15, but their biggest hits followed soon afterwards. A re-issue of this single reached number 23 in 1993.

Nolans

Gotta Pull Myself Together

It really bugs me when people ridicule the Nolans. Many of these people would have been humming along to their songs Twenty years ago, but would no doubt deny it now. The Nolans recorded some of the best pop songs of the early '80s, and even though they didn't write their own material, they had the voices that made them such big hits. I have met and chatted to Linda Nolan on three occasions, and she is a lovely person, certainly no prima donna. My wife, as well as meeting Linda, has also met Bernie, Anne, Maureen and Colleen and teels me that they are nice too.
Since the heady days of this reaching number nine in the chart, a lot has happened to the sisters. Linda left soon after the hits dried up and spent nine consecutive summer seasons starring on Blackpool's Central Pier, before moving to the South Pier for a couple of seasons. During that time, she also made regular appearances on James Whale's late Friday night TV show. Since then, she has continued to work the summer holiday circuit at various venues (usually near to her home town of Blackpool), and also appeared in Panto. Bernie and Colleen stayed with the group until the mid '90s, before Colleen retired from the business to be a full time mother. Bernie did some solo shows and appeared in the magnificant musical 'Oh What a Night' alongside Kid Creole (as well as other musicals, I think). Then in 2000 she joined the cast of the popular soap 'Brookside'. Hopefully, this will not be for long and she will get back to singing, as she is one of the best vocalists in the UK.
As for Anne and Maureen, they are part of a new Nolans line up that also includes Anne's daughter 'Amy' and their niece 'Julia Sinclair' (Amy & Julia are also two thirds of a new group called 'Third Base' who are tipped for stardom). I was fortunate enough to see the new look Nolans at the Grand Theatre in Blackpool last Monday evening. The thing is, it was a new new look. Anne was unwell, so Colleen came out of retirement for the night. The new girls fitted in very well, Maureen is as beautiful as she ever was, and Colleen still has that cuteness about her that she had twenty years ago (she's my favourite).

Cliff Richard & Olivia Newton John

Suddenly

There was something that didn't seem quite right about Cliff being all Lovey Dovey in a duet with Olivia. Probably the worst track on the Xanadu soundtrack, I didn't like it at the time, but it doesn't seem so bad these days. It peaked at number 15.

Sheena Easton

One Man Woman

Sheena's third hit in a little over three months, and another great pop song. I thought that it was the best of her singles to date. It peaked at number 14 during a 6 week chart run.

Air Supply

All Out Of Love

A good single that peaked at number eleven was the only hit this Australian band had in the UK, despite massive success in the USA. For some reason, this song reminds me of maintaining the shrub beds at a small housing complex called 'Meifod Place' in the Pen-Y-Bryn area of Wrexham. It also reminds me of Paul Burnett playing it on his Radio One lunchtime show, and then following it with his 'Fun At One' feature where he played a Barron Knights track called "Barron's Fun 40". This was a spoof on Tony Blackburn counting down the top 40, with plenty of "Sensational"s in there, and make believe singles such as "You Need Hands" by the Stranglers, "Turning Japanese" by Paul McCartney, and "Breathing" by Air Supply.

John Lennon

(Just Like) Starting Over

"A great loss to music" is a very over used statement. I will not mention any names, but how can this be said about someone who's hardly been on the scene for five minutes ?
Yes, they may have released one good album, but how do we know that any future releases will live up to expectations ?
For example, let's take John Travolta who had four hit singles in 1978. If something tragic had happened to him in early 1979, we may have seen the phrase "A Great Loss To Music" (yes, I know you wouldn't have agreed). But look what happened. He's still alive, yet he didn't have any more hits (save for re-issues), so it wouldn't have been any loss to music would it ?
But when it's said about someone with a long proven track record, yes, they get it spot on. John Lennon is one such person.
During the summer of 1980, a new show called 'Studio B15' began on Radio One on Sunday afternoons. Someone wrote a letter to the show in which he asked what had happened to John Lennon. John had retired five years earlier to spend time with his new born son 'Sean'. Radio One set about finding him and discovered that he had almost completed recording a new album and secured a date for John to be interviewed for the show by Andy Peebles. On the sixth of December, that interview took place.
Meanwhile, this first single from the album had been released and entered the chart at number 30. It had a feel good quality about it and I expected it to be a big hit. Over the weekend of 6th/7th November, I heard three other tracks from the 'Double Fantasy' album, tracks that I liked a lot. So during my lunch break on Monday 8th December, I walked into town and bought the album. At approx 6pm that day I listened to it for the first time, and probably heard it again later that evening. Incidentally, the single had fallen from it's apparent peak of number eight to number the the previous Tuesday.
On December 9th, I got up for work as normal. Didn't put the TV on as there was nothing on in the mornings in those days. I took the five mile journey to work by bus and everything seemed normal. My workmate Laurie and myself were maintaining the shrub beds on the Hermitage estate, and as I remember, It was a dry mild day for the time of year. We didn't have the radio on as the batteries had ran out of power. Around Nine O'Clock he nipped off home for something asking me to say that he's gone to check on his wife as she isn't well if any bosses turn up.
Some 30 minutes later he came back and got back to work. Around ten minutes later he said "Guess who's died ?". I said "Who ?". He said "John Lennon, he's been shot".
I remember smiling a nervous smile (as I sometimes do at being told of a tragedy), and then feeling as though I didn't want to continue the conversation. I thought of one of my best friend's "Chris Squire", who was a really big fan of Lennon (bizzarrely, his first son was born a few hours before the tragedy happened). After a little while, I went to the shop and bought some batteries for the radio. Radio one played his music all day and played snippets from the Andy Peebles interview that had taken place just two days before his death. It was a really sad feeling, not the same kind of sorrow felt whe my grandmother had died four months previous, but the saddest I had felt about the death of someone I didn't know personally. "(Just Like) Starting Over" had now taken on a whole new meaning. No longer was it a 'feel good' song, right from the bell at the beginning to the echoic ending, it was a really sad song. John was starting over in the music business, but it had all ended !
Later that same day, the new chart was announced and the single had fallen to number 21. The following week, Paul Burnett started the new countdown with the words "John Lennon is at number one with "Starting Over" ", before counting down from number 40. It was expected to be the Christmas number one, but was knocked off the top after just one week by a school choir singing about their Grandma (more on this in three weeks time). It still stayed around for a while though. It spent a total of 13 weeks in the top 40, during which time it was joined in the chart by four other Lennon singles. At one point he occupied three places in the top five.
And the long awaited interview ?
It was later broadcast in it's entirety in six weekly parts.
Yes, John was a great loss to music.

Ottawan

D.I.S.C.O.

This song did not stay in the top 40 for as long as you may think it did. This 11 week charting single quickly climbed for a three week stay at number two, but wasn't around for too long afterwards. I think one of the reasons for people thinking that it was around for much longer, was that until it started falling, it was played in the background between songs on Top Of The Pops every week. On a Channel Four show called Disco Inferno that was broadcast in 1998, Ottowan were included in a small section of acts that were described as Disco Criminals. I feel that this was completely without justification. This (and their 1981 hit) were perfect disco singles that filled the dance floor every time that they were played. It appears that musical snobbery even found it's way into the place where you'd least expect to find it, the disco scene.

Kool And The Gang

Celebration

I liked the two previous singles by Kool And The Gang, but I always found this one somewhat annoying. There's nothing wrong with being deliberately commercial, after all it's what the majority of people like, but for me this just didn't go anywhere. I short, I find it to be a very boring song. It wasn't as big a hit over here as what many may think either. It peaked at number seven.

Madness

Baggy Trousers

I was going to be rude about this, but I can't because I like it really. It's just that I got so fed up of hearing it at the time, talk about overkill. It went on to spend two weeks at number three and become their biggest hit so far spending 11 weeks in the 40. If I remember correctly it was the ninth best selling single of the year.

Kelly Marie

Loving Just For Fun

Kelly's follow up to the massive "Feels Like I'm In Love", but maybe just a little too similar to "FLIIL" to make a big impact. It only reached number 21, but once again sounded great in clubs, particulary the 12 inch version.

Kate Bush

Army Dreamers

Kate's third single to be taken from the 'Never Forever' album, and it was another good 'un. A song that 'got at' people who joined the army. The video caused a little concern to it's explosions and apparent death scenes. Something of a slow climber, it peaked at number 16 and spent seven weeks in the top 40.

Rod Stewart

Passion

A very disappointing single from Rod as he seemed to be continuing the direction he'd taken with "Do You Think I'm Sexy" two years previous. It was taken from his 'Foolish Behavior' album which wasn't a bad album at all. This single struggled up to number 17 and stayed on the chart for 7 weeks.

George Benson

Love X Love

Another song that very much reminds me of the Erbistok club that I used to frequent so often in the early '80s. A good disco single, but I feel that it was a little too similar to the title track of it's parent album "Give Me The Night". It peaked at number ten.

Showaddywaddy

Why Do Lovers Break Each Other's Hearts

Yuk !
Showaddywaddy had done a few good singles, particulary in their first two years of hit making. But they had by now become very annoying. Thankfully, it was almost two years since their last top ten hit, and they were never to grace the top twenty again. This one peaked at number 22 and none of their final four hits managed to breach the top 30.

Gilbert O'Sullivan

What's In A Kiss

A nice comeback for Gilbert after five years away from the top 40. He'd now broken free from Gordon Mills' management and production, and was also in the process of sueing Gordon for unpaid royalties. This was his only hit on the CBS label and peaked at number 19. Gilbert won his court case, but never made the top 40 again. The closest he came was when his "So What" became a popular club record and made number 70 in 1990.

Young & Co.

I Like (What You're Doing To Me)

A great disco single. You may quite rightly say that this could have been anyone, yes it could have been, but that doesn't alter the fact that this was an extremely popular disco track for a long time. But while it may have lit the fires of the clubbers, it wasn't quite as successful with record buying public. Two weeks at number 20 was it's best.

Police

Don't Stand So Close To Me

After all those re-issues, the boys in blue were back with a brand new song. No more sillyness about legs breaking on the moon, being shipwrecked, or even female newscasters (Sue Lawley). This time Sting was having fantasies about going back to teaching, and having a crush on one of his female pupils (whom also had a crush on him). If you thought that was a strange subject for the most popular band in the land to sing about, listen to the B side. "Friends" told how they liked to eat their friends (and make no bones about it).
This single was the second one this year to debut on the chart at number one. It stayed there for four weeks, and was number one of the year on the year end countdown.

Liquid Gold

The Night The Wine And The Roses

Oh dear. Their two previous singles had been very catchy and deservedly both reached the top ten. But now they just seemed to write different lyrics for "Dance Yourself Dizzy" and it didn't work. They went to number 32 in their second week before falling.

Gladys Knight And The Pips

Bourgie Bourgie

A nice single from Gladys that only reached number 32. Earlier this year, my Mother, Brother and Sister had left Wrexham to live in Mansfield. It was this very week that I visited their new home for the first time, and I bought this single while there.
Gladys didn't have another solo top 40 hit until 1989.

Diana Ross

I'm Coming Out

The third single from the Chic produced 'Diana' album. More memorable than "My Old Piano", but it didn't perform as well reaching number 13.
Some American rapper buggered it up in the late '90s, either Puff or Will, don't recall which one, but it doesn't matter does it ?

Iron Maiden

Women In Uniform

I could never get into Iron Maiden. There were a few singles in 1982/83 that I liked as well as some of their 1988 album. But the rest I would have happily turned into ashtrays. This one was worse than most and didn't deserve to reach number 35.
There was a much better single with this title released by Bunk Dogger in 1979, but that new wave styled song failed to chart at all.

Jacksons

Lovely One

One would have expected the Jacksons to have a massive hit with the first track from their new album. But neither of the first two singles pulled from 'Triumph' stormed up the chart. This was a very average run of the mill single that got exactly what it deserved, a peak at it's debut position of number 29. Most will have forgotten this within six months.

Rah Band

Falcon

It had taken the Rah Band almost three and a half years to follow up their number six hit "The Crunch". However, this uninspired track could only get to number 35, and it was over four years before they hit the top 40 again.

Coffee

Casanova

This peaked at number 13, but I always thought of it as being a much bigger hit. It's probably due to hearing it so often on the radio. To be honest, I found it quite a boring record. I quite liked their follow up "Slip And Dip", but that only got as high as number 57.

Wilton Fender

Inherit The Wind

Strangely, I can't remember this number 39 peaking instrumental charting, but it isn't a bad song at all. Not sure who actually did the vocals.

Barry Manilow

Lonely Together

Since his British breakthrough with "Mandy" in 1975, Barry had not found it easy to get a second top 20 hit. This didn't do it for him, but it took nine weeks to reach number 21 and spent a total of 11 weeks in the 40. It was taken from the number five album 'Barry', an album that came into my possession by mistake thanks to Brittania Music Club. It wasn't an album that I would have gone out and bought, but I played it anyway (as you do). I was pleasantly surprised to hear a really good album. It contains a further two hit singles, but the highlight of the album is a duet with Lily Tomlin called "The Last Duet". It's a really comical song and the titles of quite a few recent hits by duos are inserted into the lyrics, but sometimes slightly altered such as "You're not the one that I want Ooh ooh ooh" & "With you I'm bored again".
Yes I've just raved about a Barry Manilow album, I'll be going for a lie down soon !

These songs were in the top 50 this week, but failed to reach the top 40.

Dr. Hook

Sharing The Night Together

Dr. Hook had enjoyed a great twelve months, but surprisingly this (one of their better known songs) failed to reach the top 40 by stalling at number 43. It was in fact a cash in release by Capitol records after the band had switched to Mercury.

Midnight Cowboy Soundtrack

Midnight Cowboy

I don't have a clue !
Except, the first time I saw the film 'Midnight Cowboy' on tv was probably sometime around now. So maybe that was the reason for this release. It reached number 47.

Shakatak

Feels Like The Right Time

This was the first we heard of Shakatak, but sadly this single was unlucky enough to peak at number 41. It would be a year before they finally broke into the top 40.

Disclaimer All comments concerning the quality of the songs in this and any other chart, are purely my opinion and not a statement of fact. I believe that we are all equal when it comes to deciding what makes a good song. I do not believe that good songs have to be serious or dull. I am of the opinion that if a single sells many copies, then many people like it, so it must be good whether I like it or not. Good music is everything YOU like, and it's also everything I like.

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Email: nige@innotts.co.uk