REMEMBER WHEN - 12th JANUARY 1980

1980
Week 2
WEEK ENDING 12TH JANUARY 1980

TOP 40 SINGLES

No.	LW
1	1	Pink Floyd	Another Brick In The Wall
2	2	Abba	I Have A Dream
3	5	Pretenders	Brass In Pocket
4	3	Fiddlers Dram	Day Trip To Bangor
5	4	Tourists	I Only Want To Be With You
6	17	Beat	Tears Of A Clown
7	20	K.C. & The Sunshine Band	Please Don't Go
8	7	Sugarhill Gang	Rappers Delight
9	8	Police	Walking On The Moon
10	10	Three Degrees	My Simple Heart
11	24	Billy Preston & Syreeta	With You I'm Born Again
12	12	David Bowie	John I'm Only Dancing (Again)
13	15	Rose Royce	Is It Love You're After
14	NEW	Madness	My Girl
15	29	Clash	London Calling
16	9	Gibson Brothers	Que Sera Mi Vida
17	18	Status Quo	Living On An Island
18	6	Paul McCartney	Wonderful Christmas Time
19	27	Mike Oldfield	Blue Peter
20	40	Nolans	I'm In The Mood For Dancing
21	23	Skids	Working For The Yankee Dollar
22	21	Chic	My Feet Keep Dancing
23	16	Blondie	Union City Blue
24	13	Elvis Presley	It Won't Seem Like Christmas Without You
25	11	Michael Jackson	Off The Wall
26	39	Booker T And The MGs	Green Onions
27	22	Madness	One Step Beyond
28	33	Sheila B. Devotion	Spacer
29	14	Donna Summer & Barbra Streisand	No More Tears (Enough Is Enough)
30	RE	Dollar	I Wanna Hold Your Hand
31	NEW	Dr. Hook	Better Love Next Time
32	38	Diana Ross	It's My House
33	34	M	Moonlight And Muzak
34	NEW	Positive Force	We Got The Funk
35	36	Boney M	I'm Born Again
36	NEW	Inmates	The Walk
37	NEW	Styx	Babe
38	NEW	Bee Gees	Spirits (Having Flown)
39	19	Moody Blues	Nights In White Satin
40	25	Matchbox	Rockabilly Rebel

Pink Floyd

Another Brick In The Wall

This five week number one single was the last number one of the seventies and the first of the eighties. Quite an unusual single to be the Christmas number one considering the type of singles that usually achieve the honour. It had been Pink Floyd's first single release in the UK for 11 years, and their first hit single for 12 years. They weren't eager to follow it either, as they didn't release their next single until August 1982.

Abba

I Have A Dream

When the 'Voulez-Vous album had been released the previous May, this track always looked a probable single. But by the time October arrived a single release looked unlikely, as six of the album's ten tracks had already been lifted as singles and b.sides. Then came December and a rush release in time for Christmas saw it spend four weeks at number two. Funny the afore mentioned album was the only one by Abba to produce four hit singles, yet not one of them reached number one.
Twenty years later, this song finally made number one when covered by Westlife.

Pretenders

Brass In Pocket

The two previous singles by the Pretenders (Stop Your Sobbing & Kid) had peaked at numbers 34 & 33. When this single climbed just three places from 33 to 30 in the middle of December, it looked as though it wasn't going to fare much better. But it then amazingly climbed 20 places to number ten, before kicking off the New Year by climbing to five, to three and then finally to number one. As was the case with the first five number ones of 1980 (and with a further nine of that year's number ones), it stayed on top for two weeks. It then quickly dropped down the chart and it's last week on the chart was at number 19.

Fiddlers Dram

Day Trip To Bangor

This had been the novelty hit of the Christmas period, but it wasn't what it seemed. The Bangor in question is a small city in North Wales that doesn't have ferris wheels and the like. All it has is a University and a couple of nice bridges. Apparently, the song was really about another North Wales coastal town called Rhyl, but changed to Bangor for the sake of Rhyme. Coming from that area myself, I can see how that could in fact be true. I went to Rhyl on daytrips so many times as a child that I now don't care if I never see the place again. Shortly after this hit had charted my local newspaper 'The Wrexham Evening Leader' ran an article about a band from Rhyl who had decided to get their own back by releasing a single called "Rhylsville", it sank without trace !

Tourists

I Only Want To Be With You

This was the first top ten hit to feature the talents of 'Annie Lennox' and 'Dave Stewart'. Just like the two previous hit versions by 'Dusty Springfield' & 'Bay City Rollers', this single had peaked at number four. A later cover by 'Samantha Fox' in 1989 didn't keep up the success though, and peaked at number 16.

Beat

Tears Of A Clown

Another release from the 'Two Tone' label, and one that peaked at number six. This was of course a Ska cover of the Smokey Robinson And The Miracles hit, and was the first of seven top 40 hits for the band in an eighteen month period. Rather annoyingly they had to change their name to 'English Beat' for the release of their records in the States to avoid confusion with another band.

K.C. & The Sunshine Band

Please Don't Go

This was Howie and the boys' biggest hit to date. Completely different sounding to their eight previous hits, which was a good move for them as people seemed to be tiring of their brand of disco music judging by the chart positions of their last four hits (and the ones that were not hits). Even so, they would have to wait over three years before they hit the chart again, and that was with their number one smash "Give It Up". "Please Don't Go" was revived and given the dance treatment by KWS in 1992 and taken to number one, but it isn't the only KC song to have been revived over the years. "That's The Way (I Like It)" was taken to number 22 by 'Dead Or Alive' in 1984, and was charting again early in 1998, courtesy of a cover by 'Clock'. At the same time, a cover of "Get Down Tonight" renamed "Bamboogie" was taken to the upper reaches of the chart thanks to 'Bamboo'.

Sugarhill Gang

Rappers Delight

Back in the early days of rap I was a big fan and in the minority. In fact I liked all this stuff until the latter part of the eighties when they decided to just start shouting unintelligible lyrics and throw in a few "Everybody In The House"s and "Put Your Hands In The Air Like You Just Don't Care"s (and start shooting each other of course). "Rappers Delight" is credited as being the first Rap hit in the UK (though there had been a few singles that weren't far away from rap in the past, including the recent "Reasons To Be Cheerful Pt. 3" by Ian Dury), and had shot quickly up the chart to a number three peak.
This genre has never been far away from controversy, and there was a problem back then too. This single had used the bass line from "Good Times" by 'Chic', and the Chic organization were not too pleased about it. Eventually a compromise was reached and the label credited Nile Rodgers and Bernard Edwards as writers, with no mention of Sylvia Robinson who'd written the rap. The label also clearly stated "Based on the song Good Times by Chic". As well as the regular 7 inch single with 3 minute and 6 minute versions, a 12 inch was released with a mammoth 15 minute version. That version is so good that I still listen to it in it's entirety very often.

Police

Walking On The Moon

A little daft really wasn't it ?
"Giant steps are what you take, walking on the moon,
I hope my legs don't break, walking on the moon"
Somehow, they got away with it and spent a week at number one. The B side "Visions Of The Night" wasn't bad though.

Three Degrees

My Simple Heart

A number nine hit, this was the last single that the Three Degrees ever placed on the chart. It was their tenth hit in six years, but it sounds very much as though they are singing "Bicycle Part" and not "My Simple Heart".

Billy Preston & Syreeta

With You I'm Born Again

A very fast climber up the chart had looked odds on to hit number one after it's leap from 11 to 2. But it wasn't to be and it started to drop the following week. This was Billy's first appearance on the chart since the re-issued "Get Back" by 'The Beatles with Billy Preston' had gone to number 28 in 1976. Billy has only ever had one solo UK top 40 hit, and that was "That's The Way God Planned It", a number 11 hit in 1969.
Syreeta (for people who don't know, Stevie Wonder's ex wife) had two solo hits in 1975, the biggest being "Your Kiss Is Sweet" a number 12 hit. Neither hit the chart again after this big hit, though they did just miss out on a chart placing shortly afterwards when they again teamed up for the highly infectious "It Will Come In Time".

David Bowie

John I'm Only Dancing (Again)

David was ending the seventies with a song that had first charted in 1972 when it made number 12. This was a version recorded during the 'Young Americans' sessions in early 1975 and was very different to the original. I prefer this version myself. The B Side was an alternative take from the 1972 sessions. This version also reached number 12.

Rose Royce

Is It Love You're After

This is the one with 'that intro', the one that was sampled, ripped off, whatever by S Express eight years later. This was the seventh hit for the band and also the last (apart from a 1988 re-issue). It took eight weeks to reach number 13.

Madness

My Girl

Could this really be the band that had recently given us "The Prince" and "One Step Beyond" ?
Yes it was. I was quite surprised at how good this actually was. It was the third hit in four months for Madness, and the biggest to date. It had just missed the top 40 in it's first week, but had then taken a huge leap into the 40 at number 14. Two weeks later it was spending the first of two weeks at number three. They would still have to wait a further two years before reaching number one, but only one of the eight singles released between now and then would fail to reach the top ten (and that was possibly due to problems with the compiling of the chart in early '82). Four years later the gender of the song was changed as Tracey Ullman took "My Guy" to number 23, and then in 1992 Madness reverted back to the original as a re-issue went to number 27.

Clash

London Calling

This track had the honour of being the first song heard on Top Of The Pops in the Eighties. They didn't actually appear of course, but it was played as the chart was counted down at the beginning. In reaching number 11, it also held the honour of being the Clash's highest charting single until the re-release of "Should I Stay Or Should I Go" in 1991. It's parent album (also titled "London Calling") was released in time to feature on the last Album chart of the '70's and is many people's choice as the best album of the '80's (others choose it as their best of the '70's). Personally, I don't find it to be anything more than an average album, I much prefer the first two albums.

Gibson Brothers

Que Sera Mi Vida

An extremely catchy single that quickly reached a peak of number five to become their biggest ever hit. I remember hearing this a couple of times in the last few hours of the '70s.

Status Quo

Living On An Island

A very strange choice of track to be given a single release considering their usual output. A much more gentle track that for some reason had penguins on the picture sleeve. It Reached number 16.

Paul McCartney

Wonderful Christmas Time

Even some die hard McCartney fans would dismiss this as seasonal rubbish. Not me though, I love Christmas singles and have a box full of them. Christmas songs always bring back memories of childhood Christmas's. Waking up some 30 minutes after my parents had gone to bed, waking up my brother and sister, sneaking downstairs with our Bolster (sp) pillowcases full of presents. Taking it in turns to open a present each, right down to the apple, orange and nuts at the bottom of the 'sack'. From 1973 onwards, any records received would be listened to and then the radio would be switched on for Ed Stewart's 'Junior Choice'. My Mum would eventually get up and cook breakfast (always a good one on Christmas day), while telling us to clear away the wrapping paper. My Dad would then get up with the most enormous hangover. The TV would then be switched on and would remain on for most of the day. That massive meal called Christmas Dinner would be eaten at around One O'Clock (the time northerners call Dinner time), and eaten just in time for Christmas Day Top Of The Pops. This was of course the highlight of Christmas and one of the most watched TV shows of the whole year. All of the year's number ones would be featured between this show and part two which would sometimes be broadcast on Boxing Day, and other times on New Years Day. Some number two hits would occasionally feature on these shows too.
Another massive meal would follow at tea time (5-6ish), it's amazing that I didn't grow up as big as Barry White. Soon afterwards, both BBC 1 and ITV would have a programme called something like "Christmas Night With the Stars". These shows would have specially recorded 5 minute versions of the most popular programmes from the past year. This would be followed by something like "A Val Doonican Christmas" or something similar on on ITV, while BBC would have Morecambe And Wise. The "Mike Yarwood Show" would follow later, but by then I'd be fast asleep in bed. But it didn't end there, I loved the whole thing right through, and thought it so unfair if I had to go back to school on the 11th day of Christmas.
Yes, Paul McCartney knew what he was singing about, and don't you just hate people who try and put a dampner on it by saying things like "I'll be glad when it's over" ?
Paul hit number six.

Mike Oldfield

Blue Peter

Hardly a stunning piece of work from Mr. Oldfield. It was a reworking of the theme from a children's TV show that most kids hated, but the parents liked watching. Mike reached 19 and the show lives on.

Nolans

I'm In The Mood For Dancing

Such a promising start to the decade was complimented by the transformation of these sisters from 'Grandparents favourites' into chart stars. They would have seven top twenty hits over the next two years, but this was the biggest, and spent two weeks at number three. Were they to be around now, The Nolans would no doubt be scorned upon in much the same way as the Spice Girls, Steps and boy bands are. But that would be a pity as these girls are gifted with something that has sadly become less important as each year rolls by, They are very talented Singers !

Skids

Working for The Yankee Dollar

The Fourth hit inside a year for the Skids, and the last one to reach the top twenty. It was another single with very slow chart movements as follows, 34-32-28-27-24-24-23-21-20-28. Lead vocalist Richard Jobson is now better known for being a movie critic on Sky TV and for presenting shows on VH1.

Chic

My Feet Keep Dancing

The last of seven hits for Chic (OK, OK, I know about the '87 remix of Le Freak), and one that I thought deserved a higher placing than it's number 21 peak.

Blondie

Union City Blue

This is the Blondie single that almost everyone seems to rate highly, but didn't go out and buy. This peaked lower than any of their previous seven singles (which included two number ones and a number two from earlier in 1979) and only got to number 13.
I've often heard it said on TV and Radio and read in books that this was from Debbie Harry's film 'Union City', but it wasn't.

Elvis Presley

It Won't Seem Like Christmas Without You

Elvis had now been dead over two years, but the hits still kept on coming. This was actually quite good and was a grand showcase for his vocals. It peaked at number 13.

Michael Jackson

Off The Wall

For some reason that I can't fathom out, this reminds me of New Years Eve from that year. This is strange, because on New Years Eve 1979, Radio One came on air at 6:00am with the 100th best selling single of the decade ("See My Baby Jive" by Wizzard), and for the remainder of the day counted down the remainder of the top 100 selling singles as well as the top 100 albums of the decade.
So, the only way that I could have heard this song that day, was if I had heard it at the New Years Eve disco in the Wynstay Arms. But I don't thnk I did.
It was the title track and second single release from Michael's big solo comeback album. Not as 'disco' as "Don't Stop 'Til You Get Enough", but it did seem to be a much more interesting song. It peaked at number seven.

Booker T & The MGs

Green Onions

Booker T And The MG's had originally released this single in 1962, when it had reached number two in the USA, but failed to chart at all in the UK. They had to wait until the 1968 release of "Soul Limbo" before finally cracking the UK chart albeit only a number 30 peak. Over the following eight months, they had two further hits, the biggest being the number four "Time Is Tight". Now over ten years later, the re-emergence of the mods (and the Quadrophenia movie) had prompted Atlantic records to re-issue this single, and it peaked at number seven. Not a lot has been heard of Booker T chartwise since then, but there have been a few recent 'remixes' with his name stamped on them.

Madness

One Step Beyond

The second hit for Madness was their first on the Stiff label (the first was a one off on Two Tone). The video for this was our first glimpse of them living up to their name. Their first single "The Prince" had been a tribute to their Ska idol 'Prince Buster', while this was one of their favourite Prince Buster compositions. It gave them a top ten hit peaking at number seven.

Sheila B Devotion

Spacer

Two years on from the disco cover of "Singing In The Rain", the beautiful Sheila was back with a more polished sound courtesy of the 'Chic' organization. This single was a very slow climber and took nine weeks to reach it's peak of number 18, take a look at it's chart run, 35-37-33-33-33-28-22-20-18-19-30.

Donna Summer & Barbra Streisand

No More Tears (Enough Is Enough)

Put two talented women together and this is what you get. Because of them not being signed to the same record company, the seven inch single was released on Donna's label 'Casablanca' and backed with Donna's "Lucky". While the Twelve inch was released on Barbra's 'CBS' with her "Wet" on the B Side. I thought this was quite strange considering that Donna's songs were more suitable for twelve inch.
Whatever label it was on, this 12 inch was a classic. It began just as it's seven inch cousin did, it built up, seemed as though it would subside a little, then just carried on. The "It's raining" bit came on again but in time with the faster beat. At times it seemed like a duel between the two as to who could hold a note the longest. Absolutely brilliant. Two weeks at number three.

Dollar

I Wanna Hold Your Hand

I always had a soft spot for Dollar, and this cover of (what was at the time) the second biggest selling single in the UK, was done in such a way that it barely resembled the Beatles original. After entering the chart at number 39 just before Christmas and obviously still there in the week that no chart was published, it then dropped out in the first new chart of the year. It then re-entered at number 30 and just two weels later had made it to number nine. But that was as far as it got. It was Dollar's fourth hit in the space of a year, but they would have to wait until August 1981 for their next one.

Dr. Hook

Better Love Next Time

The second consecutive top ten hit for Dr Hook reached a peak of number eight. It didn't take anywhere near as long to chart as "When You're In Love With A Beautiful Woman" did, but neither did it stay in the chart as long. Just six weeks for this one. Pleasant enough song though.

Diana Ross

It's My House

Rather weak track from the otherwise excellent "The Boss" album. In it's second chart week, Diana's version was overtaken by the reggae version of the song by 'Storm'. But that version didn't go higher than it's debut of number 36, while Diana took 7 weeks to make number 32.

Moonlight & Muzak

It was a long time coming, but here at last was the follow up to the smash hit "Pop Muzik". I always preferered this one, found it a much more interesting song. Sadly, it only reached number 33.

Positive Force

We Got The Funk

The second hit for 'Sugarhill Records' had a couple of weeks in the bottom ten of the top 40 before taking an impressive leap from 32 to number 18. It surprisingly fell to number 25 the following week and kept falling. It wasn't anything above an average dance track, but was in fact sampled four months later on a single called "Calibre Cuts". That particular single could only make number 75 for two weeks and quite frankly, even though I'm guilty of helping it to chart (I was very 'with it' back then) it was a bit of a mess.

Boney M

I'm Born Again

A very Christmassy single in the vein as "Mary's Boy Child" and I expected it to be at least a top ten hit. But no, it surprisingly stalled at number 35. It was actually a double A side with "Bahama Mama", but that track was a little silly. This was the last of their 11 consecutive UK top 40 hits, but not the end of all their chart activity.

Inmates

The Walk

I remember this as being a particularly horrible single that had the boost of a Top Of The Pops performance before it made the top 40. They were hailed as the new Dr Feelgood or something like that. They seemed to be able to play their instruments ok, the singer was ok, but the choice of material seemed a bit iffy to me, not my cup of tea at all.
When I commmented on this in January 2001, I remarked that hopefully they became successful in whatever careers they chose to pursue after this number 36 peaking single disappeared. Though, I did mention that they were still trying in the early '90s.
In March 2002, Bobbie e-mailed to tell me that they had recently supported Bo Diddley at the Astoria in London and were currently touring France and England supporting the re-release of two of their albums (described as excellent albums by Bobbie).
It's just as Bobbie commented, "You never can tell what will last ! ".

Styx

Babe

It had taken over seven years and eight albums, but Styx were finally having their first UK hit. They were a band very much in the same mould as 'Reo Speedwagon', and had been formed in 1964 as 'The Tradewinds'. This American number one single surprisingly had to settle for a number six peak in the UK, and to date the band have not entered the UK top 40 again.

Bee Gees

Spirits (Having Flown)

The title track of the Bee Gees album that had been released almost 12 months earlier had seen a very belated release. Much of the reason for this was that it was included on a recently released 'Bee Gees Greatest' compilation. But, what was the best track on the album for me, could only get as high as number 16 in the singles chart. Around the time that the track had originally been available, there had been talk in the music press about a film starring the Bee Gees called 'Spirits', I wonder if it ever saw the light of day ?
The Bee Gees didn't hit the top 40 again until the Autumn of 1987, when they returned with the number one "You Win Again".

Moody Blues

Nights In White Satin

Another attempt by the Moody Blues to capture the Christmas number one spot with this song. In 1967 they were too late and didn't break into the top 40 until the first chart of the following year, climbing slowly to a number 19 peak in February.
The 1972 release charted in good time in the first chart of December, and reached a number nine peak in the first chart of 1973.
This time it entered the chart in the last week of November and spent 2 weeks at number 14 just before Christmas.

Matchbox

Rockabilly Rebel

I thought Showaddywaddy were getting annoying, but they did nothing as bad as this. It was the first of five hits for Matchbox and easily the most tiresome (they did actually get a little better during the course of 1980). This peaked at number 18.

Disclaimer All comments concerning the quality of the songs in this and any other chart, are purely my opinion and not a statement of fact. I believe that we are all equal when it comes to deciding what makes a good song. I do not believe that good songs have to be serious or dull. I am of the opinion that if a single sells many copies, then many people like it, so it must be good whether I like it or not. Good music is everything YOU like, and it's also everything I like.

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Email: nige@innotts.co.uk