REMEMBER WHEN - 2ND JUNE 1973

1973
Week 22
WEEK ENDING 2ND JUNE 1973

TOP 40 SINGLES

TW	LW
1	1	Wizzard	See My Baby Jive
2	5	Suzi Quatro	Can The Can
3	3	Perry Como	And I Love You So
4	6	Medicine Head	One And One Is One
5	2	Sweet	Hell Raiser
6	4	Dawn	Tie A Yellow Ribbon Round The Old Oak Tree
7	18	Stevie Wonder	You Are The Sunshine Of My Life
8	7	Deodato	Also Sprach Zarathustra (2001)
9	11	Nazareth	Broken Down Angel
10	17	Lou Reed	Walk On The Wild Side
11	12	Detroit Spinners	Could It Be I'm Falling In Love
12	25	Detroit Emeralds	You Want It You Got It
13	23	10 C.C.	Rubber Bullets
14	24	Partridge Family	Walking In The Rain
15	8	Gary Glitter	Hello Hello I'm Back Again
16	10	Roger Daltrey	Giving It All Away
17	28	Fleetwood Mac	Albatross
18	9	Hot Chocolate	Brother Louie
19	13	Anne Marie David	Wonderful Dream
20	35	Stealers Wheel	Stuck In The Middle
21	16	David Bowie	Drive In Saturday
22	32	First Choice	Armed And Extremely Dangerous
23	15	Alice Cooper	No More Mr. Nice Guy
24	21	Chicory Tip	Good Grief Christina
25	20	Status Quo	Mean Girl
26	NEW	Peters And Lee	Welcome Home
27	36	Elvis Presley	Polk Salad Annie
28	14	Wings	My Love
29	26	Shirley Bassey	Never Never Never
30	30	Jeff Beck & Rod Stewart	I've Been Drinking
31	NEW	Gladys Knight And The Pips	Neither One Of Us
32	29	Cliff Richard	Help It Along/Tomorrow Rising
33	NEW	Edgar Winter Group	Frankenstein
34	19	Judge Dread	Big Eight
35	NEW	Junior Campbell	Sweet Illusion
36	22	Geordie	All Because Of You
37	27	Little Jimmy Osmond	Tweedle Dee
38	NEW	George Harrison	Give Me Love (Give Me Peace On Earth)
39	NEW	Hotshots	Snoopy Verses The Red Baron
40	31	Gilbert O'Sullivan	Get Down

Wizzard

See My Baby Jive

This was the second top ten hit by what was basically Roy Wood with a band of people that no one knew the names of. This one went all the way to number one and spent four weeks there.
Roy Wood had previously enjoyed success with 'The Move' and had been a founder member of 'ELO', but he is most fondly remembered as the lead singer of Wizzard. As Glam Rock hit the UK, many acts had began using make up in an attempt to look outrageous. But Roy did it better (or worse ?) than all of the Bowies and Bolans of this world as he went completely over the top. But that shouldn't over shadow what a brilliant pop song this was. It didn't change the world, but music doesn't have to. He never even got close to this peak again. But this proudly stands up as one of the best pop songs of all time. Even today, that intro sends a shiver down the spine as memories of innocent days come flooding back.

Suzi Quatro

Can The Can

Suzi Quatro was having her first hit with a song that stormed up the charts. It entered at number 34, moved up to five, then two, stayed there for a week, followed by a week at number one. Suzi became another of those artists who couldn't be guaranteed a hit with every release. For this reason, you can be sure that each one of her hits over the next seven years was in the chart on merit. Funny how her albums never really sold in the UK. Her eponymous debut was the first album in my collection.

Perry Como

And I Love You So

This was Perry Como's highest charting single since "Delaware" reached number three in 1960. It was also his first hit for two years, and his longest charting single ever, spending 35 weeks in the top 50, and also hitting number three. The song was written by Don McLean, but considering how much money he must have made out of Perry's version, I doubt that he's too upset that most people associate the song with Perry rather than him.
Good song, great singer, Perry passed away in May 2001.

Medicine Head

One And One Is One

Medicine Head peaked at number three with their second (and biggest) hit. They'd had to wait a while for it though. Their first hit "(And The) Pictures In The Sky" had come two years earlier. They wouldn't have to wait as long for their other two hits, they came in the following nine months.

Sweet

Hell Raiser

The Sweet reached number two with "Hellraiser". This was the first of three consecutive number two's for the band. It was deemed to be a big thing amongst school friends that guitarist 'Andy Scott' was from my home town of 'Wrexham'.
The first time that I became aware of this song was early one Sunday afternoon when schoolfriend Malcolm Hughes was singing it. I asked what he was singing and he told me it was the latest by his favourite group "The Sweet" and was called "Hell Raiser". We were waiting for Sunday School to begin !

Dawn

Tie A Yellow Ribbon Round The Old Oak Tree

I remember a friend Allan Davies asking me if I liked the song "Tie A Yellow Ribbon Round The Old Oak Tree". I don't remember my reply, maybe I pretended that I did, but I hadn't heard it. When I did hear it, yes I liked it, and the following December, it was on my list of records that I'd like for Christmas (and I got it).
It climbed quite slowly at first, and didn't make number one until it's seventh chart week. It spent four weeks on top, but it wouldn't go away. By the middle of August, it stood at number 39 and seemed destined to fall out of the chart after 23 weeks. But the follow up, "Gypsy Rose" was now charting and this led to renewed interest in "Ribbon". So the following week, it shot back up to number 29 and spent another couple of weeks in the top 40 after that. They even appeared on Top Of The Pops singing both hits on one particular show. But even that wasn't the end of the story. After a couple of weeks away, it came back for another eight weeks, and then another week after that. In all, it spent 35 weeks in the top 40, and a further five between 41-50. Naturally, it was the best selling single of the year.
A couple of years later, I did the immature thing of course. It was catchy, it was extremely popular, so I hated it (well, you do don't you ?). These days, I don't mind it at all for those very same reasons.

Stevie Wonder

You Are The Sunshine Of My Life

Stevie Wonder made the top ten for the first time in three years with one of his most famous songs. This peaked at number seven. So, my first impression of Stevie was, that he was someone who had his records played on Radio Two's 'Family Favourites'. This was a radio show that was broadcast every Sunday from noon to 2pm, that my parents always listened to. I hated the show.

Deodato

Also Sprach Zarathustra (2001)

Deodato made number seven with his jazzed up version of this classical piece. I remember this as being the last single my Father bought for some time (his next one was surprisingly "Streets Of Philadelphia" by Bruce Springsteen over 20 years later). Deodato had no more hits, but followed this single with his version of "Rhapsody In Blue". He also later released a version of the 'Star Trek' theme, that I bought out of curiosity.

Nazareth

Broken Down Angel

Nazareth reached a peak of number nine with this first of seven hits. It was also included on the 'Hot Tracks' EP in 1977.

Lou Reed

Walk On The Wild Side

Lou Reed peaked at ten with "Walk On The Wild Side". I believe that this was playlisted by the BBC at the time, but then dropped due to it's reference to oral sex. Of course I didn't know what they were talking about, but I do know that BBC TV were quite happily screening Horse Racing where Jockeys could be openly seen using a whip on the exploited animals. Animals were also being used in a lot of variety shows on TV at the time too. I'll leave you to judge which was more obscene.
Back to the song, and two very dodgy cover versions charted in 1990, but Lou himself only managed one more hit in the UK. That was in 1987 when in collaboration with Sam Moore, he reached number 30 with "Soul Man". "Walk On The Wild Side" was taken from his "Transformer" album, an album that also included the much covered song "Perfect Day" that was taken to number one in 1997 by a line up of artists that included Lou himself.

Detroit Spinners

Could It Be I'm Falling In Love

It could get quite confusing with all this Detroit stuff, the Spinners and the Emeralds. Detroit Spinners were having their first hit for three years with "Could It Be I'm Falling In Love". When this entered the chart the Emeralds were having their biggest hit with "Feel The Need In Me", and by a strange coincidence, both that plus this Spinners hit were back in the top 40 during the spring of 1977. By the time this was on it's way out of the chart, The Emeralds were back with their follow up "You Want It, You Got It".
This reached number 11 for the Spinners this time around, and number 32 when issued as the lead track of an EP in '77. It was a much bigger hit when performed as a duet between David Grant and Jaki Graham in 1985 (number five), and was taken to number 15 by 'Worlds Apart' in 1994.

Detroit Emeralds

You Want It You Got It

This didn't sound anything like "Feel The Need In Me", and doesn't stick in the mind either. If I did hear it at the time, I forgot and just had to remind myself of it. Not bad, not good either, just a 'Travis' track (annoyingly average). Reached number 12.

10 C.C.

Rubber Bullets

This was my first ever tip for the top. One Saturday morning I went into Wrexham town centre with my friend 'Allan Davies' in his Mother's car. As we walked into 'Woolworths' he asked me whether I liked "Rubber Bullets" by 10CC. I hadn't even heard it, but I said I liked it anyway. I later told my Mum that I like it and I think that it will go to number one. A few days later my Mum was watching Top Of The Pops (yes, parents used to watch it then) and it came on, so she called me in. You know, I really did like it (my Mum did too). And yes, it spent a week at number one.

Partridge Family

Walking In The Rain

The Partridge Family were having the last of their five hits with the number ten peaking "Walking In The Rain". On their first three hits, they were billed as 'The Partridge Family starring Shirley Jones featuring David Cassidy', while on the last two they were billed as 'The Partridge Family starring David Cassidy'. David had further solo success over the next two years, and another hit in 1985, but Shirley or the rest of the 'family didn't grace the chart again. David is still at large and Ruth is doing a good job over at www.davidcassidy.com.
I didn't really know who the Partridge Family were until this was on it's way down the chart. I then made a point of looking out for their show. I finally caught what turned out to be the last ever episode. They didn't seem to be repeated either until the late spring of 2001 when 'Granada Plus' had a Partridge Family day, so I watched about eight episodes then.

Gary Glitter

Hello Hello I'm Back Again

This was Gary's fourth hit and the third to peak at number two. As I previously said, I wasn't particularly interested in music at the time, but I do remember hearing a lot of this one. I also remember hearing it inside the top twenty when Tom Browne played the top sixty of 1973.
His next single changed my life.

Roger Daltrey

Giving It All Away

Roger Daltrey reached number five with his first and biggest solo hit. "Giving It All Away" was written by the then unknown Leo Sayer.

Fleetwood Mac

Albatross

This was Fleetwood Mac's biggest ever hit. This instrumental had been a number one single in 1969, but just four years later, it was back and on its way back to number two. I can't see any logical reason for it's reissue, but there must have been a good reason at the time. Or maybe it was just a making money thing for CBS. Since late 1969 the band had been signed to 'Reprise', and at the time of this re-issued single, they did have a new album ('Penguin') and single ("Did You Ever Love Me"). It would be over six years before Fleetwood Mac returned to the top ten.

Hot Chocolate

Brother Louie

Hot Chocolate reached number seven with "Brother Louie". This is one that I clearly remember from Top Of The Pops, and hated it at first. I thought "Who are this horrible group with the menacing looking lead singer ?"
It wasn't long though, before I realised just how good this really was.

Anne-Marie David

Wonderful Dream

This number 13 peaking single was the 1973 winner of the Eurovision Song Contest. Even though I watched the contest that year, I quickly forgot about this song. I only became aware of it again on my twelfth birthday in April 1974. That was the day that I was given my first cassette recorder. I was also given a pre-recorded cassette which was a K-Tel compilation titled "Dyna-Mite". "Wonderful Dream" was included on that tape and without realising that it was the Eurovision song, I liked it. I'm pretty sure she had a follow up single released in the UK, but it didn't chart at all.

Stealers Wheel

Stuck In The Middle With You

I first heard this on the top 20 show when I still wasn't really that bothered about listening to it, I think it was the week that it peaked at number Eight. My Sister and I thought that it was a really boring song being sang by a man who was no doubt equally as boring. It wasn't until Christmas 1974 when I listened to K'Tel's "Music Explosion" LP that I began to like it.
In recent times this song has been associated with the awful film 'Reservoir Dogs', and Louise covered it in 2001.
Stealers Wheel launched the 'hit' career of Mr. "Baker Street", Gerry Rafferty.

David Bowie

Drive In Saturday

David Bowie made number three with a song that seldom gets played on the radio. In fact, "Drive In Saturday" has oddly been missing from many of the numerous Bowie compilations to have been released through the years. Happily it finally appeared on two of his 90's released compilations. Quite right too, it's a great track.

First Choice

Armed And Extremely Dangerous

First Choice reached number 16 with this. I expected to see this back in the UK chart during the summer of 1997, courtesy of the 97 re-mix doing the rounds of the clubs. I heard it and it wasn't bad, keeping much of the original in there, still not as good as the original though.

Alice Cooper

No More Mr. Nice Guy

Alice Cooper reached number ten with what was to be his last top ten hit for 16 years. I don't think I heard this until quite a few years later, but consider it to be one of his best. Megadeth also had a hit with this song when their cover was featured in the film 'Shocker' in 1990.

Chicory Tip

Good Grief Christina

Imagine someone listening to Chicory's "Son Of My Father", any of the versions of "Hippy Hippy Shake" and "David Watts", and then attempting to compose a song. I think you'd end up with something like this, a song that gives an initial impression that it's going to be awful, but doesn't turn out too bad at all.
It finally reached number 17 in it's seventh week on the chart, and three weeks later they were spendintg their last ever week in the top 40.

Status Quo

Mean Girl

Status Quo reached number 20 with this old track that had been released by their previous record company 'PYE'. Some of that old stuff was quite good, but I'm not keen on this one.

Peters And Lee

Welcome Home

Fresh from their Opportunity Knocks success, this was the first single release by the gruesome twosome. Without wishing to seem unsympathetic, I think they only won the talent show because Lenny Peters was blind. He certainly couldn't sing, and his voice was so deep that Diane Lee's vocals couldn't be heard. Whatever, this single reached the top in it's eighth week on the chart, and they went on to have four further hits over the next three years.

Elvis Presley

Polk Salad Annie

Elvis peaked at number 23 with a song that few would describe as his best. Shame really, considering that it was the follow up to his top ten hit "Always On My Mind". I remember "Polk Salad Annie" being on the jukebox at the Duke Of Wellington pub in Ruabon some Eight or Nine years later.

Wings

My Love

Paul McCartney's Wings took "My Love" as the only single release from the "Red Rose Speedway" album. It made number nine and also spent nine weeks in the chart.

Shirley Bassey

Never Never Never

Here's another one that seemed to be around forever. It reached number eight in it's fifth week and then stayed around for a further 11 weeks. I knew this one very well due to it being played every week on Family Favourites. This was a radio show that was broadcast every Sunday at Dinner Time on Radio Two (some of you may call it Lunch Time, but we had our main meal of the day at 12:00, so it was indeed Dinner Time).

Jeff Beck & Rod Stewart

I've Been Drinking

"I've Been Drinking" had been recorded by the Jeff Beck group while Rod Stewart was a member during the late 60's. RAK had decided to cash in on Rod's recent success by releasing it as a single. Quite good actually, but it only reached number 27.

Gladys Knight & The Pips

Neither One Of Us

Gladys Knight reached number 31 with this, her final hit on the Motown label. I can't recall hearing this at the time, but the reason for that could be that Radio One and Top Of The Pops were Top 30 based rather than top 40 in those days. Gladys would have to wait two years for her first hit on Buddah records.

Cliff Richard

Help It Along / Tomorrow Rising

Cliff Richard reached number 29 with this. This single took Eurovision a stage further. It had come second in the 'Song For Europe' qualifying thingie, and was now released as the follow up to the actual Eurovision entry "Power To All Our Friends".
Still a couple of months away from leaving the Junior school, I heard this on the radio one morning just before leaving for school. Not that unusual, but at morning break that day, Stephen Meyers expressed his amazement that that some radio stations were broadcasting through the night while most people were asleep. Actually, I think that Radio Two and the World Service were the only British stations to be 24 hour at the time, but I wasn't that impressed anyway.

Edgar Winter Group

Frankenstein

The Edgar Winter Group reached number 18 with this, their only hit. All I can tell you about this lot, is that Dan Hartman (Instant Replay, This Is It, Relight My Fire, I Can Dream About You) was a member of them, and one of them looked like Jimmy Saville.

Judge Dread

Big Eight

Judge Dread reached number 14 with this third hit. This was his last top 40 entry for two years. Naturally this didn't get played on Radio One, and while I don't disagree with the BBC's decision to not play it, I have been thinking about censorship a lot lately. Some people seem to think it makes them appear really "Cool" when they make statements along the lines of "I don't believe there should be any censorship at all". It makes me wonder if these people also think it's ok to have child pornography on the net, or maybe even on the top shelf at their local newsagents. I didn't really have an opinion on whether songs like this should be played on the radio at the time, I just took it as being only natural that they wouldn't be. But in todays (far too relaxed) climate, it would probably be aired on kiddies Saturday morning TV.
Yes, since becoming a Father I have become concerned about what now seems to be acceptable in the media. In a couple of years time, any CDs of my own that I don't want my daughter to hear, I'll be able to put out of harms way. But will I do if we're listening to music on the radio, or watching on MTV etc and there's numerous one second gaps in the sound, each coming after the word "Mother" is rapped ?
How am I going to explain that ?
Or how about the vulgar word for backside that seems to be mispronounced so that they're singing/rapping about donkeys, that one seems compulsary these days. But I don't want her to be going to school as a 3 or 4 year old and telling the teacher that she's fallen on her ar**/ass instead of saying bum or bottom.
Don't take me for a prude, because I'm not. I like Judge Dread, the Sex Pistols, Crass, and (coming up to date) I have both Lil' Kim albums. But where is Mary Whitehouse when we really need her ?
I'd be very interested to hear the views of other parents, particularly those of around my age who remember how it used to be.

Junior Campbell

Sweet Illusion

Junior Campbell reached number 15 with this second and final solo hit. Junior was formally a member of 'Marmalade' with whom he had enjoyed ten hit singles including the 1969 number one "Ob-La-Di-Ob-La-Da". His only other solo hit was 1972's number ten peaking "Hallelujah Freedom", which George Michael had obviously listened to a few times before he wrote Wham's 1984 number one "Freedom".
Junior went on to compose the music for 'Thomas The Tank Engine'.

Geordie

All Because Of You

When I first heard Geordie, I thought that they were Slade imitators. Well, Slade had the heaviest sound I knew at the time, so it was quite natural to make that comparison. But in reality, they were nothing like Slade. They were more like AC/DC than anyone, except that we hadn't even heard of AC/DC at the time. Not only that but the AC/DC I'm talking about is post 1980, when Geordie vocalist Brian Johnson had become the vocalist for AC/DC.
I don't actually remember this single being current, but it was their only top ten hit reaching number six. It has a very mid '70s sound to it, and I couldn't imagine it being a hit at any other time.

Little Jimmy Osmond

Tweedle Dee

This was Little Jimmy's "Stairway To Heaven" !
Well ok, not exactly that, but it was much less annoying than "Long Haired Lover From Liverpool", and that makes it something to be grateful for.
The song had previously been a number 17 hit for Frankie Vaughan and a number 20 hit for Georgia Gibbs (both in 1955). Jimmy took his rendition to number four and spent ten weeks in the top 40.

George Harrison

Give Me Love (Give Me Peace On Earth)

George Harrison was in the chart for the first time in two years with "Give Me Love", and peaked at number eight. I didn't particularly like it at the time, but it's ok now.

Hotshots

Snoopy Verses The Red Baron

The Hotshots reached number four with a song that Royal Guardsmen had taken to number eight in 1967. "Snoopy verses The Red Baron" was a song about a dog flying a plane and defeating the Evil Red Baron in a real dog fight. Don't knock it, it still made more sense than "Block Rocking Beats". If I remember correctly, the drummer was the lead singer with these, and he looked like Rory Bremner (or was that Billy Bremner ?)
The songwords to this were in an issue of Disco 45 that had an orange front cover. My sister and I took great delight in singing this within hearshot of adults, especially our Nana (10, 20, 30, 40, 50 or more, the bloody red baron was running up the score). You see, "Bloody" was considered to be a naughty word in those days.

Gilbert O'Sullivan

Get Down

I like Gilbert O'Sullivan, but I'm not keen on his two chart topping singles. This spent two weeks at number one and could have been good with different lyrics, but instead, was very sickly.

Disclaimer All comments concerning the quality of the songs in this and any other chart, are purely my opinion and not a statement of fact. I believe that we are all equal when it comes to deciding what makes a good song. I do not believe that good songs have to be serious or dull. I am of the opinion that if a single sells many copies, then many people like it, so it must be good whether I like it or not. Good music is everything YOU like, and it's also everything I like.

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