

1980
Week 25
WEEK ENDING 21ST JUNE 1980
TOP 40 SINGLES
| TW | LW | ||||
| 1 | 2 | Don McLean | Crying | ||
| 2 | 1 | Mash | Theme From Mash (Suicide Is Painless) | ||
| 3 | 3 | Lipps Inc | Funky Town | ||
| 4 | 6 | Roberta Flack & Donny Hathaway | Back Together Again | ||
| 5 | 4 | Hot Chocolate | No Doubt About It | ||
| 6 | 19 | Korgis | Everybody's Got To Learn Sometime | ||
| 7 | 17 | Teena Marie | Behind The Groove | ||
| 8 | 8 | Jermaine Jackson | Let's Get Serious | ||
| 9 | 5 | Roxy Music | Over You | ||
| 10 | 10 | Crown Heights Affair | You Gave Me Love | ||
| 11 | 7 | Specials | Rat Race / Rude Boys Outa Jail | ||
| 12 | 18 | Judas Priest | Breaking The Law | ||
| 13 | 14 | Orchestral Manoeuvres In The Dark | Messages | ||
| 14 | 15 | Matchbox | Midnight Dynamos | ||
| 15 | 12 | Lambrettas | D-A-A-Ance | ||
| 16 | 21 | Liquid Gold | Substitute | ||
| 17 | 31 | Police | Six Pack | ||
| 18 | 34 | Queen | Play The Game | ||
| 19 | 9 | Gary Numan | We Are Glass | ||
| 20 | 20 | E.L.O. | I'm Alive | ||
| 21 | 16 | Jona Lewie | You'll Always Find Me In The Kitchen At Parties | ||
| 22 | NEW | Splodgenessabounds | Simon Templar / Two Pints Of Lager And A Packet Of Crisps Please | ||
| 23 | 30 | Thin Lizzy | Chinatown | ||
| 24 | 27 | Rod Stewart | If Loving You Is Wrong (I Don't Want To Be Right) | ||
| 25 | 25 | Manhattan Transfer | Twilight Zone-Twilight Tone | ||
| 26 | 28 | Surface Noise | The Scratch | ||
| 27 | 22 | Siouxsie And The Banshees | Christine | ||
| 28 | 40 | B.A. Robertson | To Be Or Not To Be | ||
| 29 | NEW | UB40 | My Way Of Thinking / I Think It's Going To Rain | ||
| 30 | 23 | Junior Murvin | Police And Thieves | ||
| 31 | NEW | Stacy Lattisaw | Jump To The Beat | ||
| 32 | 11 | Michael Jackson | She's Out Of My Life | ||
| 33 | 24 | Mystic Merlin | Just Can't Give You Up | ||
| 34 | 13 | Average White Band | Let's Go Round Again | ||
| 35 | NEW | Sex Pistols | (I'm Not Your) Stepping Stone | ||
| 36 | 29 | Iron Maiden | Sanctuary | ||
| 37 | NEW | Darts | Let's Hang On | ||
| 38 | 37 | Elton John | Little Jeannie | ||
| 39 | NEW | Olivia Newton John & E.L.O. | Xanadu | ||
| 40 | NEW | Saxon | 747 (Strangers In The Night) |
| 1 | Don McLean |
Crying |
| Excellent cover of the Roy Orbison minor hit from 1961, but I did get fed up of it after a while. It spent three weeks at number one. |
| 2 | Mash |
Theme From Mash (Suicide Is Painless) |
| I didn't like the
film, I didn't like the TV show either, but this was
alright. There didn't seem to be a good reason for
releasing it as a single some ten years after the event,
but it turned out to be a very wise decision. Two weeks
after entering at number 23, it was spending the first of
three weeks at number one. But they were lying. I tried to cut my wrists with broken glass and it hurt. Explanation - I was drunk and on/off girlfriend Bridget wouldn't speak to me at a party, so I left and found some broken glass. YES, I still feel a bit of a dickhead when I think about that incident. It was three years later before I tried it for real. |
| 3 | Lipps Inc |
Funky Town |
| This single doesn't seem to be held in very high regard these days. I still like it myself and think that it was a deserved number two smash, very typical of the era. But, there was an awful cover of it by Pseudo Echo that reached number eight in 1987. |
| 4 | Roberta Flack & Donny Hathaway |
Back Together Again |
| This was Roberta's
first top ten hit since "Killing Me Softly With His
Song" had reached number six in 1973. It was Donny's
only UK hit ever, but he hadn't lived to enjoy it. It was
one of the sounds of that summer and peaked at number
three. Inner City reached number 49 with their cover of this in 1993. |
| 5 | Hot Chocolate |
No Doubt About It |
| Hot Chocolate had failed to make the top 40 at all in 1979 (they'd stopped just short a couple of times though) for the first year since they made their first appearance in 1970. "No Doubt About It" put them back in the picture with it's eventual number two placing. It was apparently written after vocalist 'Errol Brown' had an encounter with visitors from outer space. I'm only repeating what he said, besides I personally know someone who's also seen a UFO, so there :-P. |
| 6 | Korgis |
Everybody's Got To Learn Sometime |
| The inspiration behind at least two big dance hits. This original version was of course a really nice song that reached number five. It was then sampled by someone on an underground dance track that did the rounds for a couple of years. Baby D later sampled it and took it to number three in the summer of 1995. I can't get it out of my head that someone else sampled it at around that time too. But still they won't leave it alone, it was sampled yet again in the early twenty first century, but I can't remember who by. |
| 7 | Teena Marie |
Behind The Groove |
| Tina's biggest ever UK hit, and the only one to make it beyond number 28. This excellent disco single from the white Motown star reached number six, but surprisingly didn't make a dent on the chart in her native USA. |
| 8 | Jermaine Jackson | Let's Get Serious |
| One of the biggest disco singles of a great year for disco. It sounded great on the radio, and magnificent in the clubs, especially the 12 inch. It beat anything by Michael that year hands down. Reached number eight. |
| 9 | Roxy Music |
Over You |
| Adequate single from the 'Flesh And Blood' album. Best listened to in the summertime, reached number five. |
| 10 | Crown Heights Affair |
You Gave Me Love |
| And this was
another of those great disco singles sounded good on the
radio, great in the clubs and made you feel happy. It
reached number ten. This song was sampled by Utah Saints on "Believe In Me" in 1993 (I liked that too). |
| 11 | Specials |
Rat Race / Rude Boys Outa Jail |
| The fourth hit single for the Specials, and one that was involved in a chart battle with Gary Numan's "We Are Glass" in it's first week of release. Fifteen years or so later, these two singles would have entered the chart in the top two positions. But in 1980, debuts inside the top twenty weren't too commonplace, let alone the top five. While Gary entered at number ten, this entered at a respectable number 18. But the contest was deemed a draw as this matched the eventual number five peak of Mr Numan's single. |
| 12 | Judas Priest |
Breaking The Law |
| Great single from Judas Priest that had more of a punk feel to it than metal. Sadly it only spent five weeks in the 40 and peaked at number 12. It was their second consecutive single to peak at their all time highest placing. |
| 13 | Orchestral Manoeuvres In The Dark |
Messages |
| The first hit for
a band that would continue to chart right to the end of
the following decade. Great name for a band, and a great
debut hit (even though they did better it a few times).
It reached number 13. Twenty years later vocalist Andy McCluskey was the man behind girl group 'Atomic Kitten'. |
| 14 | Matchbox | Midnite Dynamos |
| They claimed to be the "Midnite Dynamos". Can't think of a much better place for them, than dangerously close to the spokes of the back wheel of a bike. It reached number 14, but they did get better after this one. |
| 15 | Lambrettas |
D-A-A-Ance |
| The second of the two top forty hits enjoyed by these 'new mods'. Better than "Poison Ivy", but that doesn't say much for it. It reached number 12. |
| 16 | Liquid Gold |
Substitute |
| A little too similar to "Dance Yourself Dizzy" which was a shame, as they were quite capable of doing something different as their previous singles proved. Still, it got them into the top ten with a number eight peak. |
| 17 | Police |
Six Pack |
| Not content with
having five big hit singles in just over a year, they had
to release the lot of them all over again. But with the
added bonus of an extra single, namely "The Bed's
Too Big Without You". Personally, I think that was
the best track of the lot, but this fan fleecing exercise
was way out of order. Incredibly, it sold enough to reach
number 17. The expression Six Pack is used in a different way these days of course. But what exactly a six pack is on a male torso I don't know. I may have one, I may not. That's the trouble with new words and expressions that come into the English Language. We're just expected to know what they mean, and if we just see the words in print before we've heard them, we're expected to know how to pronounce them. Take 'Modem', I was on-line for over a year before I knew the correct way of pronouncing that, I was pronouncing it the obvious way. I think that everyone speaking the English language ought to have a newsletter with all new words and expressions explained and delivered free of charge every week. |
| 18 | Queen |
Play The Game |
| The worst track on Queen's "The Game" album and a surprising choice for single release. It reached number 14, and the rest of the album was extremely good, their best since "A Night At The Opera". |
| 19 | Gary Numan |
We Are Glass |
| The last Gary Numan single to make the top five, and the last one from him that I rushed out and bought in the week of release. Upon entering at number ten, it looked like a future number one, but it stalled at number five the following week. |
| 20 | E.L.O. |
I'm Alive |
| Just another E.L.O. single, and the first from the "Xanadu" soundtrack. Having said that, it did sound good in the film as the paintings on a wall came to life. It peaked at number 20. |
| 21 | Jona Lewie |
You'll Always Find Me In The Kitchen At Parties |
| I don't know
whether I should call this number 16 peaking hit a
novelty record or not. It was bearable anyway. It was
also the first time that many will have seen Kirsty
MacColl on Top Of The Pops as she was one of Jona's
backing singers. I don't know whether she was on the
actual recording though. Kirsty and the other girl backing singer used to do a funny dance about two thirds of the way through the song. Steven Jones used to take great delight in persuading me to do it after a few pints as it played on the Vaults jukebox (maybe that was the real reason for the "Mash" thing). |
| 22 | Splodgenessabounds |
Simon Templar / Two Pints Of Lager And A Packet Of Crisps Please |
| The
intended A Side "Simon Templar" was a song
about the TV Character "Simon Templar", the
Saint (formerly played by Roger Moore, but by now the
role had been taken over by Ian Ogilvy). It wasn't a very
good song and relied on lines such as "And his bird
never wears a bra" to sell it as a novelty item. It
would not have been a hit, but, "Two Pints Of Lager etc" was on the B side, and that's the one people wanted. This was no work of genius either, but that one line (the title) being repeated over and over, with just a few other lines thrown in and "Time gentleman please" at the end, struck a chord with many people. Anyone without a romantic view of British pubs, that is, anyone who actually lives here, will have witnessed theat very same scene, in fact probably been the actual victim at least once, on a Friday or Saturday evening. That mad scramble to get served as if life itself depended on it. There's no queueing or ticket system, you just take your chances. You may be lucky and get served within ten seconds of making it to the front of the bar, you may have to wait twenty minutes because all those tall blokes towering behind you get served first, along with all the people who don't move from the bar all night which is the reason why there's only enough room for two people to reach the bar at any one time anyway. And it gets even worse if you're NOT prepared to shout. If you don't want to sound desperate for a drink, you're quite a polite person, and you're putting your faith in human nature, you've very little chance of getting served at all. I don't miss pubs at all, I'm happy without them, and if I ruled the world etc :-) The single reached number seven, and I find it funnier now than I did then. |
| 23 | Thin Lizzy |
Chinatown |
| It took a long time, but it finally reached number 21 in it's seventh chart week. It was the title track from the last really good Lizzy album to be released. |
| 24 | Rod Stewart |
If Loving You Is Wrong (I Don't Want To Be Right) |
| Belated release for this track from 1977's "Footloose And Fancy Free" album. Reached number 23 and spent seven weeks in the top 40. Funny how I hardly noticed it tucked away on the album, but when released as a single, I thought that it was a really good song. |
| 25 | Manhattan Transfer | Twilight Zone - Twilight Tone |
| They always seemed
to come along with something different didn't they ? It began with the familiar Twilight Zone theme, and then we were told some Twilight Zone type stories in song. Surprisingly, it only reached number 25. |
| 26 | Surface Noise |
The Scratch |
| An instrumental very much in the Shakatak way of thinking. This was another track associated with that summer's "Freeze" dance fad. It was better than than the Rodney Franklin effort, but didn't chart as high, only reaching number 26. |
| 27 | Siouxsie & The Banshees |
Christine |
| A regular on the
jukebox at the Great Western Inn (known locally as
"The Nant"). We used to play a game there, that
I think was called Bar Billiards and it had these
mushroom shaped things on the table (I think). There was
also a drink that many favoured called "Top
Hat", I never saw it anywhere else. Anyway, I don't know why Siouxsie called "Christine" a "Strawberry Girl", but she did, and that's all there is to it. |
| 28 | B.A. Robertson | To Be Or Not To Be |
| This is another song like "January February" earlier in this year, that seemed to get more than it's fair share of airtime on Radios One And Two. It was his fourth and last solo hit, and peaked at number nine. Some of the rhyming was awful though, the way he added "eo" to the end of words. |
| 29 | UB40 |
My Way Of Thinking / I Think It's Going To Rain |
| These were the days when UB 40 weren't boring and recorded original songs. They reached number six with this, their second hit, and it was very good. They later turned to covers quite often, and though some were good (the Labour Of Love songs), some were very bad ("Can't Help Falling In Love"). There were some original songs inbetween, but most were very dreary songs sang in Ali's dreary tones. |
| 30 | Junior Murvin |
Police And Thieves |
| I wasn't very keen on the version that the Clash did on their debut album. I liked this even less. It reached number 23. |
| 31 | Stacy Lattisaw |
Jump To The Beat |
| Thirteen
year old Stacy released one of the finest singles of the
disco era with this. She had previously been earmarked to
record "Ring My Bell" , but that had instead
been given to Anita Ward who took it to number one in
1979. So this was Stacey's debut and she took it to
number three. Her follow up single "Dynamite"
failed to make it past number 51, and Stacey was never
heard of again in the UK. The same can't be said of the
song though as Dannii Minogue took it to number eight in
1991. The 1998 UK number one, "Because We Want To" by "Billie" reminds me of this song for no apparent reason. It just seems to have that 1980 sound about it. |
| 32 | Michael Jackson | She's Out Of My Life |
| First things
first, yes, it is a good song and deserved to reach
number three. BUT, Michael's performance in the promo
made me cringe. Were we really expected to believe that
he was genuinely crying because of the song ? It wasn't as if it would have been the first time he heard the song would it ? |
| 33 | Mystic Merlin |
Just Can't Give You Up |
| This was just another of those disco songs that happened to be there and that was it. It sounds ok now, but I'd probably have a different opinion if I was hearing it everyday. It reached number 20. |
| 34 | Average White Band |
Let's Go Round Again |
| Average White Band were in the top 40 for the first time in Four years. "Let's go Round Again" got as high as number 12, then they vanished again. This song was later a hit all over again when recorded by 'Louise' in 1997. |
| 35 | Sex Pistols |
(I'm Not Your) Stepping Stone |
| The
Swindle continued, this song isn't even in the film. That's what the publicity machine proclaimed about this one. Well, after having two hits with Rock 'N' Roll classics that appealed to to the very people they seemed to set out to alienate, why not release a cover of a song from the days of flower power and hippies, in for a penny as they say ? It was a cover of the song on the B Side of "I'm A Believer" by the Monkees. I'm not as 'taken in' by the Pistols as I used to be, but I still think that this was quite a good cover on the whole. Quite ironic how some of their best songs were covers of music that they'd tried to overthrow. They really ought to have tried covering "Freebird", "Big Yellow Taxi" and "I Feel I'm Fixing To Die Rag". It reached number 21, and their next hit didn't arrive until "Anarchy In The UK" was re-issued in 1992. |
| 36 | Iron Maiden |
Sanctuary |
| Horrible thrashy kind of thing that peaked at number 29. |
| 37 | Darts |
Let's Hang On |
| When Darts first appeared at the end of 1977, I wasn't keen. The last thing I wanted to see in the chart was another band playing covers of 50's hits, Showaddywaddy were already testing my patience far enough. But from their third single, they had started to cover 60's songs instead, and I could live with that. More than that, they were also very good at it, "Let's Hang On" was no exception. It reached number 11, but was sadly the last top 40 hit for a band that I now remember with fondness. |
| 38 | Elton John |
Little Jeanie |
| Very nice song from the "21 At 33" album. It only reached number 33 over here, but did much better in the US where it peaked at number three. |
| 39 | Olivia Newton John & E.L.O. |
Xanadu |
| These
acts were very grateful for the Top Of The Pops strike
that summer. With it being the title track from a film,
it got enough promotion to push it to number one for two
weeks. It was a pretty good soundtrack as these things
go, with a healthy number of E.L.O. songs, and Olivia
collaborating with everyone else in the film. More
singles from the soundtrack will be discussed later in
the year. Strange that after all those years of great singles, this was the only number one that E.L.O. achieved. |
| 40 | Saxon |
747 (Strangers In The Night) |
| Saxon were another band to have taken advantage of the metal revival. This number 13 peaking single from their "Wheels Of Steel" album was their second hit of the year. It was a good single, and had nothing at all to do with Frank Sinatra. |
This was in the top 50 this week, but failed to reach the top 40.
| Barbara Dickson | In The Night |
| No saturation airplay meant no hit for Barbara. I don't remember it. It reached number 48. |
Disclaimer All comments concerning the
quality of the songs in this and any other chart, are purely my
opinion and not a statement of fact. I believe that we are all
equal when it comes to deciding what makes a good song. I do not
believe that good songs have to be serious or dull. I am of the
opinion that if a single sells many copies, then many people like
it, so it must be good whether I like it or not. Good music is
everything YOU like, and it's also everything I like.
ON TO THE
FOLLOWING WEEK
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Email: nige@innotts.co.uk
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