

1980
Week 27
WEEK ENDING 5TH JULY 1980
TOP 40 SINGLES
| TW | LW | |||||
| 1 | 1 | Don McLean | Crying | |||
| 2 | 2 | Lipps Inc | Funky Town | |||
| 3 | 14 | Olivia Newton John & E.L.O. | Xanadu | |||
| 4 | 3 | Roberta Flack & Donny Hathaway | Back Together Again | |||
| 5 | 5 | Korgis | Everybody's Got To Learn Sometime | |||
| 6 | 11 | Stacy Lattisaw | Jump To The Beat | |||
| 7 | 7 | Splodgenessabounds | Simon Templar / Two Pints Of Lager And A Packet Of Crisps Please | |||
| 8 | 19 | UB40 | My Way Of Thinking / I Think It's Going To Rain | |||
| 9 | 25 | B.A. Robertson | To Be Or Not To Be | |||
| 10 | 6 | Teena Marie | Behind The Groove | |||
| 11 | 20 | Paul McCartney | Waterfalls | |||
| 12 | 30 | Odyssey | Use It Up Wear It Out | |||
| 13 | 8 | Liquid Gold | Substitute | |||
| 14 | 16 | Queen | Play The Game | |||
| 15 | 4 | Mash | Theme From Mash (Suicide Is Painless) | |||
| 16 | NEW | Detroit Spinners | Cupid-I've Loved You For A Long Time | |||
| 17 | 21 | Matchbox | Midnight Dynamos | |||
| 18 | 9 | Jermaine Jackson | Let's Get Serious | |||
| 19 | 27 | Saxon | 747 (Strangers In The Night) | |||
| 20 | 13 | Orchestral Manoeuvres In The Dark | Messages | |||
| 21 | 32 | Bob Marley & The Wailers | Could You Be Loved | |||
| 22 | 23 | Thin Lizzy | Chinatown | |||
| 23 | 31 | Rod Stewart | If Loving You Is Wrong (I Don't Want To Be Right) | |||
| 24 | 24 | Siouxsie And The Banshees | Christine | |||
| 25 | 22 | Lambrettas | D-A-A-Ance | |||
| 26 | 26 | E.L.O. | I'm Alive | |||
| 27 | 12 | Crown Heights Affair | You Gave Me Love | |||
| 28 | 18 | Judas Priest | Breaking The Law | |||
| 29 | 36 | Darts | Let's Hang On | |||
| 30 | NEW | Joy Division | Love Will Tear Us Apart | |||
| 31 | 17 | Roxy Music | Over You | |||
| 32 | 15 | Hot Chocolate | No Doubt About It | |||
| 33 | 10 | Specials | Rat Race / Rude Boys Outa Jail | |||
| 34 | 29 | Sex Pistols | (I'm Not Your) Stepping Stone | |||
| 35 | NEW | Change | A Lover's Holiday / Glow Of Love | |||
| 36 | 40 | Yellow Magic Orchestra | Theme From The Invaders | |||
| 37 | NEW | Bad Manners | Lip Up Fatty | |||
| 38 | NEW | AC/DC | Whole Lotta Rosie | |||
| 39 | NEW | Joan Armatrading | Me Myself I | |||
| 40 | 35 | Surface Noise | The Scratch |
| 1 | Don McLean |
Crying |
| Excellent cover of the Roy Orbison minor hit from 1961, but I did get fed up of it after a while. It spent three weeks at number one. |
| 2 | Lipps Inc |
Funky Town |
| This single doesn't seem to be held in very high regard these days. I still like it myself and think that it was a deserved number two smash, very typical of the era. But, there was an awful cover of it by Pseudo Echo that reached number eight in 1987. |
| 3 | Olivia Newton John & E.L.O. |
Xanadu |
| These acts were
very grateful for the Top Of The Pops strike that summer.
With it being the title track from a film, it got enough
promotion to push it to number one for two weeks. It was
a pretty good soundtrack as these things go, with a
healthy number of E.L.O. songs, and Olivia collaborating
with everyone else in the film. More singles from the
soundtrack will be discussed later in the year. Strange that after all those years of great singles, this was the only number one that E.L.O. achieved. |
| 4 | Roberta Flack & Donny Hathaway |
Back Together Again |
| This was Roberta's
first top ten hit since "Killing Me Softly With His
Song" had reached number six in 1973. It was Donny's
only UK hit ever, but he hadn't lived to enjoy it. It was
one of the sounds of that summer and peaked at number
three. Inner City reached number 49 with their cover of this in 1993. |
| 5 | Korgis |
Everybody's Got To Learn Sometime |
| The inspiration behind at least two big dance hits. This original version was of course a really nice song that reached number five. It was then sampled by someone on an underground dance track that did the rounds for a couple of years. Baby D later sampled it and took it to number three in the summer of 1995. I can't get it out of my head that someone else sampled it at around that time too. But still they won't leave it alone, it was sampled yet again in the early twenty first century, but I can't remember who by. |
| 6 | Stacy Lattisaw |
Jump To The Beat |
| Thirteen year old
Stacy released one of the finest singles of the disco era
with this. She had previously been earmarked to record
"Ring My Bell" , but that had instead been
given to Anita Ward who took it to number one in 1979. So
this was Stacey's debut and she took it to number three.
Her follow up single "Dynamite" failed to make
it past number 51, and Stacey was never heard of again in
the UK. The same can't be said of the song though as
Dannii Minogue took it to number eight in 1991. The 1998 UK number one, "Because We Want To" by "Billie" reminds me of this song for no apparent reason. It just seems to have that 1980 sound about it. |
| 7 | Splodgenessabounds |
Simon Templar / Two Pints Of Lager And A Packet Of Crisps Please |
| The intended A
Side "Simon Templar" was a song about the TV
Character "Simon Templar", the Saint (formerly
played by Roger Moore, but by now the role had been taken
over by Ian Ogilvy). It wasn't a very good song and
relied on lines such as "And his bird never wears a
bra" to sell it as a novelty item. It would not have
been a hit, but, "Two Pints Of Lager etc" was on the B side, and that's the one people wanted. This was no work of genius either, but that one line (the title) being repeated over and over, with just a few other lines thrown in and "Time gentleman please" at the end, struck a chord with many people. Anyone without a romantic view of British pubs, that is, anyone who actually lives here, will have witnessed theat very same scene, in fact probably been the actual victim at least once, on a Friday or Saturday evening. That mad scramble to get served as if life itself depended on it. There's no queueing or ticket system, you just take your chances. You may be lucky and get served within ten seconds of making it to the front of the bar, you may have to wait twenty minutes because all those tall blokes towering behind you get served first, along with all the people who don't move from the bar all night which is the reason why there's only enough room for two people to reach the bar at any one time anyway. And it gets even worse if you're NOT prepared to shout. If you don't want to sound desperate for a drink, you're quite a polite person, and you're putting your faith in human nature, you've very little chance of getting served at all. I don't miss pubs at all, I'm happy without them, and if I ruled the world etc :-) The single reached number seven, and I find it funnier now than I did then. |
| 8 | UB40 |
My Way Of Thinking / I Think It's Going To Rain |
| These were the days when UB 40 weren't boring and recorded original songs. They reached number six with this, their second hit, and it was very good. They later turned to covers quite often, and though some were good (the Labour Of Love songs), some were very bad ("Can't Help Falling In Love"). There were some original songs inbetween, but most were very dreary songs sang in Ali's dreary tones. |
| 9 | B.A. Robertson | To Be Or Not To Be |
| This is another song like "January February" earlier in this year, that seemed to get more than it's fair share of airtime on Radios One And Two. It was his fourth and last solo hit, and peaked at number nine. Some of the rhyming was awful though, the way he added "eo" to the end of words. |
| 10 | Teena Marie |
Behind The Groove |
| Tina's biggest ever UK hit, and the only one to make it beyond number 28. This excellent disco single from the white Motown star reached number six, but surprisingly didn't make a dent on the chart in her native USA. |
| 11 | Paul McCartney | Waterfalls |
| Paul McCartney is of course a legend. He has written some great songs, but sadly this wasn't one of them. I usually defend him to the hilt when people rubbish him in favour of whatever today's flavour of the month may be. But, I can never defend this one. The melody's ok, but the lyrics are so awful, it's unbelievable that they came from the creator of "Yesterday", "Live and Let Die" and "Silly Love Songs", and was later to bring us "Pipes Of Peace" and "All My Trials". He sang about keeping to lakes, chasing Polar bears and goodness knows what else. But, his loyal fanbase and a number of other people it seems bought it, and pushed it to number nine in the chart. |
| 12 | Odyssey |
Use It Up Wear It Out |
| We all thought that Odyssey had disappeared following their brilliant number five hit "Native New Yorker" at the beginning of 1978. But they were back with a bang. Obviously, part of the reason for the size of the success for this single was the TOTP strike, just as George McCrae had taken advantage in much the same way six years previous. Heavy play in discos had given it a great advantage over it's competitors. Although Odyssey singles did not sound the same as one another, you always knew when you were listening to Odyssey by the lovely vocals of Lillian & Louise Lopez. This was number one for two weeks, in a year that had so far seen 10 out of the 15 number ones spend two weeks at the top. |
| 13 | Liquid Gold |
Substitute |
| A little too similar to "Dance Yourself Dizzy" which was a shame, as they were quite capable of doing something different as their previous singles proved. Still, it got them into the top ten with a number eight peak. |
| 14 | Queen |
Play The Game |
| The worst track on Queen's "The Game" album and a surprising choice for single release. It reached number 14, and the rest of the album was extremely good, their best since "A Night At The Opera". |
| 15 | Mash |
Theme From Mash (Suicide Is Painless) |
| I didn't like the
film, I didn't like the TV show either, but this was
alright. There didn't seem to be a good reason for
releasing it as a single some ten years after the event,
but it turned out to be a very wise decision. Two weeks
after entering at number 23, it was spending the first of
three weeks at number one. But they were lying. I tried to cut my wrists with broken glass and it hurt. Explanation - I was drunk and on/off girlfriend Bridget wouldn't speak to me at a party, so I left and found some broken glass. YES, I still feel a bit of a dickhead when I think about that incident. It was three years later before I tried it for real. |
| 16 | Detroit Spinners |
Cupid-I've Loved You For A Long Time |
| Having hit number one earlier in the year with a cover of "Working My Way Back To You" (two weeks at the top, naturally), the Spinners had followed it with "Body Language" which could only struggle to number 40. So, it was time to try another cover, and the trick worked as they rose to number four. This marked the end of their top twenty days though, and their only further appearance in the top 40 was when featured on the number 30 peaking "I'll Be Around" by '4-Tay' in 1995. |
| 17 | Matchbox | Midnite Dynamos |
| They claimed to be the "Midnite Dynamos". Can't think of a much better place for them, than dangerously close to the spokes of the back wheel of a bike. It reached number 14, but they did get better after this one. |
| 18 | Jermaine Jackson | Let's Get Serious |
| One of the biggest disco singles of a great year for disco. It sounded great on the radio, and magnificent in the clubs, especially the 12 inch. It beat anything by Michael that year hands down. Reached number eight. |
| 19 | Saxon |
747 (Strangers In The Night) |
| Saxon were another band to have taken advantage of the metal revival. This number 13 peaking single from their "Wheels Of Steel" album was their second hit of the year. It was a good single, and had nothing at all to do with Frank Sinatra. |
| 20 | Orchestral Manoeuvres In The Dark |
Messages |
| The first hit for
a band that would continue to chart right to the end of
the following decade. Great name for a band, and a great
debut hit (even though they did better it a few times).
It reached number 13. Twenty years later vocalist Andy McCluskey was the man behind girl group 'Atomic Kitten'. |
| 21 | Bob Marley & The Wailers |
Could You Be Loved |
| Great single that reached number five to become Bob's biggest hit to date. It reminds me of a party I went to, and how I was given the cold shoulder by someone called Bridget, who'd been a big part of my life for the previous two years. That night was virtually the 'final straw' as far as that relationship was concerned. |
| 22 | Thin Lizzy |
Chinatown |
| It took a long time, but it finally reached number 21 in it's seventh chart week. It was the title track from the last really good Lizzy album to be released. |
| 23 | Siouxsie & The Banshees |
Christine |
| A
regular on the jukebox at the Great Western Inn (known
locally as "The Nant"). We used to play a game
there, that I think was called Bar Billiards and it had
these mushroom shaped things on the table (I think).
There was also a drink that many favoured called
"Top Hat", I never saw it anywhere else. Anyway, I don't know why Siouxsie called "Christine" a "Strawberry Girl", but she did, and that's all there is to it. |
| 24 | Rod Stewart |
If Loving You Is Wrong (I Don't Want To Be Right) |
| Belated release for this track from 1977's "Footloose And Fancy Free" album. Reached number 23 and spent seven weeks in the top 40. Funny how I hardly noticed it tucked away on the album, but when released as a single, I thought that it was a really good song. |
| 25 | Lambrettas |
D-A-A-Ance |
| The second of the two top forty hits enjoyed by these 'new mods'. Better than "Poison Ivy", but that doesn't say much for it. It reached number 12. |
| 26 | E.L.O. |
I'm Alive |
| Just another E.L.O. single, and the first from the "Xanadu" soundtrack. Having said that, it did sound good in the film as the paintings on a wall came to life. It peaked at number 20. |
| 27 | Crown Heights Affair |
You Gave Me Love |
| And this was
another of those great disco singles sounded good on the
radio, great in the clubs and made you feel happy. It
reached number ten. This song was sampled by Utah Saints on "Believe In Me" in 1993 (I liked that too). |
| 28 | Judas Priest |
Breaking The Law |
| Great single from Judas Priest that had more of a punk feel to it than metal. Sadly it only spent five weeks in the 40 and peaked at number 12. It was their second consecutive single to peak at their all time highest placing. |
| 29 | Darts |
Let's Hang On |
| When Darts first appeared at the end of 1977, I wasn't keen. The last thing I wanted to see in the chart was another band playing covers of 50's hits, Showaddywaddy were already testing my patience far enough. But from their third single, they had started to cover 60's songs instead, and I could live with that. More than that, they were also very good at it, "Let's Hang On" was no exception. It reached number 11, but was sadly the last top 40 hit for a band that I now remember with fondness. |
| 30 | Joy Division | Love Will Tear Us Apart |
| Joy Division had released an album and three singles over the previous two years with no mainstream chart success at all (the Indie charts were an entirely different matter). Then, after lead vocalist Ian Curtis hanged himself in May 1980, this single was released (along with an album), and made it to number 13. Out of the ashes came New Order, and we all know what happened to them. Whether this single would have been a hit were it not for Ian's death, we'll never know, but I suspect it would have been, as it was released at just the right time for music of this type. |
| 31 | Roxy Music |
Over You |
| Adequate single from the 'Flesh And Blood' album. Best listened to in the summertime, reached number five. |
| 32 | Hot Chocolate |
No Doubt About It |
| Hot Chocolate had failed to make the top 40 at all in 1979 (they'd stopped just short a couple of times though) for the first year since they made their first appearance in 1970. "No Doubt About It" put them back in the picture with it's eventual number two placing. It was apparently written after vocalist 'Errol Brown' had an encounter with visitors from outer space. I'm only repeating what he said, besides I personally know someone who's also seen a UFO, so there :-P. |
| 33 | Specials |
Rat Race / Rude Boys Outa Jail |
| The fourth hit single for the Specials, and one that was involved in a chart battle with Gary Numan's "We Are Glass" in it's first week of release. Fifteen years or so later, these two singles would have entered the chart in the top two positions. But in 1980, debuts inside the top twenty weren't too commonplace, let alone the top five. While Gary entered at number ten, this entered at a respectable number 18. But the contest was deemed a draw as this matched the eventual number five peak of Mr Numan's single. |
| 34 | Sex Pistols |
(I'm Not Your) Stepping Stone |
| The
Swindle continued, this song isn't even in the film. That's what the publicity machine proclaimed about this one. Well, after having two hits with Rock 'N' Roll classics that appealed to to the very people they seemed to set out to alienate, why not release a cover of a song from the days of flower power and hippies, in for a penny as they say ? It was a cover of the song on the B Side of "I'm A Believer" by the Monkees. I'm not as 'taken in' by the Pistols as I used to be, but I still think that this was quite a good cover on the whole. Quite ironic how some of their best songs were covers of music that they'd tried to overthrow. They really ought to have tried covering "Freebird", "Big Yellow Taxi" and "I Feel I'm Fixing To Die Rag". It reached number 21, and their next hit didn't arrive until "Anarchy In The UK" was re-issued in 1992. |
| 35 | Change |
A Lover's Holiday / Glow Of Love |
| The first of four hits in a five year period by Change reached number 14. A typical disco single of the day, but nothing really special, especially compared to their next one. "Glow Of Love" was a much better track though, pity it didn't get the airplay. |
| 36 | Yellow Magic Orchestra |
Theme From The Invaders |
| As
I previously mentioned, I had just become legally
entitled to enter pubs and drink alcohol at this time.
This coincided with Space Invader machines being
introduced into pubs. Years previous I had been
fascinated by the type of game where punters looked
through a periscope and blasted ships on the horizon, but
I had only seen those machines in amusement arcades at
the seaside. But now, similar types of machines were
everywhere. Personally, I thought the actual "Space
Invaders" game was very boring, but some better,
more exciting games such as "Galaxians",
"Defender", "Astro Wars", and my
favourite "Moon Cresta" soon followed, and all
the pinball tables were taken out of the pubs. Anyway, Ryuichi Sakamoto and his band used the music from the game as the central theme to this single which became their only UK hit reaching number 17. They followed it with "Behind The Mask" which although not charting for them (or Greg Phillingass:sp), was a hit when recorded by Eric Clapton in 1987. |
| 37 | Bad Manners |
Lip Up Fatty |
| Bad Manners had found success on the back of the Two Tone Ska explosion, and did things the Madness way. They peaked at 15 with this second hit, and continued to hit the charts regularly for the next two years. |
| 38 | AC/DC |
Whole Lotta Rosie |
| I
heard this many times before I even knew what it was
called let alone who the act was, but I loved it anyway.
It was originally released as a track on their 1977 album
"Let there Be Rock". Then this version was
taken from their 1978 live album "If You Want Blood,
You Got It", but failed to chart. It was then
re-issued in March of 1980, and now yet again as one of
four AC/DC re-issues in Atlantic's Heavy Metal series
following singer Bon Scott's death. Sadly, you miserable lot didn't all go out and buy it, so it struggled to number 36. |
| 39 | Joan Armatrading |
Me Myself I |
| No, this isn't the same track that was a hit for De La Soul in 1989 (the title is slightly different anyway), but it is a great song. It was Joan's first hit for four years, and spent seven weeks in the top 40 despite peaking at a lowly 21. She followed it with another song that looked a sure fire hit "All The Way From America", but sadly it wasn't and she had to wait until 1983 for her third hit. |
| 40 | Surface Noise |
The Scratch |
| An instrumental very much in the Shakatak way of thinking. This was another track associated with that summer's "Freeze" dance fad. It was better than than the Rodney Franklin effort, but didn't chart as high, only reaching number 26. |
These were in the top
50 this week, but failed to reach the top 40.
| Donna Summer | Sunset People |
| Exactly a year after the title track from Donna's "Bad Girls" album debuted in the top 40, this fourth track from the album (my favourite)was missing out on a top 40 place. It reached number 46. |
| Darryl Hall & John Oates | Running From Paradise |
| Anyone who's heard any Hall & Oates track from 1980/1981 will have a rough idea what this sounds like. Not that I'm knocking it, I'm just saying that it has that distinctive sound about it. But it wasn't their time yet, not quite, it reached number 41. |
| AC/DC | Dirty Deeds Done Dirt Cheap |
| Another
of the Atlantic Heavy Metal releases, the title track
from their 1976 album. It failed as a single in early
1977, and made number 47 this time. I can no longer listen to this without thinking of the Weird Al Yankovic parody "Dirty Deeds Done With Sheep". |
| Pete Townshend | Let My Love Open The Door |
| The second good single from Pete this year. I could never decide whether this was retro or bang up to date. It reached number ten in the US, but only made number 46 here. |
| Janis Ian | The Other Side Of The Sun |
| The
likes of the Lambrettas could make the top 40, yet Janis
Ian couldn't ? Something wrong with us lot, there has to be. Always the same old story as far as Janis was concerned though. As usual, she'd come up with a great song, and just like the last time she peaked at number 44. |
Disclaimer All comments concerning the
quality of the songs in this and any other chart, are purely my
opinion and not a statement of fact. I believe that we are all
equal when it comes to deciding what makes a good song. I do not
believe that good songs have to be serious or dull. I am of the
opinion that if a single sells many copies, then many people like
it, so it must be good whether I like it or not. Good music is
everything YOU like, and it's also everything I like.
ON TO THE
FOLLOWING WEEK
BACK TO THE PREVIOUS WEEK
BACK TO THE 1980 INDEX
THE REMEMBER WHEN ARCHIVES
GOLDEN DAYS INDEX
Email: nige@innotts.co.uk
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