

1980
Week 22
WEEK ENDING 31ST MAY 1980
TOP 40 SINGLES
| TW | LW | ||||
| 1 | 6 | Mash | Theme From Mash (Suicide Is Painless) | ||
| 2 | 2 | Hot Chocolate | No Doubt About It | ||
| 3 | 1 | Johnny Logan | What's Another Year | ||
| 4 | 3 | Michael Jackson | She's Out Of My Life | ||
| 5 | 10 | Gary Numan | We Are Glass | ||
| 6 | 7 | Roxy Music | Over You | ||
| 7 | 4 | Beat | Mirror In The Bathroom | ||
| 8 | 18 | Specials | Rat Race / Rude Boys Outa Jail | ||
| 9 | 25 | Lipps Inc | Funky Town | ||
| 10 | 5 | Dexy's Midnight Runners | Geno | ||
| 11 | 8 | Jimmy Ruffin | Hold On To My Love | ||
| 12 | 17 | Average White Band | Let's Go Round Again | ||
| 13 | 28 | Don McLean | Crying | ||
| 14 | 13 | Whitesnake | Fool For Your Loving | ||
| 15 | 12 | Nolans | Don't Make Waves | ||
| 16 | 9 | Narada Michael Walden | I Shoulda Loved Ya | ||
| 17 | 19 | Crown Heights Affair | You Gave Me Love | ||
| 18 | 26 | Matchbox | Midnight Dynamos | ||
| 19 | 27 | Jona Lewie | You'll Always Find Me In The Kitchen At Parties | ||
| 20 | NEW | Lambrettas | D-A-A-Ance | ||
| 21 | 23 | Jermaine Jackson | Let's Get Serious | ||
| 22 | 34 | Roberta Flack & Donny Hathaway | Back Together Again | ||
| 23 | 24 | Mystic Merlin | Just Can't Give You Up | ||
| 24 | 11 | Paul McCartney | Coming Up | ||
| 25 | NEW | E.L.O. | I'm Alive | ||
| 26 | 39 | Orchestral Manoeuvres In The Dark | Messages | ||
| 27 | 35 | Junior Murvin | Police And Thieves | ||
| 28 | 20 | Motorhead | Golden Years (EP) | ||
| 29 | NEW | Manhattan Transfer | Twilight Zone-Twilight Tone | ||
| 30 | 16 | Kate Bush | Breathing | ||
| 31 | NEW | Korgis | Everybody's Got To Learn Sometime | ||
| 32 | 32 | UK Subs | Teenage | ||
| 33 | NEW | Peter Gabriel | No Self Control | ||
| 34 | 15 | David Essex | Silver Dream Machine | ||
| 35 | NEW | Cockney Rejects | I'm Forever Blowing Bubbles | ||
| 36 | NEW | Stiff Little Fingers | Nobody's Hero / Tin Soldiers | ||
| 37 | NEW | Thin Lizzy | Chinatown | ||
| 38 | 40 | New Musik | This World Of Water | ||
| 39 | 33 | Bad Manners | Ne-Ne-Na-Na-Na-Na-Nu-Nu | ||
| 40 | NEW | Detroit Spinners | Body Language |
| 1 | Mash |
Theme From Mash (Suicide Is Painless) |
| I didn't like the
film, I didn't like the TV show either, but this was
alright. There didn't seem to be a good reason for
releasing it as a single some ten years after the event,
but it turned out to be a very wise decision. Two weeks
after entering at number 23, it was spending the first of
three weeks at number one. But they were lying. I tried to cut my wrists with broken glass and it hurt. Explanation - I was drunk and on/off girlfriend Bridget wouldn't speak to me at a party, so I left and found some broken glass. YES, I still feel a bit of a dickhead when I think about that incident. It was three years later before I tried it for real. |
| 2 | Hot Chocolate |
No Doubt About It |
| Hot Chocolate had failed to make the top 40 at all in 1979 (they'd stopped just short a couple of times though) for the first year since they made their first appearance in 1970. "No Doubt About It" put them back in the picture with it's eventual number two placing. It was apparently written after vocalist 'Errol Brown' had an encounter with visitors from outer space. I'm only repeating what he said, besides I personally know someone who's also seen a UFO, so there :-P. |
| 3 | Johnny Logan |
What's Another Year |
| This was the Eurovision Song Contest winner of 1980 and was the first of three consecutive years where the Eurovision winning song was to go on to top the UK charts. This was on top for (you've guessed it) two weeks. I have to admit that I like this song and it doesn't really sound like a typical Eurovision thing. |
| 4 | Michael Jackson | She's Out Of My Life |
| First things
first, yes, it is a good song and deserved to reach
number three. BUT, Michael's performance in the promo
made me cringe. Were we really expected to believe that
he was genuinely crying because of the song ? It wasn't as if it would have been the first time he heard the song would it ? |
| 5 | Gary Numan |
We Are Glass |
| The last Gary Numan single to make the top five, and the last one from him that I rushed out and bought in the week of release. Upon entering at number ten, it looked like a future number one, but it stalled at number five the following week. |
| 6 | Roxy Music |
Over You |
| Adequate single from the 'Flesh And Blood' album. Best listened to in the summertime, reached number five. |
| 7 | Beat |
Mirror In The Bathroom |
| Another song that reminds me of Saturday afternoons in the Duke Of Wellington pub. It's also (in my opinion) the best single that the Beat released. It reached number four, and a re-mix hit number 44 in 1996. |
| 8 | Specials |
Rat Race / Rude Boys Outa Jail |
| The fourth hit single for the Specials, and one that was involved in a chart battle with Gary Numan's "We Are Glass" in it's first week of release. Fifteen years or so later, these two singles would have entered the chart in the top two positions. But in 1980, debuts inside the top twenty weren't too commonplace, let alone the top five. While Gary entered at number ten, this entered at a respectable number 18. But the contest was deemed a draw as this matched the eventual number five peak of Mr Numan's single. |
| 9 | Lipps Inc |
Funky Town |
| This single doesn't seem to be held in very high regard these days. I still like it myself and think that it was a deserved number two smash, very typical of the era. But, there was an awful cover of it by Pseudo Echo that reached number eight in 1987. |
| 10 | Dexy's Midnight Runners |
Geno |
| Dexy's Midnight Runners had been to number 40 in February with their previous single "Dance Stance". This time they made it to the opposite end of the top 40 and spent two weeks there. A strange fact about 1980 is that 14 of the 24 number ones this year resided at the top for two weeks. |
| 11 | Jimmy Ruffin |
Hold On To My Love |
| Jimmy Ruffin was
on the comeback trail with this Bee Gees produced, Robin
Gibb/Blue Weaver written song. This first hit in six
years reached number seven, but no further singles
charted. The women allways selected this on the Duke Jukebox. |
| 12 | Average White Band |
Let's Go Round Again |
| Average White Band were in the top 40 for the first time in Four years. "Let's go Round Again" got as high as number 12, then they vanished again. This song was later a hit all over again when recorded by 'Louise' in 1997. |
| 13 | Don McLean |
Crying |
| Excellent cover of the Roy Orbison minor hit from 1961, but I did get fed up of it after a while. It spent three weeks at number one. |
| 14 | Whitesnake |
Fool For Your Loving |
| Whitesnake were
making their top 40 debut with this, and it peaked at
number 13 . This sounded not unlike the recent Rainbow
hit "All Night Long". I wonder why this was so
:> In a Record Mirror interview at the time, Whitesnake leader "David Coverdale" said something along the lines of "If I ever see Ritchie Blackmore (Rainbow) again, I'll kick his head in". I mentioned this to Rainbow fan Martin Roberts (one day older than me) in the Vaults pub one Saturday afternoon. He replied that Rainbow were better than Whitesnake. No, I didn't get it either. |
| 15 | Nolans |
Don't Make Waves |
| This was the third of the eight top 40 hits enjoyed by the Nolans. "Don't Make Waves" reached number 12, but wasn't a patch on "I'm In The Mood For Dancing" |
| 16 | Narada Michael Walden |
I Shoulda Loved Ya |
| Narada Michael
Walden was having his second top 40 hit of the year, and
climbed to number eight with "I Shoulda Loved
Ya". Personally I preferred his previous single
"Tonight I'm Alright". He would have to wait eight years for his next hit. He was still kept busy with a lot of production work for other artists throughout that time. |
| 17 | Crown Heights Affair |
You Gave Me Love |
| And this was
another of those great disco singles sounded good on the
radio, great in the clubs and made you feel happy. It
reached number ten. This song was sampled by Utah Saints on "Believe In Me" in 1993 (I liked that too). |
| 18 | Matchbox | Midnite Dynamos |
| They claimed to be the "Midnite Dynamos". Can't think of a much better place for them, than dangerously close to the spokes of the back wheel of a bike. It reached number 14, but they did get better after this one. |
| 19 | Jona Lewie |
You'll Always Find Me In The Kitchen At Parties |
| I don't know
whether I should call this number 16 peaking hit a
novelty record or not. It was bearable anyway. It was
also the first time that many will have seen Kirsty
MacColl on Top Of The Pops as she was one of Jona's
backing singers. I don't know whether she was on the
actual recording though. Kirsty and the other girl backing singer used to do a funny dance about two thirds of the way through the song. Steven Jones used to take great delight in persuading me to do it after a few pints as it played on the Vaults jukebox (maybe that was the real reason for the "Mash" thing). |
| 20 | Lambrettas |
D-A-A-Ance |
| The second of the two top forty hits enjoyed by these 'new mods'. Better than "Poison Ivy", but that doesn't say much for it. It reached number 12. |
| 21 | Jermaine Jackson | Let's Get Serious |
| One of the biggest disco singles of a great year for disco. It sounded great on the radio, and magnificent in the clubs, especially the 12 inch. It beat anything by Michael that year hands down. Reached number eight. |
| 22 | Roberta Flack & Donny Hathaway |
Back Together Again |
| This was Roberta's
first top ten hit since "Killing Me Softly With His
Song" had reached number six in 1973. It was Donny's
only UK hit ever, but he hadn't lived to enjoy it. It was
one of the sounds of that summer and peaked at number
three. Inner City reached number 49 with their cover of this in 1993. |
| 23 | Mystic Merlin |
Just Can't Give You Up |
| This was just another of those disco songs that happened to be there and that was it. It sounds ok now, but I'd probably have a different opinion if I was hearing it everyday. It reached number 20. |
| 24 | Paul McCartney |
Coming Up |
| Paul McCartney was
having his biggest hit since the 1977 number one
"Mull Of Kintyre". Surprisingly, despite
climbing from number 62 to number 7, and then climbing to
two, it progressed no further. The B side of this single
was a live version of the A side and was released as the
A side in the States, where it climbed to number one.
Note that Paul was now solo and not going under the
banner of 'Wings'. It has been reported that this song prompted John Lennon to return to recording as Paul had finally "done something good". |
| 25 | E.L.O. |
I'm Alive |
| Just another E.L.O. single, and the first from the "Xanadu" soundtrack. Having said that, it did sound good in the film as the paintings on a wall came to life. It peaked at number 20. |
| 26 | Orchestral Manoeuvres In The Dark |
Messages |
| The first hit for
a band that would continue to chart right to the end of
the following decade. Great name for a band, and a great
debut hit (even though they did better it a few times).
It reached number 13. Twenty years later vocalist Andy McCluskey was the man behind girl group 'Atomic Kitten'. |
| 27 | Junior Murvin |
Police And Thieves |
| I wasn't very keen on the version that the Clash did on their debut album. I liked this even less. It reached number 23. |
| 28 | Motorhead |
Golden Years (EP) |
| Motorhead entered at their highest chart position to date (#23) with "Golden Years EP", and they rose to number eight the following week before falling. The lead track was "Dead Men Tell No Tales". I've never been a buyer of Motorhead albums, but have liked a few of their singles. So when they toured in the Spring of '82, I went along to Deeside Leisure Centre to see them (ticket cost 4 pounds). The support bands, 'Tank' & 'Raven' were quite good (I think 'Budgie' were on too), but apart from the familiar songs Motorhead were just an endless barrage of noise. I spent most of their set in the refreshment area. |
| 29 | Manhattan Transfer | Twilight Zone - Twilight Tone |
| They always seemed
to come along with something different didn't they ? It began with the familiar Twilight Zone theme, and then we were told some Twilight Zone type stories in song. Surprisingly, it only reached number 25. |
| 30 | Kate Bush |
Breathing |
| This was Kate's first new material in 18 months and I found it slightly disappointing. It reached number 16. |
| 31 | Korgis |
Everybody's Got To Learn Sometime |
| The inspiration behind at least two big dance hits. This original version was of course a really nice song that reached number five. It was then sampled by someone on an underground dance track that did the rounds for a couple of years. Baby D later sampled it and took it to number three in the summer of 1995. I can't get it out of my head that someone else sampled it at around that time too. But still they won't leave it alone, it was sampled yet again in the early twenty first century, but I can't remember who by. |
| 32 | UK Subs |
Teenage |
| Yes, they were still around. This ws the fifth time in less than a year that the UK Subs had a single peak in the lower half of the forty (#32 this time). I don't remember how this goes, but I'm almost certain I liked it. I think it's time that I bought that UK Subs compilation CD. |
| 33 | Peter Gabriel |
No Self Control |
| The second single from the third Peter Gabriel album to be titled simply "Peter Gabriel". Not as instant as "Games Without Frontiers", but a good one anyway. It spent just one week in the top 40. |
| 34 | David Essex | Silver Dream Machine |
| David Essex was back with his first top ten hit in almost two years with the title song from his latest movie "Silver Dream Racer". This one peaked at number four. These days David seems to concentrate solely on cover versions, his recent albums being collections of such. If only David was a skinhead with a few scars on his face and spoke about his music being his 'art', instead of being a happy pretty loveable chappy, then he may still have been having hits today. |
| 35 | Cockney Rejects |
I'm Forever Blowing Bubbles |
| Fifteen years after 'West Ham United Cup Final Squad' had taken this to number 31, it was given a new lease of life by this mob. This was the only week that it spent in the top 40, and was the last week ever in the 40 for the Rejects. |
| 36 | Stiff Little Fingers |
Nobody's Hero / Tin Soldiers |
| Not as good as "At The Edge", but not a bad track, almost catchy in places. Peaked at number 36. |
| 37 | Thin Lizzy |
Chinatown |
| It took a long time, but it finally reached number 21 in it's seventh chart week. It was the title track from the last really good Lizzy album to be released. |
| 38 | New Musik |
This World Of Water |
| New Musik were having the second of their three top 40 hits this year, but this one only reached number 31, a far cry from the number 13 peak of their previous hit "Living By Numbers". I preferred this one myself. |
| 39 | Bad Manners |
Ne-Ne-Na-Na-Na-Na-Nu-Nu |
| Bad Manners were having the first of nine top 40 hits they would have over a two year period, and peaked at number 28. It was predominantly an instrumental track with ne-ne etc. repeated many times by a bald fat bloke, complete rubbish really. |
| 40 | Detroit Spinners |
Body Language |
| The follow up to
their number one single "Working My Way Back To
You" spent just one week in the chart. It contained
elements of "Let's All Chant", the bit that
goes "Your body, my body". "Body Language" doesn't seem to be a very lucky title for songs anyway. Besides this only reaching number 40, the Dooleys' run of hit singles came to an end when they released a song with this title later the same year. In 1982, Queen followed the number one "Under Pressure" with the number 25 peaking "Body Language". Then in 1990, 'Adventures Of Stevie V' followed the number two hit "Dirty Cash" with the number 29 peaking "Body Language". |
This was in the top 50 this week, but failed to reach the top 40.
| Grace Slick | Dreams |
| I like Grace's voice, but I'm not sure that this was the right song for her. This was her only solo top 75 entry, and it peaked at number 50. |
Disclaimer All comments concerning the
quality of the songs in this and any other chart, are purely my
opinion and not a statement of fact. I believe that we are all
equal when it comes to deciding what makes a good song. I do not
believe that good songs have to be serious or dull. I am of the
opinion that if a single sells many copies, then many people like
it, so it must be good whether I like it or not. Good music is
everything YOU like, and it's also everything I like.
ON TO THE
FOLLOWING WEEK
BACK TO THE PREVIOUS WEEK
BACK TO THE 1980 INDEX
THE REMEMBER WHEN ARCHIVES
GOLDEN DAYS INDEX
Email: nige@innotts.co.uk
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