

1980
Week 1
WEEK ENDING 5TH JANUARY 1980
TOP 40 SINGLES
| No. | LW | ||||
| 1 | 1 | Pink Floyd | Another Brick In The Wall | ||
| 2 | 2 | Abba | I Have A Dream | ||
| 3 | 4 | Fiddlers Dram | Day Trip To Bangor | ||
| 4 | 5 | Tourists | I Only Want To Be With You | ||
| 5 | 10 | Pretenders | Brass In Pocket | ||
| 6 | 7 | Paul McCartney | Wonderful Christmas Time | ||
| 7 | 6 | Sugarhill Gang | Rappers Delight | ||
| 8 | 3 | Police | Walking On The Moon | ||
| 9 | 8 | Gibson Brothers | Que Sera Mi Vida | ||
| 10 | 9 | Three Degrees | My Simple Heart | ||
| 11 | 12 | Michael Jackson | Off The Wall | ||
| 12 | 13 | David Bowie | John I'm Only Dancing (Again) | ||
| 13 | 25 | Elvis Presley | It Won't Seem Like Christmas Without You | ||
| 14 | 11 | Donna Summer & Barbra Streisand | No More Tears (Enough Is Enough) | ||
| 15 | 17 | Rose Royce | Is It Love You're After | ||
| 16 | 14 | Blondie | Union City Blue | ||
| 17 | 20 | Beat | Tears Of A Clown | ||
| 18 | 16 | Status Quo | Living On An Island | ||
| 19 | 18 | Moody Blues | Nights In White Satin | ||
| 20 | 28 | K.C. & The Sunshine Band | Please Don't Go | ||
| 21 | 32 | Chic | My Feet Keep Dancing | ||
| 22 | 19 | Madness | One Step Beyond | ||
| 23 | 24 | Skids | Working For The Yankee Dollar | ||
| 24 | NEW | Billy Preston & Syreeta | With You I'm Born Again | ||
| 25 | 22 | Matchbox | Rockabilly Rebel | ||
| 26 | 15 | E.L.O. | Confusion/Last Train To London | ||
| 27 | 30 | Mike Oldfield | Blue Peter | ||
| 28 | NEW | The Greedies | A Merry Jingle | ||
| 29 | 29 | Clash | London Calling | ||
| 30 | 36 | Kurtis Blow | Christmas Rappin | ||
| 31 | 21 | Dr. Hook | When You're In Love With A Beautiful Woman | ||
| 32 | 26 | Queen | Crazy Little Thing Called Love | ||
| 33 | 33 | Sheila B. Devotion | Spacer | ||
| 34 | 35 | M | Moonlight And Muzak | ||
| 35 | 40 | Lena Martell | One Day At A Time | ||
| 36 | 38 | Boney M | I'm Born Again | ||
| 37 | 31 | Ramblers | The Sparrow | ||
| 38 | 34 | Diana Ross | It's My House | ||
| 39 | NEW | Booker T And The MGs | Green Onions | ||
| 40 | NEW | Nolans | I'm In The Mood For Dancing |
| 1 | Pink Floyd |
Another Brick In The Wall |
| This five week number one single was the last number one of the seventies and the first of the eighties. Quite an unusual single to be the Christmas number one considering the type of singles that usually achieve the honour. It had been Pink Floyd's first single release in the UK for 11 years, and their first hit single for 12 years. They weren't eager to follow it either, as they didn't release their next single until August 1982. |
| 2 | Abba |
I Have A Dream |
| When the 'Voulez-Vous
album had been released the previous May, this track
always looked a probable single. But by the time October
arrived a single release looked unlikely, as six of the
album's ten tracks had already been lifted as singles and
b.sides. Then came December and a rush release in time
for Christmas saw it spend four weeks at number two.
Funny the afore mentioned album was the only one by Abba
to produce four hit singles, yet not one of them reached
number one. Twenty years later, this song finally made number one when covered by Westlife. |
| 3 | Fiddlers Dram | Day Trip To Bangor |
| This had been the novelty hit of the Christmas period, but it wasn't what it seemed. The Bangor in question is a small city in North Wales that doesn't have ferris wheels and the like. All it has is a University and a couple of nice bridges. Apparently, the song was really about another North Wales coastal town called Rhyl, but changed to Bangor for the sake of Rhyme. Coming from that area myself, I can see how that could in fact be true. I went to Rhyl on daytrips so many times as a child that I now don't care if I never see the place again. Shortly after this hit had charted my local newspaper 'The Wrexham Evening Leader' ran an article about a band from Rhyl who had decided to get their own back by releasing a single called "Rhylsville", it sank without trace ! |
| 4 | Tourists |
I Only Want To Be With You |
| This was the first top ten hit to feature the talents of 'Annie Lennox' and 'Dave Stewart'. Just like the two previous hit versions by 'Dusty Springfield' & 'Bay City Rollers', this single had peaked at number four. A later cover by 'Samantha Fox' in 1989 didn't keep up the success though, and peaked at number 16. |
| 5 | Pretenders | Brass In Pocket |
| The two previous singles by the Pretenders (Stop Your Sobbing & Kid) had peaked at numbers 34 & 33. When this single climbed just three places from 33 to 30 in the middle of December, it looked as though it wasn't going to fare much better. But it then amazingly climbed 20 places to number ten, before kicking off the New Year by climbing to five, to three and then finally to number one. As was the case with the first five number ones of 1980 (and with a further nine of that year's number ones), it stayed on top for two weeks. It then quickly dropped down the chart and it's last week on the chart was at number 19. |
| 6 | Paul McCartney |
Wonderful Christmas Time |
| Even some die hard
McCartney fans would dismiss this as seasonal rubbish.
Not me though, I love Christmas singles and have a box
full of them. Christmas songs always bring back memories
of childhood Christmas's. Waking up some 30 minutes after
my parents had gone to bed, waking up my brother and
sister, sneaking downstairs with our Bolster (sp)
pillowcases full of presents. Taking it in turns to open
a present each, right down to the apple, orange and nuts
at the bottom of the 'sack'. From 1973 onwards, any
records received would be listened to and then the radio
would be switched on for Ed Stewart's 'Junior Choice'. My
Mum would eventually get up and cook breakfast (always a
good one on Christmas day), while telling us to clear
away the wrapping paper. My Dad would then get up with
the most enormous hangover. The TV would then be switched
on and would remain on for most of the day. That massive
meal called Christmas Dinner would be eaten at around One
O'Clock (the time northerners call Dinner time), and
eaten just in time for Christmas Day Top Of The Pops.
This was of course the highlight of Christmas and one of
the most watched TV shows of the whole year. All of the
year's number ones would be featured between this show
and part two which would sometimes be broadcast on Boxing
Day, and other times on New Years Day. Some number two
hits would occasionally feature on these shows too. Another massive meal would follow at tea time (5-6ish), it's amazing that I didn't grow up as big as Barry White. Soon afterwards, both BBC 1 and ITV would have a programme called something like "Christmas Night With the Stars". These shows would have specially recorded 5 minute versions of the most popular programmes from the past year. This would be followed by something like "A Val Doonican Christmas" or something similar on on ITV, while BBC would have Morecambe And Wise. The "Mike Yarwood Show" would follow later, but by then I'd be fast asleep in bed. But it didn't end there, I loved the whole thing right through, and thought it so unfair if I had to go back to school on the 11th day of Christmas. Yes, Paul McCartney knew what he was singing about, and don't you just hate people who try and put a dampner on it by saying things like "I'll be glad when it's over" ? Paul hit number six. |
| 7 | Sugarhill Gang |
Rappers Delight |
| Back in the early
days of rap I was a big fan and in the minority. In fact
I liked all this stuff until the latter part of the
eighties when they decided to just start shouting
unintelligible lyrics and throw in a few "Everybody
In The House"s and "Put Your Hands In The Air
Like You Just Don't Care"s (and start shooting each
other of course). "Rappers Delight" is credited
as being the first Rap hit in the UK (though there had
been a few singles that weren't far away from rap in the
past, including the recent "Reasons To Be Cheerful
Pt. 3" by Ian Dury), and had shot quickly up the
chart to a number three peak. This genre has never been far away from controversy, and there was a problem back then too. This single had used the bass line from "Good Times" by 'Chic', and the Chic organization were not too pleased about it. Eventually a compromise was reached and the label credited Nile Rodgers and Bernard Edwards as writers, with no mention of Sylvia Robinson who'd written the rap. The label also clearly stated "Based on the song Good Times by Chic". As well as the regular 7 inch single with 3 minute and 6 minute versions, a 12 inch was released with a mammoth 15 minute version. That version is so good that I still listen to it in it's entirety very often. |
| 8 | Police | Walking On The Moon |
| A little daft
really wasn't it ? "Giant steps are what you take, walking on the moon, I hope my legs don't break, walking on the moon" Somehow, they got away with it and spent a week at number one. The B side "Visions Of The Night" wasn't bad though. |
| 9 | Gibson Brothers |
Que Sera Mi Vida |
| An extremely catchy single that quickly reached a peak of number five to become their biggest ever hit. I remember hearing this a couple of times in the last few hours of the '70s. |
| 10 | Three Degrees |
My Simple Heart |
| A number nine hit, this was the last single that the Three Degrees ever placed on the chart. It was their tenth hit in six years, but it sounds very much as though they are singing "Bicycle Part" and not "My Simple Heart". |
| 11 | Michael Jackson |
Off The Wall |
| For some reason
that I can't fathom out, this reminds me of New Years Eve
from that year. This is strange, because on New Years Eve
1979, Radio One came on air at 6:00am with the 100th best
selling single of the decade ("See My Baby Jive"
by Wizzard), and for the remainder of the day counted
down the remainder of the top 100 selling singles as well
as the top 100 albums of the decade. So, the only way that I could have heard this song that day, was if I had heard it at the New Years Eve disco in the Wynstay Arms. But I don't thnk I did. It was the title track and second single release from Michael's big solo comeback album. Not as 'disco' as "Don't Stop 'Til You Get Enough", but it did seem to be a much more interesting song. It peaked at number seven. |
| 12 | David Bowie |
John I'm Only Dancing (Again) |
| David was ending the seventies with a song that had first charted in 1972 when it made number 12. This was a version recorded during the 'Young Americans' sessions in early 1975 and was very different to the original. I prefer this version myself. The B Side was an alternative take from the 1972 sessions. This version also reached number 12. |
| 13 | Elvis Presley |
It Won't Seem Like Christmas Without You |
| Elvis had now been dead over two years, but the hits still kept on coming. This was actually quite good and was a grand showcase for his vocals. It peaked at number 13. |
| 14 | Donna Summer & Barbra Streisand |
No More Tears (Enough Is Enough) |
| Put two talented
women together and this is what you get. Because of them
not being signed to the same record company, the seven
inch single was released on Donna's label 'Casablanca'
and backed with Donna's "Lucky". While the
Twelve inch was released on Barbra's 'CBS' with her
"Wet" on the B Side. I thought this was quite
strange considering that Donna's songs were more suitable
for twelve inch. Whatever label it was on, this 12 inch was a classic. It began just as it's seven inch cousin did, it built up, seemed as though it would subside a little, then just carried on. The "It's raining" bit came on again but in time with the faster beat. At times it seemed like a duel between the two as to who could hold a note the longest. Absolutely brilliant. Two weeks at number three. |
| 15 | Rose Royce |
Is It Love You're After |
| This is the one with 'that intro', the one that was sampled, ripped off, whatever by S Express eight years later. This was the seventh hit for the band and also the last (apart from a 1988 re-issue). It took eight weeks to reach number 13. |
| 16 | Blondie |
Union City Blue |
| This is the
Blondie single that almost everyone seems to rate highly,
but didn't go out and buy. This peaked lower than any of
their previous seven singles (which included two number
ones and a number two from earlier in 1979) and only got
to number 13. I've often heard it said on TV and Radio and read in books that this was from Debbie Harry's film 'Union City', but it wasn't. |
| 17 | Beat |
Tears Of A Clown |
| Another release from the 'Two Tone' label, and one that peaked at number six. This was of course a Ska cover of the Smokey Robinson And The Miracles hit, and was the first of seven top 40 hits for the band in an eighteen month period. Rather annoyingly they had to change their name to 'English Beat' for the release of their records in the States to avoid confusion with another band. |
| 18 | Status Quo |
Living On An Island |
| A very strange choice of track to be given a single release considering their usual output. A much more gentle track that for some reason had penguins on the picture sleeve. It Reached number 16. |
| 19 | Moody Blues |
Nights In White Satin |
| Another attempt by
the Moody Blues to capture the Christmas number one spot
with this song. In 1967 they were too late and didn't
break into the top 40 until the first chart of the
following year, climbing slowly to a number 19 peak in
February. The 1972 release charted in good time in the first chart of December, and reached a number nine peak in the first chart of 1973. This time it entered the chart in the last week of November and spent 2 weeks at number 14 just before Christmas. |
| 20 | K.C. & The Sunshine Band | Please Don't Go |
| This was Howie and the boys' biggest hit to date. Completely different sounding to their eight previous hits, which was a good move for them as people seemed to be tiring of their brand of disco music judging by the chart positions of their last four hits (and the ones that were not hits). Even so, they would have to wait over three years before they hit the chart again, and that was with their number one smash "Give It Up". "Please Don't Go" was revived and given the dance treatment by KWS in 1992 and taken to number one, but it isn't the only KC song to have been revived over the years. "That's The Way (I Like It)" was taken to number 22 by 'Dead Or Alive' in 1984, and was charting again early in 1998, courtesy of a cover by 'Clock'. At the same time, a cover of "Get Down Tonight" renamed "Bamboogie" was taken to the upper reaches of the chart thanks to 'Bamboo'. |
| 21 | Chic |
My Feet Keep Dancing |
| The last of seven hits for Chic (OK, OK, I know about the '87 remix of Le Freak), and one that I thought deserved a higher placing than it's number 21 peak. |
| 22 | Madness |
One Step Beyond |
| The second hit for Madness was their first on the Stiff label (the first was a one off on Two Tone). The video for this was our first glimpse of them living up to their name. Their first single "The Prince" had been a tribute to their Ska idol 'Prince Buster', while this was one of their favourite Prince Buster compositions. It gave them a top ten hit peaking at number seven. |
| 23 | Skids |
Working for The Yankee Dollar |
| The Fourth hit inside a year for the Skids, and the last one to reach the top twenty. It was another single with very slow chart movements as follows, 34-32-28-27-24-24-23-21-20-28. Lead vocalist Richard Jobson is now better known for being a movie critic on Sky TV and for presenting shows on VH1. |
| 24 | Billy Preston & Syreeta |
With You I'm Born Again |
| A very fast
climber up the chart had looked odds on to hit number one
after it's leap from 11 to 2. But it wasn't to be and it
started to drop the following week. This was Billy's
first appearance on the chart since the re-issued "Get
Back" by 'The Beatles with Billy Preston' had gone
to number 28 in 1976. Billy has only ever had one solo UK
top 40 hit, and that was "That's The Way God Planned
It", a number 11 hit in 1969. Syreeta (for people who don't know, Stevie Wonder's ex wife) had two solo hits in 1975, the biggest being "Your Kiss Is Sweet" a number 12 hit. Neither hit the chart again after this big hit, though they did just miss out on a chart placing shortly afterwards when they again teamed up for the highly infectious "It Will Come In Time". |
| 25 | Matchbox |
Rockabilly Rebel |
| I thought Showaddywaddy were getting annoying, but they did nothing as bad as this. It was the first of five hits for Matchbox and easily the most tiresome (they did actually get a little better during the course of 1980). This peaked at number 18. |
| 26 | E.L.O. |
Confusion/Last Train To London |
| A swift follow up to their biggest hit to date ("Don't Bring Me Down") was this double A Side. "Confusion" was typical E.L.O. in the same manner as "Evil Woman", while "Last Train to London" was E.L.O. in "Sweet Talking Woman" mode. Almost the best value E.L.O. single ever (the honour of best value belongs to the 1978 E.P), but considering how big the album 'Discovery' was, it's something of a surprise that a single containing two tracks from that album went to number eight. |
| 27 | Mike Oldfield |
Blue Peter |
| Hardly a stunning piece of work from Mr. Oldfield. It was a reworking of the theme from a children's TV show that most kids hated, but the parents liked watching. Mike reached 19 and the show lives on. |
| 28 | The Greedies |
A Merry Jingle |
| This teaming up of Thin Lizzy and the Sex Pistols was a medley of "We Wish You A Merry Christmas" and "Jingle Bells". There wasn't much to it really, but it seemed quite bizarre at the time. An earlier release may have seen it crack the top ten, but all it managed was this one week in the chart. |
| 29 | Clash | London Calling |
| This track had the honour of being the first song heard on Top Of The Pops in the Eighties. They didn't actually appear of course, but it was played as the chart was counted down at the beginning. In reaching number 11, it also held the honour of being the Clash's highest charting single until the re-release of "Should I Stay Or Should I Go" in 1991. It's parent album (also titled "London Calling") was released in time to feature on the last Album chart of the '70's and is many people's choice as the best album of the '80's (others choose it as their best of the '70's). Personally, I don't find it to be anything more than an average album, I much prefer the first two albums. |
| 30 | Kurtis Blow |
Christmas Rappin' |
| Hot on the heels
of the Sugarhill Gang, here was Kurtis with the second
rap single to hit the UK top 40. It only reached number
30, but at least I wasn't led to believe that the old
school rappers had sex with their own mothers. It was all
quite innocent back then. The B Side of this was an instrumental track called "Do It Yourself Rappin' ", and yes, I had a go. But a better track for doing that was the B Side to Chic's "I Want Your Love" 12 inch, a track called "Funny Bone". |
| 31 | Dr. Hook |
When You're In Love With A Beautiful Woman |
| This single by Dr. Hook had been around for about six months before finally becoming a hit over here. I remember hearing it every week on Paul Gambaccini's US chart show, and wondering why it had done nothing here. It finally got released and hit the top for a three week stay making it the band's biggest ever hit. It also launched the bands most successful spell in the UK. |
| 32 | Queen |
Crazy Little Thing Called Love |
| This was Queen's first top five hit for two years, and the fourth of six singles by Queen to peak at number two. It was a slight change of style for the band with a song that wouldn't have seemed out of place in the '50s. It was a good single but all the same, I'm glad that it wasn't a sign of things to come. A nice coincidence is that I saw Brian May at the Nottingham Royal Concert Hall the night before I updated this commentary in 1998, and got more than I bargained for. Being such a big Queen fan, I was terrified of being disappointed with Brian out on his own. But I had no need to worry at all, he was ten times better than I expected. Not only did he perform a great selection from the Queen back catalogue, some of his solo stuff, a tribute to Cozy Powell (including the playing of "Dance With The Devil" as he came out on stage), but he's still one of the greatest guitarists in the world. |
| 33 | Sheila B Devotion |
Spacer |
| Two years on from the disco cover of "Singing In The Rain", the beautiful Sheila was back with a more polished sound courtesy of the 'Chic' organization. This single was a very slow climber and took nine weeks to reach it's peak of number 18, take a look at it's chart run, 35-37-33-33-33-28-22-20-18-19-30. |
| 34 | M |
Moonlight & Muzak |
| It was a long time coming, but here at last was the follow up to the smash hit "Pop Muzik". I always preferered this one, found it a much more interesting song. Sadly, it only reached number 33. |
| 35 | Lena Martell |
One Day At A Time |
| Three weeks at number one for Lena with this Kris Kristofferson song. Lena had been around for a number of years without ever entering the chart before now, and has been around since then without having any further hits. A true one hit wonder our Lena. Lena must be respected as a decent singer and she sure deserved at least one big hit in her life (just a pity that it was this one). |
| 36 | Boney M |
I'm Born Again |
| A very Christmassy single in the vein as "Mary's Boy Child" and I expected it to be at least a top ten hit. But no, it surprisingly stalled at number 35. It was actually a double A side with "Bahama Mama", but that track was a little silly. This was the last of their 11 consecutive UK top 40 hits, but not the end of all their chart activity. |
| 37 | Ramblers |
The Sparrow |
| A little early for the silly season, but it was still around at Christmas anyway. It got as high as number 11 during it's 11 week run and thankfully, this school choir didn't bother us again. |
| 38 | Diana Ross |
It's My House |
| Rather weak track from the otherwise excellent "The Boss" album. In it's second chart week, Diana's version was overtaken by the reggae version of the song by 'Storm'. But that version didn't go higher than it's debut of number 36, while Diana took 7 weeks to make number 32. |
| 39 | Booker T & The MGs |
Green Onions |
| Booker T And The MG's had originally released this single in 1962, when it had reached number two in the USA, but failed to chart at all in the UK. They had to wait until the 1968 release of "Soul Limbo" before finally cracking the UK chart albeit only a number 30 peak. Over the following eight months, they had two further hits, the biggest being the number four "Time Is Tight". Now over ten years later, the re-emergence of the mods (and the Quadrophenia movie) had prompted Atlantic records to re-issue this single, and it peaked at number seven. Not a lot has been heard of Booker T chartwise since then, but there have been a few recent 'remixes' with his name stamped on them. |
| 40 | Nolans |
I'm In The Mood For Dancing |
| Such a promising start to the decade was complimented by the transformation of these sisters from 'Grandparents favourites' into chart stars. They would have seven top twenty hits over the next two years, but this was the biggest, and spent two weeks at number three. Were they to be around now, The Nolans would no doubt be scorned upon in much the same way as the Spice Girls, Steps and boy bands are. But that would be a pity as these girls are gifted with something that has sadly become less important as each year rolls by, They are very talented Singers ! |
These songs were in the top 50 this week, but failed to reach the
top 40.
| Lynyrd Skynyrd | Freebird EP |
| This EP (on which the major track was "Freebird") had already bee released once before. This was in 1976 when it had reached number 31. This time around, it couldn't even get that far, it stalled at number 43. But we still had't heard the last of it, it went to number 21 in the summer of 1982. Great track, and "Sweet Home Alabama" wasn't bad either. I didn't play the other track "Double Trouble" a second time, so I couldn't have liked it. |
Disclaimer All comments concerning the quality of
the songs in this and any other chart, are purely my opinion and
not a statement of fact. I believe that we are all equal when it
comes to deciding what makes a good song. I do not believe that
good songs have to be serious or dull. I am of the opinion that
if a single sells many copies, then many people like it, so it
must be good whether I like it or not. Good music is everything
YOU like, and it's also everything I like.
ON TO THE
FOLLOWING WEEK
BACK TO THE PREVIOUS WEEK
BACK TO THE 1980 INDEX
THE REMEMBER WHEN ARCHIVES
GOLDEN DAYS INDEX
Email: nige@innotts.co.uk